Jim Carroll

“Back then, Billy imagined that drops of rain were unanswered prayers falling back to earth.”

“Whiteness is the color of death, you know, not black. Wetness is life, the breeder and shaper of life. In the beginning the sun was black. So all light was absorbed before it had a chance to return. And our dreams, then, were empty.”

“Poetry can unleash a terrible fear. I suppose it is the fear of possibilities, too many possibilities, each with its own endless set of variations. It's like looking too closely and too long into a mirror; soon your features distort, then erupt. You look too closely into your poems, or listen too closely to them as they arrive in whispers, and the features inside you - call it heart, call it mind, call it soul - accelerate out of control. They distort and they erupt, and it is one strange pain. You realize, then, that you can't attempt breaking down too many barriers in too short a time, because there are as many horrors waiting to get in at you as there are parts of yourself pushing to break out, and with the same, or more, fevered determination.”

“On a whim, he stopped and bought a watch from a sidewalk vendor. Normally, Billy could not abide keeping time, especially when it was attached to one’s body. Time was like a relentlessly needy lapdog one had to haul around. It barked too much and had no sense of loyalty.”

“they're fucking up minds they do not own.”

“It was a dream, not a nightmare, a beautiful dream I could never imagine in a thousand nods. There was a girl next to me who wasn't beautiful until she smiled and I felt that smile come at me in heat waves following, soaking through my body and out my finger tips in shafts of color and I knew somewhere in the world, somewhere, that there was love for me.”

“You're growing up. And rain sort of remains on the branches of a tree that will someday rule the Earth. And it's good that there is rain. It clears the month of your sorry rainbow expressions, and it clears the streets of the silent armies... so we can dance.”

“You see, you just don't knowI'm here to give you my heartAnd you want some fashion show”

“It’s all as if words, phrases, images, syntax were small glass beads from a necklace which was wrenched from some neck and spilled on the floor and down the sides of sofa cushions and armchairs and under bookshelves and maybe swallowed by the cat. I’ve got to find all the glass pieces before I can even reorder the color sequence, and restring it and tie it tighter than before. There’s always a splendor in beginning all over. Even if it means getting on one’s knees to search beneath that bookshelf or prospecting through years of lint and ashes beneath those cushions. Even if it means breaking open that cat’s shit, which it conveniently has deposited in a plastic box, more orderly than any secretary could ever hope to be.Then I’ll appreciate the value of each bead – rather, each word and image – that much more, never wasting another. And I will, I swear to myself, get it all back in time, string it all together, tighter, as I said, than before.”

“Little kids shoot marbleswhere the branches break the sun into graceful shafts of light…I just want to be pure.”

“Our team is good at getting dressed real quick, because we're the type of team that wears their uniforms all day.”

“all right buddah gets a backstage pass but all his friends have to pay”

“I'll Die For Your Sins If You Live For mine.”

“Violence is so terribly fast . . . the most perverse thing about the movies is the way they portray it in slow motion, allowing it to be something sensuous . . . the viewer's lips slightly wet as the scene plays out. Violence is nothing like that. It is lightning fast, chaotic, and totally intangible. ”

“That, I realized, is the great beauty of dreams: the devil may inevitably find a way to jerk you off, but you can always wake up before he makes you cum.”

“I love this mansion, though it is too many windows...to open halfway each morning...to close halfway each night.”

“Conscience is no more than the dead speaking to us.”