John Green photo

John Green

John Green's first novel, Looking for Alaska, won the 2006 Michael L. Printz Award presented by the American Library Association. His second novel, An Abundance of Katherines, was a 2007 Michael L. Printz Award Honor Book and a finalist for the Los Angeles Times Book Prize. His next novel, Paper Towns, is a New York Times bestseller and won the Edgar Allen Poe Award for Best YA Mystery. In January 2012, his most recent novel, The Fault in Our Stars, was met with wide critical acclaim, unprecedented in Green's career. The praise included rave reviews in Time Magazine and The New York Times, on NPR, and from award-winning author Markus Zusak. The book also topped the New York Times Children's Paperback Bestseller list for several weeks. Green has also coauthored a book with David Levithan called Will Grayson, Will Grayson, published in 2010. The film rights for all his books, with the exception of Will Grayson Will Grayson, have been optioned to major Hollywood Studios.

In 2007, John and his brother Hank were the hosts of a popular internet blog, "Brotherhood 2.0," where they discussed their lives, books and current events every day for a year except for weekends and holidays. They still keep a video blog, now called "The Vlog Brothers," which can be found on the Nerdfighters website, or a direct link here.


“I couldn't be mad at him for even a moment, and only now that I loved a grenade did I understand the foolishness of trying to save others from my own impending fragmentation...”
John Green
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“The human tongue is like wasabi: it's very powerful, and should be used sparingly.”
John Green
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“Look at all those cul-de-sacs, the streets that turn in on themselves all the houses that were built to fall apart. All those paper people in their paper houses burning the furniture to stay warm. All the paper kids drinking the beer some bum bought for them at the paper convenience store. Everyone demented with the mania of owning things. All the things paper-thin and paper-frail.”
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“But there is all this time between when the cracks start to open up and when we finally fall apart. And it's only in that time that we can see one another, because we see out of ourselves through our cracks and into others through theirs. When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that, we were just looking at ideas of each other, like looking at your window shade but never seeing inside. But once the vessel cracks, the light can get in. The light can get out.”
John Green
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“Margo says, "I know what she's talking about. The something deeper and more secret. It's like cracks inside of you. Like there are these fault lines where things don't meet up right.”
John Green
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“Do you guys remember that time when we were all definitely going to die and then Ben grabbed the steering wheel and dodged a ginormous freaking cow and spun the car like the teacups at Disney World and we didn't die?”
John Green
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“Okay,” he said. “I gotta go to sleep. It’s almost one.” 
“Okay,” I said.
 “Okay,” he said. 
I giggled and said, “Okay.” And then the line was quiet but not dead. I almost felt like he was there in my room with me, but in a way it was better, like I was not in my room and he was not in his, but instead we were together in some invisible and tenuous third space that could only be visited on the phone. “Okay,” he said after forever. “Maybe okay will be our always.”
 “Okay,” I said.
 It was Augustus who finally hung up.”
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“Of course I tensed up when he touched me. To be with him was to hurt him-inevitably. And that's what I'd felt as he reached for me: I'd felt as though I were committing an act of violence against him, because I was.”
John Green
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“I can't imagine us saying these things to each other out loud. But even if I can't imagine hearing these words, I can imagine living them. I don't even picture it. Instead I'm in it. How I feel with him here. That peace. It would be so happy, and it makes me sad because it only exists in words.”
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“The night before, Paramedic (in Training) Lindsey Lee Wells had diagnosed him with moderate contusions and "sprained balls" after an exhaustive search of medical Web sites. She diagnosed TOC as suffering from 'I'm-an-asshole-and-Lindsey's-never-going-to-speak-to-me-again-itis'.”
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“The punch connected, but (1) Colin forgot to close his fist, so he was slapping not hitting, and (2) instead of slapping TOC, he ended up slapping Hassan flush across the cheek, whereupon Hassan finally succeeded in falling down.”
John Green
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“That's what we should do, Hazel Grace: We should team up and be this disabled vigilante duo roaring through the world, righting wrongs, defending the weak, protecting the endangered.”
John Green
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“We landed, in fact, parallel to a canal, like there were two runways: one for us and one for waterfowl.”
John Green
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“Augustus asked if I wanted to go with him to Support Group, but I was really tired from my busy day of Having Cancer, so I passed”
John Green
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“People talk about the courage of cancer patients, and I do not deny that courage. I had been poked and stabbed and poisoned for years, and still I trod on. But make no mistake: In that moment, I would have been very, very happy to die.”
John Green
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“But in AIA, Anna decides that being a person with cancer who starts a cancer charity is a bit narcissistic, so she starts a charity called The Anna Foundation for People with cancer Who Want to Cure Cholera.”
John Green
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“I cut a glance to him, and his eyes were still on me.It occurred to me why they call it eye contact.”
John Green
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“Late in the winter of my seventeenth year, my mother decided I was depressed, presumably because I rarely left the house, spent quite a lot of time in bed, read the same book over and over, ate infrequently, and devoted quite a bit of my abundant free time to thinking about death.”
John Green
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“Because memories fall apart, too. And you're left with nothing.”
John Green
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“Imagining the future is a kind of nostalgia.”
John Green
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“I always had this idea that you should never give up a happy middle in the hopes of a happy ending, because there is no such thing as a happy ending. Do you know what I mean? There is so much to lose.”
John Green
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“you say you don’t want pity, but your very existence depends upon it.”
John Green
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“I’ll give you my strength if I can have your remission.”
John Green
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“For the longest time, it felt kind of like my chest was cracking open, but not precisely in an unpleasant way.”
John Green
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“It is saying these things that keeps us from falling apart. And maybe by imagining these futures we can make them real, and maybe not, but either way we must imagine them. The light rushes out and floods in.”
John Green
