Jim Butcher

“I've always felt that the best whips and chains are in the mind. With a little creativity, the physical ones are hardly necessary.”

“I wish I worried about my uncle's opinions, and had problems to work out with my mom. Hell, I'd settle for knowing what her voice sounded like." I put a hand on her shoulder. "Trite but true—you don't know what you have until it's gone. People change. The world changes. And sooner or later you lose people you care about. If you don't mind some advice from someone who doesn't know much about families, I can tell you this: Don't take yours for granted. It might feel like all of them will always be there. But they won't.”

“I'm dealing with a lot of scary things. I think you have to react to them. And you either laugh at them or you go insane.”

“Life would be unbearably dull if we had answers to all our questions.”

“There are things you can't walk away from. Not if you want to live with yourself afterward.”

“I put on the boots and kicked some monster ass.”

“I love you." Why it worked right then, why the webbing of my godmother's spell frayed as though the words had been an open flame, I don't know. I haven't found any explanation for it. There aren't any magical words, really. The words just hold the magic. They give it a shape and a form, they make it useful, describe the images within. I'll say this, though: Some words have a power that has nothing to do with supernatural forces. They resound in the heart and mind, they live long after the sounds of them have died away, they echo in the heart and the soul. They have power, and that power is very real. Those three words are good ones.”

“I'm amazing and studly, but I have limits.”

“God save me from idealists.”

“We have now left Reason and Sanity Junction. Next stop, Looneyville.”

“Hell's bells, irony blows.”

“Black Court vampires. I just shortened it some."Ebenezar tsked. "Blampires. That's the problem with you young people. Shortening all the words.”

“You can have everything in the world, but if you don't have love, none of it means crap," he said promptly. "Love is patient. Love is kind. Love always forgives, trusts, supports, and endures. Love never fails. When every star in the heavens grows cold, and when silence lies once more on the face of the deep, three things will endure: faith, hope, and love." And the greatest of these is love," I finished. "That's from the Bible." First Corinthians, chapter thirteen," Thomas confirmed. "I paraphrased. Father makes all of us memorize that passage. Like when parents put those green yucky-face stickers on the poisonous cleaning products under the kitchen sink.”

“And it's deadly to us. We can inspire lust, but it's just a shadow. An illusion. Love is a dangerous force." He shook his head. "Love killed the dinosaurs, man." I'm pretty sure a meteor killed the dinosaurs, Thomas." He shrugged. "There's a theory making the rounds now that when the meteor hit it only killed off the big stuff. That there were plenty of smaller reptiles running around, about the same size as all the mammals at the time. The reptiles should have regained their position eventually, but they didn't, because the mammals could feel love. They could be utterly, even irrationally devoted to their mates and their offspring. It made them more likely to survive. The lizards couldn't do that. The meteor hit gave the mammals their shot, but it was love that turned the tide.”

“Love is another kind of power, which shouldn't surprise you. Magic comes from emotions, among other things. And when two people are together, in that intimacy, when they really, selflessly love each other it changes them both. It lingers on in the energy of their lives, even when they are apart.”

“I'd been in hairier situations than this one. Actually, it's sort of depressing, thinking how many times I'd been in them. But if experience had taught me anything, it was this: No matter how screwed up things are, they can get a whole lot worse.”

“A succubus on the set. Strike that, the health-conscious kid sister made it two… succubuses. Succubusees? Succubi? Stupid Latin correspondence course.”

“Jobs are a part of life. Maybe you've heard of the concept. It's called work? See, what happens is that you suffer through doing annoying and humiliating things until you get paid not enough money. Like those Japanese game shows, only without all the glory.”

“It isn't good to hold on too hard to the past. You can't spend your whole life looking back. Not even when you can't see what lies ahead. All you can do is keep on keeping on, and try to believe that tomorrow will be what it should be—even if it isn't what you expected.”

“Sullen monosyllabism, a sure sign of sleep deprivation.”

“So. You get handed a holy sword by an archangel, told to go fight the forces of evil, and you somehow remain an atheist. Is that what you're saying?”

