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Jim Thompson

James Myers Thompson was a United States writer of novels, short stories and screenplays, largely in the hardboiled style of crime fiction.

Thompson wrote more than thirty novels, the majority of which were original paperback publications by pulp fiction houses, from the late-1940s through mid-1950s. Despite some positive critical notice, notably by Anthony Boucher in the New York Times, he was little-recognized in his lifetime. Only after death did Thompson's literary stature grow, when in the late 1980s, several novels were re-published in the Black Lizard series of re-discovered crime fiction.

Thompson's writing culminated in a few of his best-regarded works: The Killer Inside Me, Savage Night, A Hell of a Woman and Pop. 1280. In these works, Thompson turned the derided pulp genre into literature and art, featuring unreliable narrators, odd structure, and surrealism.

The writer R.V. Cassills has suggested that of all pulp fiction, Thompson's was the rawest and most harrowing; that neither Dashiell Hammett nor Raymond Chandler nor even Horace McCoy, author of the bleak They Shoot Horses, Don't They?, ever "wrote a book within miles of Thompson". Similarly, in the introduction to Now and on Earth, Stephen King says he most admires Thompson's work because "The guy was over the top. The guy was absolutely over the top. Big Jim didn't know the meaning of the word stop. There are three brave lets inherent in the forgoing: he let himself see everything, he let himself write it down, then he let himself publish it."

Thompson admired Fyodor Dostoevsky and was nicknamed "Dimestore Dostoevsky" by writer Geoffrey O'Brien. Film director Stephen Frears, who directed an adaptation of Thompson's The Grifters as 1990's The Grifters, also identified elements of Greek tragedy in his themes.


