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John Steinbeck

John Ernst Steinbeck Jr. (1902-1968) was an American writer. He wrote the Pulitzer Prize-winning novel, The Grapes of Wrath, published in 1939, and the novella, Of Mice and Men, published in 1937. In all, he wrote twenty-five books, including sixteen novels, six non-fiction books and several collections of short stories.

In 1962, Steinbeck received the Nobel Prize for Literature.

Steinbeck grew up in the Salinas Valley region of California, a culturally diverse place of rich migratory and immigrant history. This upbringing imparted a regionalistic flavor to his writing, giving many of his works a distinct sense of place.

Steinbeck moved briefly to New York City, but soon returned home to California to begin his career as a writer. Most of his earlier work dealt with subjects familiar to him from his formative years. An exception was his first novel Cup of Gold which concerns the pirate Henry Morgan, whose adventures had captured Steinbeck's imagination as a child.

In his subsequent novels, Steinbeck found a more authentic voice by drawing upon direct memories of his life in California. Later, he used real historical conditions and events in the first half of 20th century America, which he had experienced first-hand as a reporter.

Steinbeck often populated his stories with struggling characters; his works examined the lives of the working class and migrant workers during the Dust Bowl and the Great Depression. His later body of work reflected his wide range of interests, including marine biology, politics, religion, history, and mythology.

One of his last published works was Travels with Charley, a travelogue of a road trip he took in 1960 to rediscover America. He died in 1968 in New York of a heart attack, and his ashes are interred in Salinas.

Seventeen of his works, including The Grapes of Wrath (1940), Cannery Row (1945), The Pearl (1947), and East of Eden (1952), went on to become Hollywood films, and Steinbeck also achieved success as a Hollywood writer, receiving an Academy Award nomination for Best Story in 1944 for Alfred Hitchcock's Lifeboat.


