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John Crowley

John Crowley was born in Presque Isle, Maine, in 1942; his father was then an officer in the US Army Air Corps. He grew up in Vermont, northeastern Kentucky and (for the longest stretch) Indiana, where he went to high school and college. He moved to New York City after college to make movies, and did find work in documentary films, an occupation he still pursues. He published his first novel (The Deep) in 1975, and his 15th volume of fiction (Endless Things) in 2007. Since 1993 he has taught creative writing at Yale University. In 1992 he received the Award in Literature from the American Academy and Institute of Arts and Letters.

His first published novels were science fiction: The Deep (1975) and Beasts (1976). Engine Summer (1979) was nominated for the 1980 American Book Award; it appears in David Pringle’s 100 Best Science Fiction Novels.

In 1981 came Little, Big, which Ursula Le Guin described as a book that “all by itself calls for a redefinition of fantasy.”

In 1980 Crowley embarked on an ambitious four-volume novel, Ægypt, comprising The Solitudes (originally published as Ægypt), Love & Sleep, Dæmonomania, and Endless Things, published in May 2007. This series and Little, Big were cited when Crowley received the prestigious American Academy of Arts and Letters Award for Literature.

He is also the recipient of an Ingram Merrill Foundation grant. His recent novels are The Translator, recipient of the Premio Flaianno (Italy), and Lord Byron’s Novel: The Evening Land, which contains an entire imaginary novel by the poet. A novella, The Girlhood of Shakespeare's Heroines, appeared in 2002. A museum-quality 25th anniversary edition of Little, Big, featuring the art of Peter Milton and a critical introduction by Harold Bloom, is in preparation.

Note: The John Crowley who wrote Sans épines, la rose: Tony Blair, un modèle pour l'Europe? is a different author with the same name. (website)


“After many trials the God and his love end happily—tho' not all remember this conclusion—which is less memorable than the moment when everything was lost. Happy endings are all alike; disasters may be unique.”
John Crowley
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“The further in you go, the bigger it gets.”
John Crowley
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“He learned, though slowly, what all great harrowed lovers learn: that love is what most surely compels love -- is perhaps, except for brute force, the only thing that does, though only (and this was the terrible gift he had been given) when the lover truly believes, as August could, that when his love is strong enough it must surely be returned -- and August's was.”
John Crowley
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“Well, do you do that consciously?" Daily Alice asked, only partly of Cloud. "Do what?" Cloud said. "Grow up? No. Well. In a sense. You see it's inevitable, or refuse to. You greet it or don't -- take it in trade, maybe, for all you're going to lose anyway. Or you can refuse, and have what you've got to lose snatched from you, and never take payment -- never see a trade is possible.”
John Crowley
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“The things that make us happy make us wise. ”
John Crowley
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“It occurred to him that seeing a woman's child is like seeing a woman naked, in the way it changes how her face looks to you, how her face becomes less the whole story.”
John Crowley
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