“All of those faeries and duels and mad queens and so on, and no one quoted old Billy Shakespeare. Not even once.”

“I don't believe in faeries!”

“You backbiting, poisonous, treacherous, deceitful, wicked, clever girl. If this works I'll buy you a pony.”

“Bite me, faerie fruitcake.”

“Fear has a lot of flavors and textures. There's a sharp, silver fear that runs like lightning through your arms and legs, galvanizes you into action, power, motion. There's heavy, leaden fear that comes in ingots, piling up in your belly during the empty hours between midnight and morning, when everything is dark, every problem grows larger, and every wound and illness grows worse. And there is coppery fear, drawn tight as the strings of a violin, quavering on one single note that cannot possibly be sustained for a single second longer—but goes on and on and on, the tension before the crash of cymbals, the brassy challenge of the horns, the threatening rumble of the kettle drums. That's the kind of fear I felt. Horrible, clutching tension that left the coppery flavor of blood on my tongue. Fear of the creatures in the darkness around me, of my own weakness, the stolen power the Nightmare had torn from me. And fear for those around me, for the folk who didn't have the power I had.”

“I still can't believe," Michael said, sotto voce, "that you came to the Vampires' Masquerade Ball dressed as a vampire.”

“The married thing. Sometimes I look at it and feel like someone from a Dickens novel, standing outside in the cold and staring in at Christmas dinner. Relationships hadn't ever really worked for me. I think it's had something to do with all the demons, ghosts, and human sacrifice.”

“Magic comes from the heart, from your feelings, your deepest expressions of desire. That's why black magic is so easy—it comes from lust, from fear and anger, from things that are easy to feed and make grow. The sort I do is harder. It comes from something deeper than that, a truer and purer source—harder to tap, harder to keep, but ultimately more elegant, more powerful. My magic. That was at the heart of me. It was a manifestation of what I believed, what I lived. It came from my desire to see to it that someone stood between the darkness and the people it would devour. It came from my love of a good steak, from the way I would sometimes cry at a good movie or a moving symphony. From my life. From the hope that I could make things better for someone else, if not always for me. Somewhere, in all of that, I touched on something that wasn't tapped out, in spite of how horrible the past days had been, something that hadn't gone cold and numb inside of me. I grasped it, held it in my hand like a firefly, and willed its energy out, into the circle I had created with the spinning amulet on the end of its chain.”

“Put some clothes on, you weird, yellow-eyed, table-dancing, werewolf-training, cryptic, stare-me-right-in-the-eyes-and-don't-even-blink wench.”

“I didn't want to believe that killing was deep inside of me. I didn't want to think about the part of me that took a dark joy in gathering all the power it could and using it as I saw fit, everything else be damned. There was power to be had in hatred, too, in anger and in lust, in selfishness and in pride. And I knew that there was some dark corner of me that would enjoy using magic for killing—and then long for more. That was black magic, and it was easy to use. Easy and fun. Like Legos.”

“I don't want to live in a world where the strong rule and the weak cower. I'd rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don't come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p's and q's. My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. When things get strange, when what goes bump in the night flicks on the lights, when no one else can help you, give me a call. I'm in the book.”

“A man's magic demonstrates what sort of person he is, what is held most deeply inside of him. There is no truer gauge of a man's character than the way in which he employs his strength, his power. I was not a murderer. I was not like Victor Sells. I was Harry Blackstone Copperfield Dresden. I was a wizard. Wizards control their power. They don't let it control them. And wizards don't use magic to kill people. They use it to discover, to protect, to mend, to help. Not to destroy.”

“Do you have a little white dress? I've had this deep-seated nurse fantasy about you, Murphy.”

“I'd made the vampire cry. Great. I felt like a real superhero. Harry Dresden, breaker of monsters' hearts.”

“You don't go walking into the proverbial lion's den lightly. You start with a good breakfast.”

“I was seducing shepherdesses when you weren't a twinkle in your great-grandcestor's eyes. I think I know what I'm doing.”

“Maybe the Merlin was right. Maybe its better to look stupid but strong, than it is to look smart but weak, I don't know. I'm not sure I want to believe that the world stage bears that strong a resemblance to high school.”