“Don't you dare take the lazy way. It's too easy to excuse yourself because of your ancestry. Don't let me catch you doing it! Now -- look close at me so you will remember. Whatever you do, it will be you who do.”
John Steinbeck
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“I’m in love with Montana. For other states I have admiration, respect, recognition, even some affection. But with Montana it is love. And it’s difficult to analyze love when you’re in it.”
John Steinbeck
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“When you see good or bad in your children, you're seeing what you instilled in them after they cleared the womb.”
John Steinbeck
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“One night i rode home - it was a confession - and i came staggering across the yard and i fell into the rosebush and crawled up the stairs on my hands and knees and i was sick on the floor beside my bed. In the morning I tried to tell him I was sorry, and do you know what he said? 'Why, Tom, you were just jolly'. 'Jolly,' if I did it. A drunken man didn't crawl home. Just Jolly”
John Steinbeck
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“in 50 years, did you ever have a vacation, you little, silly, half-pint, smidgin of a wife?”
John Steinbeck
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“...of course, people are interested only in themselves. If a story is not about the hearer he will not listen. And I here make a rule - a great and lasting story is about everyone or it will not last. The strange and foreign is not interesting - only the deeply personal and familiar.”
John Steinbeck
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“The surface of the earth crusted. A thin hard crust, and as the sky became pale, so the earth became pale, pink in the red contry and white in the gray contry." (1) This describes the form of the book how the earth has been swallowed by the sun and allows you to assume that the farms are destroded.”
John Steinbeck
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“Homicide thats a big word means i killed a guy. seven years. im sprung in four for keep'n my nose clean." (18) the hich hiker is saying this to the truck driver and i think it puts alot of meanning to the book because the truck driver just realized that he could have just died. it adds suspense to the story and makes it kinda scary.”
John Steinbeck
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“I wonder why progress looks so much like destruction.”
John Steinbeck
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“Death was a friend, and sleep was Death's brother.”
John Steinbeck
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“I think I love you, Cal." -AbraI'm not good." -CalBecause you're not good." -Abra”
John Steinbeck
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“The Hebrew word, the word timshel - 'Thou mayest' - that gives a choice. It might be the most important word in the world. That says the way is open...Why, that makes a man great...He can choose his course and fight it through and win...I have a new love for that glittering instrument, the human soul. It is a lovely and unique thing in the universe. It is always attacked and never destroyed - because 'Thou mayest'. ch 24”
John Steinbeck
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“Why don't you go on west to California? There's work there, and it never gets cold. Why, you can reach out anywhere and pick an orange. Why, there's always some kind of crop to work in. Why don't you go there?”
John Steinbeck
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“They said I looked like a foreign devil; they said I spoke like a foreign devil. I made mistakes in manners, and I didn't know delicacies that had grown up since my father left. They wouldn't have me. You can believe it or not - I'm less foreign here than I was in China.”
John Steinbeck
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“I'm wondering whether I can explain," said Lee. "Where there is no likeness of experience it's very difficult. I understand you were not born in America." "No, in Ireland." "And in a few years you can almost disappear; while I, who was born in Grass Valley, went to school and several years to the University of California, have no chance of mixing." "If you cut your queue, dressed and talked like other people?" "No. I tried it. To the so-called whites I was still a Chinese, but an untrustworthy one; and at the same time my Chinese friends steered clear of me. I had to give it up.”
John Steinbeck
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“How's that for the grapes?”
John Steinbeck
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“And he could not take the chance of putting his certain ignorance against this man's possible knowledge.”
John Steinbeck
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“And I get to tend the rabbits…Lennie giggled with happiness.”
John Steinbeck
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“Thou mayest rule over sin,’ Lee. That’s it. I do not believe all men are destroyed. I can name you a dozen who were not, and they are the ones the world lives by. It is true of the spirit as it is true of battles — only the winners are remembered. Surely most men are destroyed, but there are others who like pillars of fire guide frightened men through the darkness. ‘Thou mayest, Thou mayest!’ What glory!”
John Steinbeck
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“He had said, "I am a man," and that meant certain things to Juana. It meant that he was half insane and half god. It meant that Kino would drive his strength against a mountain and plunge his strength against the sea. Juana, in her woman's soul, knew that the mountain would stand while the man broke himself; that the sea would surge while the man drowned in it. And yet it was this thing that made him a man, half insane and half god, and Juana had need of a man; she could not live without a man.”
John Steinbeck
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“All we got is the family unbroke.”
John Steinbeck
