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John Cheever

John Cheever was an American novelist and short story writer, sometimes called "the Chekhov of the suburbs" or "the Ovid of Ossining." His fiction is mostly set in the Upper East Side of Manhattan, the suburbs of Westchester, New York, and old New England villages based on various South Shore towns around Quincy, Massachusetts, where he was born.

His main themes include the duality of human nature: sometimes dramatized as the disparity between a character's decorous social persona and inner corruption, and sometimes as a conflict between two characters (often brothers) who embody the salient aspects of both--light and dark, flesh and spirit. Many of his works also express a nostalgia for a vanishing way of life, characterized by abiding cultural traditions and a profound sense of community, as opposed to the alienating nomadism of modern suburbia.


“She was his potchke, his fleutchke, his notchke, his motchke, his everything that the speech of St. Botolphs left unexpressed. She was his little, little squirrel.”
John Cheever
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“A page of good prose remains invincible.”
John Cheever
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“Grief was for the others; sorrow and pain were for the others; some terrible mistake had been made.”
John Cheever
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“The secret of keeping young is to read children's books. You read the books they write for little children and you'll keep young. You read novels, philosophy, stuff like that and it makes you feel old.”
John Cheever
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“He followed her into the bathroom and sat on the shut toilet seat while she washed her back with a brush. "I forgot to tell you," he said. "Liza sent us a wheel of Brie." "That's nice," she said, "but you know what? Brie gives me terribly loose bowels." He hitched up his genitals and crossed his legs. "That's funny," he said. "It constipates me." That was their marriage then--not the highest paving of the stair, the clatter of Italian fountains, the wind in the alien olive trees, but this: a jay-naked male and female discussing their bowels.”
John Cheever
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“Seated at the table, high in her firmament of gin, she looked critically at her brother and his wife, remembering some real or imagined injustice of her youth, for with any proximity the constellations of some families generate among themselves an asperity that nothing can sweeten.”
John Cheever
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“Oh, what can you do with a man like that? What can you do? How can you dissuade his eye in a crowd from seeking out the cheek with acne, the infirm hand; how can you teach him to respond to the inestimable greatness of the race, the harsh surface beauty of life; how can you put his finger for him on the obdurate truths before which fear and horror are powerless? The sea that morning was iridescent and dark. My wife and my sister were swimming--Diana and Helen--and I saw their uncovered heads, black and gold in the dark water. I saw them come out and I saw that they were naked, unshy, beautiful, and full of grace, and I watched the naked women walk out of the sea.”
John Cheever
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“Alice Malloy had dark, stringy hair, and even her husband, who loved her more than he knew, was sometimes reminded by her lean face of a tenement doorway on a rainy day, for her countenance was long, vacant, and weakly lighted, a passage for the gentle transports and miseries of the poor.”
John Cheever
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“The moral bottom had dropped out of my world without changing a mote of sunlight.”
John Cheever
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“...the sounds next door served as a kind of trip wire: I seemed to stumble and fall on my face, skinning and bruising myself here and there and scattering my emotional and intellectual possessions. There was no point in pretending that I had not fallen, for when we are stretched out in the dirt we must pick ourselves up and brush off our clothes. This then, in a sense, is what I did, reviewing my considered opinions on marriage, constancy, man's nature, and the importance of love. When I had picked up my possessions and repaired my appearance, I fell asleep.”
John Cheever
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“So help me God it gets more and more preposterous, it corresponds less and less to what I remember and what I expect as if the force of live were centrifugal and threw one further and further away from one's purest memories and ambitions...”
John Cheever
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“He was not a practical joke nor was he a fool but he was determinedly original and had a vague and modest idea of himself as a legendary figure.”
John Cheever
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“His life was not confined and the delight he took in this observation could not be explained by its suggestion of escape.”
John Cheever
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“You might say that he had lost the gift of evoking the perfumes of life: sea water, the smoke of burning hemlock, and the breasts of women. He had damaged, you might say, the ear's innermost chamber, where we hear the heavy noise of the dragon's tail moving over the dead leaves.”
John Cheever
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“I do not understand the capricious lewdness of a sleeping mind.”
John Cheever
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“Everything outside was elegant and savage and fleshy. Everything inside was slow and cool and vacant. It seemed a shame to stay inside.”
John Cheever
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“I can’t write without a reader. It’s precisely like a kiss—you can’t do it alone.”