“The land, now, well I'll tell you how I feel about that. It's done a good job, as good as it was able to, anyway, and it's got a right to look tired. It'd be pretty upsetting if it looked any other way. Yes, and the hardness is all right, too. It's been through something pretty hard, and some of that hardness was bound to rub off. And sometimes a frown sets a lot better with you than a smile. Something that's taken a beating, you don't want to see it laugh. And just because it's stopped laughing doesn't mean it'll never laugh again.”
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“He could be breaking apart inside and you'd never know it from the way he acted. He'd be just as pleasant and polite as if he didn't have a care in the world. You had to be careful with someone like that. You could never know what he was thinking.”
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“Her mind moved around and around the subject, moving with a kind of fuzzy firmness. With no coherent thought process, she arrived at a conviction - a habit with the basically insecure; an insecurity whose seeds are invariably planted earlier, in under or over-protectiveness, in a distrust in parental authority which becomes all authority. It can later, with maturity - a flexible concept - be laughed away, dispelled by determined clear thinking. Or it can be encouraged by self-abusive resentment and brooding self-pity. It can grow ever greater until the original authority becomes intolerable, and a change becomes imperative. Not to a radical one in thinking; that would be too troublesome, too painful. The change is simply to authority in another guise which, in time, and under any great stress, must be distrusted and resented even more than the first.”
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“He had never before realized the blessedness of silence - the freedom to be silent, rather, if one chose. He had never realized, somehow, that such blessedness might be his privilege. He was Doc Mc Coy, and Doc Mc Coy was born to the obligation of being one hell of a guy.”
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“He kept his back turned and his eyes closed, feeling no shame or anger but only an increasing sickness of soul.”
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“Clinton sighed, and gave up. All his life he had given up. He didn't know why it was like that; why a man who wanted nothing but to live honestly and industriously and usefully - who, briefly, asked only the privileges of giving and helping - had had to compromise and surrender at every turn. But that was the way it had been, and that apparently was the way it was to be.”
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“It was like being asleep when you were awake and awake when you were asleep. I'd pinch myself, figuratively speaking - I had to keep pinching myself. Then I'd wake up kind of in reverse; I'd go back to the nightmare I had to live in. And everything would be clear and reasonable.”
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“if I wasn't a decent woman I'd heist a leg and pee in your ear until it washed out that stinking pile of crap you call brains.”
Jim Thompson
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“you might think it wasn't real nice to kick a dying man, and maybe it wasn't, but I'd been wanting to kick him for a long time, and it just never had seemed safe till now”
Jim Thompson
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“what else is there to do but laugh and joke...how else can you bear up under the unbearable?”
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“a heck of a lot of things are bound to go wrong in a world as big as this one. And if there's an answer to why it's that way - and there ain't always - why, it's probably not just one answer by itself, but thousands of answers.”
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“Rothman gave me another sharp look, and then he looked down at his desk. 'Lou' he said softly, 'do you know how many days a year an ironworker works? Do you know what his life expectancy is? Did you ever see an old ironworker? Did you ever stop to figure that there's all kinds of dying, but only one way of being dead?”
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“Джонни, откуда ты знаешь, какой я? Разве человек может быть уверен в том, что знает что-то? Малыш, мы живем в забавном мире, в своеобразной цивилизации. В этом мире полицейские становятся проходимцами, а проходимцы выполняют их обязанности. Политики становятся проповедниками, а проповедники - политиками. Налоговые инспекторы собирают налоги для себя. Плохие люди хотят, чтобы у нас было больше денег, а хорошие борются за то, чтобы их отнять. В этом нет ничего хорошего для нас - понимаешь, что я имею в виду? Если бы у всех было на столе то, что они хотят съесть, появилось бы слишком много дерьма. Выросло бы производство туалетной бумаги. Вот так я все это понимаю. Вот таков уровень моих аргументов.”
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“killer inside me”
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“I ain't saying you're a liar, because that wouldn't be polite. But I'll tell you this, ma'am. If I loved liars, I'd hug you to death.”
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“You’ve got no time at all, but it seems like you’ve got forever. You’ve got nothing to do, but it seems like you’ve got everything.You make coffee and smoke a few cigarettes: and the hands of the clock have gone crazy on you. They haven’t moved hardly, they’ve hardly budged out of the place you last saw them, but they’ve measured off a half? two-thirds? of your life. You’ve got forever, but that’s no time at all.You’ve got forever; and somehow you can’t do much with it. You’ve got forever; and it’s a mile wide and an inch deep and full of alligators.You go into the office and take a book or two from the shelves. You read a few lines, like your life depended on reading 'em right. But you know your life doesn't depend on anything that makes sense, and you wonder where in the hell you got the idea it did; and you begin to get sore.”
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“I just learned two things there at that college, Mr. Ford, that was ever of any use to me. One was that I couldn’t do any worse than the people that were in the saddle, so maybe I’d better try pulling ’em down and riding myself. The other was a definition I got out of the agronomy book, and I reckon it was even more important than the first. It did more to revise my thinking, if I’d really done any thinking up until that time. Before that I’d seen everything in black and white, good and bad. But after I was set straight I saw that the name you put to a thing depended on where you stood and where it stood. And…and here’s the definition, right out of the agronomy books: ‘A weed is a plant out of place.’ Let me repeat that. ‘A weed is a plant out of place.’ I find a hollyhock in my cornfield, and it’s a weed. I find it in my yard, and it’s a flower.”
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“When life attains a crisis, man’s focus narrows. […] The world becomes a stage of immediate concern, swept free of illusion.”
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“I found out long ago that the place where the law is apt to be abused the most is right around a courthouse.”
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“Well. Well?What are you going to do? What are you going to say?What are you going to say when you’re drowning in your own dung and they keep booting you back into it, when all the screams in hell wouldn’t be as loud as you want to scream, when you’re at the bottom of the pit and the whole world’s at the top, when it has but one face, a face without eyes or ears, and yet it watches and listens….What are you going to do and say? Why, pardner, that’s simple. It’s easy as nailing your balls to a stump and falling off backwards. Snow again, pardner, and drift me hard, because that’s an easy one.You’re gonna say, they can’t keep a good man down. You’re gonna say, a winner never quits and a quitter never wins. You’re gonna smile, boy, you’re gonna show ’em the ol’ fightin’ smile. And then you’re gonna get out there an’ hit ’em hard and fast and low, an’—an’ Fight!”