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“The Mayor spoke proudly. 'Yes, they will light it. I have no choice of living or dying, you see, sir, but—I do have a choice of how I do it. If I tell them not to fight, they will be sorry, but they will fight. If I tell them to fight, they will be glad, and I who am not a very brae man will have made them a little braver.' He smiled apologetically. 'You see, it is an easy thing to do, since the end for me is the same.'Lanser said, "If you say yes, we can tell them you said no. We can tell them you begged for your life.'And Winter broke in angrily, 'They would know. You do not keep secrets. One of your men got out of hand one night and he said the flies had conquered the flypaper, and now the whole nation knows his words. They have made a song of it. The flies have conquered the flypaper. You do not keep secrets, Colonel.”
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“I know,' said Winter, 'but they don't know.' And he went on with a thought he had been having. 'A time-minded people,' he said, 'and the time is nearly up. They think that just because they have only one leader and one head, we are all like that. They know that ten heads lopped off will destroy them, but we are a free people; we have as many heads as we have people, and in a time of need leaders pop up among us like mushrooms.”
John Steinbeck
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“The fool supply was controlled...”
John Steinbeck
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“Riches seem to come to the poor in spirit, the poor in interest and joy. To put it straight - the very rich are a poor bunch of bastards”
John Steinbeck
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“When you're a child you're the center of everything. Everything happens for you. Other people? They're only ghosts furnished for you to talk to.”
John Steinbeck
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“They're a dark people with a gift for suffering way past their deserving. It's said that without whiskey to soak and soften the world, they'd kill themselves. (Irish)”
John Steinbeck
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“New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous. But there is one thing about it - once you have lived in New York and it has become your home, no place else is good enough.”
John Steinbeck
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“The clouds appeared and went away, and in a while they did not try anymore.”
John Steinbeck
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“Do you think it's funny to be so serious when I'm not even out of high school?' she asked.'I don't see how it could be any other way,' said Lee. 'Laughter comes later, like wisdom teeth, and laughter at yourself comes last of all in a mad race with death, and sometimes it isn't in time.”
John Steinbeck
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“For how can you remember the feel of pleasure or pain or choking emotion? You can remember only that you had them.”
John Steinbeck
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“He said, "I am a man," and that meant certain things to Juana. It meant that he was half insane and half god.”
John Steinbeck
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“Why, Tom - us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people - we go on.''We take a beatin' all the time.''I know.' Ma chuckled. 'Maybe that makes us tough. Rich fellas come up an' they die, an' their kids ain't no good, an' they die out. But, Tom, we keep a-comin'. Don' you fret none, Tom. A different time's comin'.”
John Steinbeck
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“Then it don' matter. Then I'll be all aroun' in the dark. I'll be ever'where - wherever you look. Wherever they's a fight so hungry people can eat, I'll be there. Wherever they's a cop beatin' up a guy, I'll be there. If Casy knowed, why, I'll be in the way guys yell when they're mad an' - I'll be in the way kids laugh when they're hungry an' they know supper's ready. An' when our folks eat the stuff they raise an' live in the houses they build, why, I'll be there.”
John Steinbeck
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“And the great owners, who must lose their land in an upheaval, the great owners with access to history, with eyes to read history and to know the great fact: when property accumulates in too few hands it is taken away. And that companion fact: when a majority of the people are hungry and cold they will take by force what they need. And the little screaming fact that sounds through all history: repression works only to strengthen and knit the repressed. The great owners ignored the three cries of history. The land fell into fewer hands, the number of the dispossessed increased, and every effort of the great owners was directed at repression. The money was spent for arms, for gas to protect the great holdings, and spies were sent to catch the murmuring of revolt so that it might be stamped out. The changing economy was ignored, plans for the change ignored; and only means to destroy revolt were considered, while the causes of revolt went on.”
John Steinbeck
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“Her father was frightened by a strange bed or a foreign language or a political party he didn't belong to. Her father truly believed that the Democratic party was a subversive organization whose design would destroy the United States and put it in the hands of bearded communists.”
John Steinbeck
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“But you can't start. Only a baby can start. You and me - why, we're all that's been. The anger of a moment, the thousand pictures, that's us. This land, this red land, is us; and the flood years and the dust years and the drought years are us. We can't start again. The bitterness we sold to the junk man - he got it all right, but we have it still. And when the owner men told us to go, that's us; and when the tractor hit the house, that's us until we're dead. To California or any place - every one a drum major leading a parade of hurts, marching with our bitterness. And some day - the armies of bitterness will all be going the same way. And they'll all walk together, and there'll be a dead terror from it.”
John Steinbeck