John Cheever
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“Long ago when they first invented the atomic bomb people used to worry about its going off and killing everybody, but they didn't know that mankind has enough dynamite right in his guts to tear the fucking plant to pieces.”
John Cheever
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“For me a page of good prose is where one hears the rain. A page of good prose is when one hears the noise of battle.... A page of good prose seems to me the most serious dialogue that well-informed and intelligent men and women carry on today in their endeavor to make sure that the fires of this planet burn peaceably.”
John Cheever
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“I've been homesick for countries I've never been, and longed to be where I couldn't be.”
John Cheever
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“I was here on earth because I chose to be.”
John Cheever
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“I write to make sense of my life."-John Cheever, quoted in _Cheever - A Life_ (2009) by Blake Bailey”
John Cheever
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“These stories seem at times to be stories of a long-lost world when the city of New York was still filled with a river light, when you heard the Benny Goodman quartets from a radio in the corner stationery store, and when almost everybody wore a hat.”
John Cheever
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“The landings were dirty and the walls were bare. This stairway brought me into the balcony, and I sat there in the dark, thinking that nothing now was going to save me, that no pretty girl with new shoes was going to cross my path in time.”
John Cheever
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“She came right up to me and put her snow-white hand on my arm. "You poor boy," she murmured, "you poor boy." I'm not a boy, and I'm not poor, and I wished the hell she would get away. She has a clever face, but I felt in it, that night, the force of a great sadness and great malice. "I see a rope around your neck," she said sadly.”
John Cheever
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“She cried for herself, she cried because she was afraid that she herself might die in the night, because she was alone in the world, because her desperate and empty life was not an overture but an ending, and through it all she could see was the rough, brutal shape of a coffin.”
John Cheever
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“Chicken began to cry then or seemed to cry, to weep or seemed to weep, until they heard the sound of a grown man weeping, an old man who slept on a charred mattress, whose life savings in tattoos had faded to a tracery of ash, whose crotch hair was sparse and gray, whose flesh hung slack on his bones, whose only trespass on life was a flat guitar and a remembered and pitiful air of "I don't know where it is, sir, but I'll find it, sir," and whose name was known nowhere, nowhere in the far reaches of the earth or in the far reaches of his memory, where, when he talked to himself, he talked to himself as Chicken Number Two.”
John Cheever
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“I have spent considerable of my leisure time in this past year in the improvement of my mind but I find that much of it has been spent extremely foolish and that walking in the pasture at dusk with virtuous, amiable and genteel young ladies I experience none but swineish passions. I commenced to read Russell’s Modern Europe sometime last summer.”
John Cheever
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“These napkins are more holy than righteous,” Mrs. Wapshot said, and most of her conversation at table was made up of just such chestnuts, saws and hoary puns.”
John Cheever
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“Will you let me lift you?" he said. "Just let me lift you. Just let me see how light you are." "All right," she said. "Do you want me to take off my coat?""Yes, yes, yes," he said. "Take off your coat."She stood. She let her coat fall to the sofa."Can I do it now?" he said."Yes."He put his hands under her arms. He raised her off the floor and then put her down gently. "Oh you're so light!" he shouted. "Your'e so light, you're so fragile, you don't weigh any more than a suitcase. Why, I could carry you, I could carry you anywhere, I could carry you from one end of New York to the other." He got his hat and coat and ran out of the house.”
John Cheever
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“The world that was not mine yesterday now lies spread out at my feet, a splendor. I seem, in the middle of the night, to have returned to the world of apples, the orchards of Heaven. Perhaps I should take my problems to a shrink, or perhaps I should enjoy the apples that I have, streaked with color like the evening sky.”
John Cheever
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“I don't like to see all my energies, all of my youth, wasted in fur coats and radios and slipcovers.”
John Cheever
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“It was still mild when they walked home from the party, and Irene looked up at the spring stars. "How far that little candle throws its beams," she exclaimed. "So shines a good dead in a naughty world.”
John Cheever
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“There was some faint coughing, a moan, and then a man spoke. "Are you all right, darling?" he asked. "Yes," a woman said wearily. "Yes, I'm all right, I guess," and then she added with great feeling, "But you know, Charlie, I don't feel like myself anymore. Sometimes there are about fifteen or twenty minutes in the week when I feel like myself. I don't like to go to another doctor, because the doctor's bills are so awful already, but I just don't feel like myself, Charlie. I just never feel like myself.”
