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John Keegan


“In 1861, on the eve of the Civil War, Grant, aged thirty-nine, with four children at home and scarcely a penny in the bank, had made no mark on the world and looked unlikely to do so, for all the boom conditions of mid-century America. His Plymouth Rock ancestry, his specialist education, his military rank, which together must have ensured him a sheltered corner in the life of the Old World, counted for nothing in the New. He lacked the essential quality to be what Jacques Barzun has called a “booster,” one of those bustling, bonhomous, penny-counting, chance-grabbing optimists who, whether in the frenetic commercial activity of the Atlantic coast, in the emergent industries of New England and Pennsylvania or on the westward-moving frontier, were to make America’s fortune. Grant, in his introspective and undemonstrative style, was a gentleman, and was crippled by the quality.”
John Keegan
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“Visually Agincourt is a pre-Raphaelite, perhaps better a Medici Gallery print battle - a composition of strong verticals and horizontals and a conflict of rich dark reds and Lincoln greens against fishscale greys and arctic blues.”
John Keegan
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“One of Picton's officers fell asleep the instant the halt was sounded and did not think of food until later in the night, when he woke to eat some chops cooked in the breastplate of a dead cuirassier (meat fried in a breastplate was very much à la mode in the Waterloo campaign, rather as rats spitted on a bayonet were to be in 1871 or champagne exhumed from chateau gardens in 1914).”
John Keegan
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“For our purpose, however, what the soldiers did or did not read is irrelevant. For, if soldiers did not learn to fight their battles from reading books, neither is it likely that military historians learned to write their books from watching battles. Battles are extremely confusing; and confronted with the need to make sense of something he does not understand, even the cleverest, indeed preeminently the cleverest man, realizing his need for a language and metaphor he does not possess, will turn to look at what someone else has already made of a similar set of events as a guide for his own pen.”
John Keegan
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“Of whatever class or nation, however, all successful participants in the repetitive and unrelenting stress of aerial fighting came eventually to display its characteristic physiognomy: skeletal hands, sharpened noses, tight-drawn cheek bones, the bared teeth of a rictus smile and the fixed, narrowed gaze of men in a state of controlled fear.”
John Keegan
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“The ANZACs, clinging lost and leaderless to the hillsides, began, as the hot afternoon gave way to grey drizzle, to experience their martyrdom.”
John Keegan
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