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“Some of the owner men were kind because they hated what they had to do, and some of them were angry because they hated to be cruel, and some of them were cold because they had long ago found that one could not be an owner unless one were cold. And all of them were caught in something larger than themselves. Some of them hated the mathematics that drove them, and some were afraid, and some worshiped the mathematics because it provided a refuge from thought and from feeling. If a bank or a finance company owned the land, the owner man said, The Bank - or the Company - needs - wants - insists - must have - as though the Bank or the Company were a monster, with thought and feeling, which had ensnared them. These last would take no responsibility for the banks or the companies because they were men and slaves, while the banks were machines and masters all at the same time. Some of the owner men were a little proud to be slaves to such cold and powerful masters. The owner men sat in the cars and explained. You know the land is poor. You've scrabbled at it long enough, God knows.”
John Steinbeck
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“Men all do about the same thing when they wake up.”
John Steinbeck
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“On the black earth on which the ice plants bloomed, hundreds of black stink bugs crawled. And many of them stuck their tails up in the air. "Look at all them stink bugs," Hazel remarked, grateful to the bugs for being there. "They're interesting," said Doc. "Well, what they got their asses up in the air for?" Doc rolled up his wool socks and put them in the rubber boots and from his pocket he brought out dry socks and a pair of thin moccasins. "I don't know why," he said. "I looked them up recently--they're very common animals and one of the commonest things they do is put their tails up in the air. And in all the books there isn't one mention of the fact that they put their tails up in the air or why." Hazel turned one of the stink bugs over with the toe of his wet tennis shoe and the shining black beetle strove madly with floundering legs to get upright again. "Well, why do you think they do it?" "I think they're praying," said Doc. "What!" Hazel was shocked. "The remarkable thing," said Doc, "isn't that they put their tails up in the air--the really incredibly remarkable thing is that we find it remarkable. We can only use ourselves as yardsticks. If we did something as inexplicable and strange we'd probably be praying--so maybe they're praying." "Let's get the hell out of here," said Hazel.”
John Steinbeck
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“It’s a hard thing to leave any deeply routine life, even if you hate it.”
John Steinbeck
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“Prayer never brought in no side-meat. Takes a shoat to bring in pork.”
John Steinbeck
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“Jesus Christ, one person with their mind made up can shove a lot of folks aroun'! You win, Ma. Put away that jack handle 'fore you hurt somebody.”
John Steinbeck
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“Two are better than one,because they have a good reward for their labor. For if they fall, the one will lif' up his fellow, but woe to him that is alone when he falleth, for he hath not another to help him up.”
John Steinbeck
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“Men in fear and hunger destroy their stomachs in the fight to secure certain food, where men hungering for love destroy everything lovable about them.... In the world ruled by tigers with ulcers, rutted by strictured bulls, scavenged by blind jackals.... What can it profit a man to gain the whole world and to come to his property with a gastric ulcer, a blown prostate, and bifocals?”
John Steinbeck
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“Ad astra per alia porci”
John Steinbeck
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“It is strange to an American that the English, who love dogs and rarely eat them, nevertheless are brutal with vegetables. It is just one of those national differences which are unfathomable.”
John Steinbeck
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“It's because I haven't courage,' said Samuel. 'I could never quite take the responsibility. When the Lord God did not call my name, I might have called his name - but I did not. There you have the difference between greatness and mediocrity. It's not an uncommon disease. But it's nice for a mediocre man to know that greatness must be the loneliest state in the world.''I'd think there are degrees of greatness,' Adam said.'I don't think so,' said Samuel. 'That would be like saying there is a little bigness. No. I believe when you come to that responsibility the hugeness and you are alone to make your choice. On one side you have warmth and companionship and sweet understanding, and on the other - cold, lonely greatness. There you make your choice. I'm glad I chose mediocrity, but how am I to say what reward might have come with the other? None of my children will be great either, except perhaps Tom. He's suffering over the choosing right now. It's a painful thing to watch. And somewhere in me I want him to say yes. Isn't that strange? A father to want his son condemned to greatness! What selfishness that must be.”
John Steinbeck
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“In every bit of honest writing in the world, there is a base theme. Try to understand men, if you understand each other you will be kind to each other. Knowing a man well never leads to hate and nearly always leads to love.”
John Steinbeck
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“I think the difference between a lie and a story is that a story utilizes the trappings and appearance of truth for the interest of the listener as well as of the teller. A story has in it neither gain nor loss. But a lie is a device for profit or escape. I suppose if that definition is strictly held to, then a writer of stories is a liar - if he is financially fortunate.”
John Steinbeck
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