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“Yeah, Johnnie,’ I said, ‘it’s a screwed up, bitched up world, and I’m afraid it’s going to stay that way. And I’ll tell you why. Because no one, almost no one, sees anything wrong with it. They can’t see that things are screwed up, so they’re not worried about it. What they’re worried about is guys like you.‘They’re worried about guys liking a drink and taking it. Guys getting a piece of tail without paying a preacher for it. Guys who know what makes ’em feel good, and aren’t going to be talked out of the motion … They don’t like you guys, and they crack down on you. And the way it looks to me they’re going to be cracking down harder and harder as time goes on. You ask me why I stick around, knowing the score, and it’s hard to explain. I guess I king of got a foot on both fences, Johnnie. I planted ’em there early and now they’ve taken root, and I can’t move either way and I can’t jump. All I can do is wait until I split. Right down the middle.”
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“If the Good Lord made a mistake in us people it was in making us want to live when we’ve got the least excuse for it.”
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“Dad always said that he had enough trouble sorting the fiction out of so-called facts, without reading fiction. He always said that science was already too muddled without trying to make it jibe with religion. He said those things, but he also said that science itself could be a religion, that a broad mind was always in danger of becoming narrow.”
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“It’s—it’s always lightest j-just before the dark.”
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“In lots of books I read, the writer seems to go haywire every time he reaches a high point. He’ll start leaving out punctuation and running his words together and babble about stars flashing and sinking into a deep dreamless sea. And you can’t figure out whether the hero’s laying his girl or a cornerstone. I guess that kind of crap is supposed to be pretty deep stuff—a lot of the book reviewers eat it up, I notice. But the way I see it is, the writer is just too goddam lazy to do his job. And I’m not lazy, whatever else I am. I’ll tell you everything.”
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“I told her the world was full of nice people. I'd have hated to try to prove it to her, but I said it, anyway.”
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“He picked her up and tossed her on the bed.They had a hell of a time.But afterward, after she had gone back to her own room, depression came to him and what had seemed like such a hell of a time became distasteful, even a little disgusting. It was the depression of surfeit, the tail of selfindulgence’s kit. You flew high, wide, and handsome, imposing on the breeze that might have wafted you along indefinitely; and then it was gone, and down, down, down you went.”
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“There was too much of a sameness about the evening’s delights. He had been the same route too many times. He’d been there before, so double-damned often, and however you traveled—backward, forward, or walking on your hands—you always got to the same place. You got nowhere, in other words, and each trip took a little more out of you.”
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“Strolling down a white-graveled walk to the cliff above the ocean, he let his eyes rove aimlessly over the expanse of sea and sand: The icy-looking whitecaps, the blinking, faraway sails of boats, the sweeping, constantly searching gulls. Desolation. Eternal, infinite. Like Dostoevski’s conception of eternity, a fly circling about a privy, the few signs of life only emphasized the loneliness.”
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“Anyone who deprived her of something she wanted deserved what he got.”
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“There are thirty-two ways to write a story, and I’ve used every one, but there is only one plot – things are not as they seem.”
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“Practically every fella that breaks the law has a danged good reason, to his own way of thinking, which makes every case exceptional, not just one or two. Take you, for example.”
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“I looked at her, with her hair spilled out on the pillows and the warmth of her body warming mine. And I thought, god-dang, if this ain't a heck of a way to be in bed with a pretty woman. The two of you arguing about murder, and threatening each other, when you're supposed to be in love and you could be doing something pretty nice. And then I thought, well, maybe it ain't so strange after all. Maybe it's like this with most people, everyone doing pretty much the same thing except in a different way. And all the time they're holding heaven in their hands.”
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“You can't stamp on a man's corns when he's got his feet cut off.”
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“I finished the ale, started to order a third one, and decided against it. I'd had enough. More than enough. Or I never would have. You take just so much from a bottle, and then you stop taking. From then on you're putting.”
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“How to make her run? No problem there. For a fearful shadow lies constantly over the residents of Uneasy Street. It casts itself through the ostensibly friendly handshake, or the gorgeously wrapped package. It beams out from the baby's carriage, the barber's chair, the beauty parlor. Every neighbor is suspect, every outsider, every period; even one's own husband or wife of sweetheart. There is no ease on Uneasy Street. The longer one's tenancy, the more untenable it becomes.”
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“Flight is many things. Something clean and swift, like a bird skimming across the sky. Or something filthy and crawling; a series of crablike movements through figurative and literal slime, a process of creeping ahead, jumping sideways, running backward. It is sleeping in fields and river bottoms. It is bellying for miles along an irrigation ditch. It is back roads, spur railroad lines, the tailgate of a wildcat truck, a stolen car and a dead couple in lovers' lane. It is food pilfered from freight cars, garments taken from clotheslines; robbery and murder, sweat and blood. The complex made simple by the alchemy of necessity”
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“We're living in a funny world kid, a peculiar civilization. The police are playing crooks in it, and the crooks are doing police duty. The politicians are preachers, and the preachers are politicians. The tax collectors collect for themselves. The Bad People want us to have more dough, and the good people are fighting to keep it from us. It's not good for us, know what I mean? If we had all we wanted to eat, we'd eat too much. We'd have inflation in the toilet paper industry. That's the way I understand it. That's about the size of some of the arguments I've heard.”
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“What smells good in the store may stink in the stewpot.”
Jim Thompson
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“If we all had what we wanted to eat... We'd have inflation in the toilet paper industry.”
Jim Thompson
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“You go into the office and take a book or two from the shelves. You read a few lines, like your life depended on reading 'em right. But you know your life doesn't depend on anything that makes sense, and you wonder where in the hell you got the idea it did; and you begin to get sore.”
Jim Thompson
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“You've got forever; and somehow you can't do much with it. You've got forever; and it's a mile wide and an inch deep and full of alligators.”
Jim Thompson
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“It had soaked in on him at last, the spot he was in. Soaked clear through a quart of booze until it hit him where he lived and rubbed the place raw.”
Jim Thompson
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“I kissed her, a long hard kiss. Because baby didn't know it, but baby was dead, and in a way I couldn't have loved her more.”
Jim Thompson
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“There are things that have to be forgotten if you want to go on living.”
Jim Thompson
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“Then he laughed and she laughed. And quivering with the movement of the train, the dead man seemed to laugh too.”
Jim Thompson
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“A weed is a plant out of place.”
Jim Thompson
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“Life is a bucket of shit with a barbed wire handle.”
Jim Thompson
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