“Night wasn't so much falling as sharpening its claws.”

“He gave me an inscrutable look that said maybe he would and maybe he wouldn't. Mister was a cat, and cats generally considered it the obligation of the universe to provide shelter, sustenance, and amusement as required. I think Mister considered it beneath his dignity to plan for the future.”

“Murphy nodded, frowning at the road ahead of her. "The reason treachery is so reveiled," she said in a careful tone of voice, "is because it usually comes from someone you didn't think could possibly do such a thing.”

“There was a sound like a human yawn, and then the skull turned slightly toward me and asked, "What's up, boss?""Evil's afoot.""Well, sure," Bob said, "because it refuses to learn the metric system. Otherwise it'd be up to a meter by now.”

“I was sitting in my lab, my hand spread open on the table, while the skull examined my palm.I'd worn a mark there for years--an unblemished patch of skin amidst all the burn scars, in the perfect shape of the angelic sigil that was Lasciel's name.The mark was gone.In its place was just an irregular patch of unburned skin."It looks like there's no mark there anymore," Bob said.I sighed. "Thank you, Bob," I said. "It's good to have a professional opinion.""Well, what did you expect?" Bob said. The skull swiveled around on the table and tilted up to look at my face. "Hmmmmm. And you say the entity isn't responding to you anymore?""No. And she's always jumped every time I said frog.""Interesting," Bob said."What's that supposed to mean?""Well, from what you told me, this psychic attack the entity blocked for you was quite severe."I shivered, remembering. "Yeah.""And the process she used to accelerate your brain and shield you was traumatic as well.""Right. She said it could cause me brain damage.""Uh-huh," Bob said. "I think it did.""Huh?""See what I mean?" Bob asked cheerfully. "You're thicker already.""Harry get hammer," I said. "Smash stupid talky skull.”

“Age is always advancing and I'm fairly sure it's up to no good.”

“How long have you been a Wiccan?''A what?''A pagan. A witch.''I'm not a witch,' I said, glancing out the door. 'I'm a wizard.'Sanya frowned. 'What is the difference?''Wizard has a Z'He looked at me blankly.'No one appreciates me.' I muttered.”

“It came charging toward me, several hundred pounds of angry-looking monster, and I did the only thing any reasonable wizard could have done.I turned around and ran like hell.”

“They don't make morgues with windows. In fact, if the geography allows for it, they hardly ever make morgues above the ground. I guess it's partly because it must be eisier to refrigerate a bunch of coffin-sized chambers in a room insulated by the earth. But that can't be all there is to it. Under the earth means a lot more than relative altitude. It's where dead things fit. Graves are under the earth. So are Hell, Gehenna, Hades, and a dozen other reported afterlives.Maybe it says somthing about people. Maybe for us, under the earth is a subtle and profound statement. Maybe ground level provides us with a kind of symbolic boundary marker, an artificial construct that helps us remember that we are alive. Mabye it helps us push death's shadow back from our lives.I live in a basement apartment and like it. What does that say about me?Probably that I overanalyze things.”

“And you've got that look on your face again." "I can't help it, "Ehren said. "You're about to walk to breakfast, arn't you, regardless of who is in the way?" "Yes," Tavi said. Ehren sighed. "Let's hear it." Tavi told him the plan. "That's insane," Ehren said. "It could work." "You arn't going to have anyone come along to bail you out this time," Ehren pointed out. Tavi grinned. "Are you with me?" "The plan is insane," Ehren said. "You are insane." He looked around inside the tent. "I'll need some pants.”

“Tavi looked wildly around the courtyard, and when his gaze flicked toward them, his face lit witha ferocious smile. "Uncle Bernard! Uncle Bernard!" he shouted, pointing at Doroga. "He followed me home! Can we keep him?”

“The One created us all to be free. To learn. To find common cause with others and to grow stronger and wiser. But the ancient enemy perverts that union of strengths. With the enemy, there is no choice, no freedom. They take. They force a joining of all things, until nothing else remains. --Doroga”