John Cheever
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“Agnes Shay had the true spirit of a maid. Moistened with dishwater and mild eau de cologne, reared in narrow and sunless bedrooms, in back passages, back stairs, laundries, linen closets, and in those servants' halls that remind one of a prison, her soul had grown docile and bleak...Agnes loved the ceremonies of a big house. She drew the curtains in the living room at dark, lighted the candles on the table, and struck the dinner chimes like an eager altar boy. On fine evenings, when she sat on the back porch between the garbage pails and the woodbins, she liked to recall the faces of all the cooks she had known. It made her life seem rich.”
John Cheever
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“Literature has been our salvation, literature has inspired and guided lovers, routed despair and can perhaps in this case save the world.”
John Cheever
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“Novels are about men and women and children and dogs, not politics.”
John Cheever
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“But I awoke at three, feeling terribly sad, and feeling rebelliously that I didn't want to study sadness, madness, melancholy, and despair. I wanted to study triumphs, the rediscoveries of love, all that I know in the world to be decent, radiant, and clear. Then the word "love", the impulse to love, welled up in me somewhere above my middle. Love seemed to flow from me in all directions, abundant as water--love for Cora, love for Flora, love for all my friends and neighbors, love for Penumbra. This tremendous flow of vitality could not be contained within its spelling, and I seemed to seize a laundry marker and write "luve" on the wall. I wrote "luve" on the staircase, "luve" on the pantry, "luve" on the oven, the washing machine, and the coffeepot, and when Cora came down in the morning (I would be nowhere around) everywhere she looked she would read "luve", "luve", "luve." Then I saw a green meadow and a sparkling stream. On the ridge there were thatched-roof cottages and a square church tower, so I knew it must be England. I climbed up from the meadow to the streets of the village, looking for the cottage where Cora and Flora would be waiting for me. There seemed to have been some mistake. No one knew their names. I asked at the post office, but the answer here was the same. Then it occurred to me that they would be at the manor house. How stupid I had been! I left the village and walked up a sloping lawn to a Georgian house, where a butler let me in. The squire was entertaining. There were twenty-five or thirty people in the hall, drinking sherry. I took a glass from a tray and looked through the gathering for Flora and my wife, but they were not there. Then I thanked my host and walked down the broad lawn, back to the meadow and the sparkling brook, where I lay on the grass and fell into a sweet sleep.”
John Cheever
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“For lovers, touch is metamorphosis. All the parts of their bodies seem to change, and they seem to become something different and better.”
John Cheever
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“She perceived vaguely the pitiful corruption of the adult world; how cruel and frail it was, like a worn piece of burlap, patched with stupidities and mistakes, useless and ugly, and yet they never saw its worthlessness.”
John Cheever
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“All literary men are Red Sox fans - to be a Yankee fan in a literate society is to endanger your life.”
John Cheever
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“It was one of those midsummer Sundays when everyone sits around saying, "I drank too much last night." You might have heard it whispered by the parishioners leaving church, heard it from the lips of the priest himself, struggling with his cassock in the vestiarium, heard it from the golf links and the tennis courts, heard it from the wildlife preserve where the leader of the Audubon group was suffering from a terrible hangover. "I drank too much," said Donald Westerhazy. "We all drank too much," said Lucinda Merrill. "It must have been the wine," said Helen Westerhazy. "I drank too much of that claret.”
John Cheever
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“Then it is dark; it is a night where kings in golden suits ride elephants over the mountains.”
John Cheever
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“Our country is the best country in the world. We are swimming in prosperity and our President is the best president in the world. We have larger apples and better cotton and faster and more beautiful machines. This makes us the greatest country in the world. Unemployment is a myth. Dissatisfaction is a fable. In preparatory school America is beautiful. It is the gem of the ocean and it is too bad. It is bad because people believe it all. Because they become indifferent. Because they marry and reproduce and vote and they know nothing.”
John Cheever
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“Fiction is art and art is the triumph over chaos… to celebrate a world that lies spread out around us like a bewildering and stupendous dream.”
John Cheever
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“The need to write comes from the need to make sense of one's life and discover one's usefulness.”
John Cheever
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“There is a terrible sameness to the euphoria of alcohol and the euphoria of metaphor.”
John Cheever
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“Weeding the peony hedge I hear the windfalls in the orchard; hear them strike the ground, hear them strike against branches as they fall to the ground. The immemorial smell of apples, old as the sea. Mary makes jelly. Up from the kitchen, up the stairs and into all the rooms comes the smell of apples.”
John Cheever
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