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“My parents always liked it when I cursed in front of them. I could see the pleasure of it in their faces. It signified that I trusted them, that I was myself in front of them.”
John Green
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“Such was life that morning: nothing really mattered that much, not the good things and the bad ones. We were in the business of mutual amusement, and we were reasonably prosperous.”
John Green
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“It's all very dramatic and everything, but so what? I didn't know the guy. People I don't know die all the damned time.”
John Green
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“Grief does not change you, Hazel. It reveals you.”
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“I'm in love with you," he said quietly."Augustus," I said."I am," he said. He was staring at me, and I could see the corners of his eyes crinkling. "I'm in love with you, and I'm not in the business of denying myself the simple pleasure of saying true things. I'm in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we're all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we'll ever have, and I am in love with you.”
John Green
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“Without pain, how could we know joy?' This is an old argument in the field of thinking about suffering and its stupidity and lack of sophistication could be plumbed for centuries but suffice it to say that the existence of broccoli does not, in any way, affect the taste of chocolate.”
John Green
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“There are so many people. It is easy to forget how full the world is of people, full to bursting, and each of them imaginable and consistently misimagined.”
John Green
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“And as paralyzing and upsetting as all the never agains were, the final leaving felt perfect. Pure. The most distilled possible form of liberation. Everything that mattered except one lousy picture was in the trash, but it felt so great. I started jogging, wanting to put even more distance between myself and school. It is so hard to leave—until you leave. And then it is the easiest goddamned thing in the world.”
John Green
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“The abbreviated exam week meant that Wednesday was the last day of school for us. And all day long, it was hard not to walk around, thinking about the lastness of it all.”
John Green
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“I couldn’t help but think about school and everything else ending. I liked standing just outside the couches and watching them—it was a kind of sad I didn’t mind, and so I just listened, letting all the happiness and the sadness of this ending swirl around in me, each sharpening the other. For the longest time, it felt kind of like my chest was cracking open, but not precisely in an unpleasant way.”
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“Lacey shrugged bashfully. “Do you think I’m superficial?” “Well, yeah.” I thought of myself standing outside Becca’s bedroom, hoping she’d take her shirt off. “But so am I,” I added. “So is everyone.”
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“I couldn’t figure out which of these ideas, if any, was at the core of the poem. But thinking about the grass and all the different ways you could se it made me think about all the ways I’d seen and mis-seen Margo. There was no shortage of ways to see her. I’d been focused on what had become of her, but now with my head trying to understand the multiplicity of grass and her smell from the blanket still in my throat, I realized that the most important question was who I was looking for. If “What is the grass?” has such a complicated answer, I thought, so, too, must “Who is Margo Roth Spiegelman?” Like a metaphor rendered incomprehensible by its ubiquity, there was room enough in what she had left me for endless imaginings, for an infinite set of Margos.”
John Green
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“I’m not up for laughing, but their laughter makes the room feel safer, so we begin to explore.”
John Green
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“Standing before this building, I learn something about fear. I learn that it is not the idle fantasies of someone who maybe wants something important to happen to him, even if the important thing is horrible. It is not the disgust of seeing a dead stranger, and not the breathlessness of hearing a shotgun pumped outside of Becca Arrington’s house. This cannot be addressed by breathing exercises. This fear bears no analogy to any fear I knew before. This is the basest of all possible emotions, the feeling that was with us before we existed, before this building existed, before the earth existed. This is the fear that made fish crawl onto dry land and evolve lungs, the fear that teaches us to run, the fear that makes us bury our dead.”
John Green
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“She spoke quietly then, the tiniest crack in her voice, and all at once Lacey Pemerton was not Lacey Pemberton. She was just—like, a person.”
John Green
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“I glanced again. He was still watching me.Look, let me just say it: He was hot. A nonhot boy stares at you relentlessly and it is, at best, awkward and, at worst, a form of assault. But a hot boy... well.”
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“People thought he was a glutton for punishment, that he liked getting dumped. But it wasn't like that. He could just never see anything coming, and as he lay on the solid, uneven ground with Hassan pressing too hard on his forehead, Colin Singleton's distance from his glasses made him realize the problem: myopia. He was nearsighted. The future lay before him, inevitable but invisible.”
John Green
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“My heart is really pounding," I said."That's how you know you're having fun," Margo said.”
John Green
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“The way I figure it, everyone gets a miracle.”
John Green
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“Ben, if you get pee in my brand-new car, I am going to cut your balls off."Still peeing, Ben looks over at me smirking. "You´re gonna need a hell of a big knife, bro.”
John Green
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“I laughed and pointed out that "Hash Browns Mean Nothing Without You" was a pretty good name for a band."Or a song," the Duke said, and then she started singing all glam rock, a glove up to her face holding an imaginary mic as she rocked out an a cappella power ballad. "Oh, I deep fried for you / But now I weep 'n' cry for you / Oh, babe, this meal was made for two / And these hash browns mean nothing, oh these hash browns mean nothing, yeah these HASH BROWNS MEAN NOTHIN' without you.”
John Green
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“There are always answers. We just have to be smart enough.”
John Green
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“Books so special and rare and yours that advertising your affection feels like a betrayal.”
John Green
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“The Buddha said that suffering was caused by desire, we'd learned, and that the cessation of desire meant the cessation of suffering. When you stopped wishing things wouldn't fall apart, you'd stop suffering when they did.”
John Green
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“There's a stark difference between the words 'prodigy' and 'genius.' Prodigies can very quickly learn what other people have already figured out; geniuses discover that which no one has ever previously discovered. Prodigies learn; geniuses do.”
John Green
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