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John Vaillant

John Vaillant is an author and freelance writer whose work has appeared in The New Yorker, The Atlantic, National Geographic, and the Guardian, among others. His first book, The Golden Spruce (Norton, 2005), was a bestseller and won several awards, including the Governor General's and Rogers Trust awards for non-fiction (Canada). His second nonfiction book, The Tiger (Knopf, 2010), was an international bestseller, and has been published in 16 languages. Film rights were optioned by Brad Pitt’s film company, Plan B. In 2014 Vaillant won the Windham-Campbell Prize, a global award for non-fiction. In 2015, he published his first work of fiction, The Jaguar's Children (Houghton Mifflin), which was long-listed for the Dublin IMPAC and Kirkus Fiction Prizes, and was a finalist for the Writers’ Trust Fiction Prize (Canada).


“He realised that in a town a man cannot live as he wishes, but as other people wish.”
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“Successful hunting, it could be said, is an act of terminal empathy: the kill depends on how successfully a hunter inserts himself into the umwelt of his prey--even to the point of disguising himself as that animal and mimicking its behavior.”
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“(..)Fate has al­ways been a po­tent force in Rus­sia, where, for gen­er­ations, cit­izens have had lit­tle con­trol over their own des­tinies. Fate can be a bitch, but, as Za­it­sev, Dvornik, and Onofre­cuk had dis­cov­ered, it can al­so be a tiger.”
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“What other creature, besides the lion, the tiger, and the whale, can answer Creation in its own language?”
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“Fear is not a sin in the taiga, but cow­ardice is [..].”
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“By the time these words are read, the centuries-old cedar, hemlock, and balsm of the cutblock known as Leah Block 2 will be a distant memory, long since processed into siding, two-by-fours, perhaps even the paper that has been recycled into the pages of this book.”
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“Since well before the Kung's engine noise first penetrated the forest, a conversation of sorts has been unfolding in this lonesome hollow. It is not a language like Russian or Chinese but it is a language nonetheless, and it is older than the forest. The crows speak it; the dog speaks it; the tiger speaks it, and so do the men--some more fluently than others.”
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“The impact of an attacking tiger can be compared to that of a piano falling on you from a second story window. But unlike the piano, the tiger is designed to do this, and the impact is only the beginning.”
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“To say a tiger is an "outside" animal is an understatement that is best appreciated when a tiger is inside.”
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“There is a saying among the peoples of the Northwest Coast: “The world is as sharp as the edge of a knife,” and Robert Davidson, the man responsible for carving Masset’s first post-missionary pole, imagines this edge as a circle. “If you live on the edge of the circle,” he explained in a documentary film, “that is the present moment. What’s inside is knowledge, experience: the past. What’s outside has yet to be experienced. The knife’s edge is so fine that you can live either in the past or in the future. The real trick,” says Davidson, “is to live on the edge.”
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“The one certainty in tiger tracks is: follow them long enough and you will eventually arrive at a tiger, unless the tiger arrives at you first.”
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“Our listeners asked us:"What is chaos?"We're answering:"We do not comment on economic policy.”
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“It is an eccentric and uniquely human approach to resources: like plowing under your farmland to make way for more lawns, or compromising your air quality in exchange for an enormous car.”
John Vaillant
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“Fancy cutting down all those beautiful trees...to make pulp for those bloody newspapers, and calling it civilisation. - Winston Churchill, remarking to his son during a visit to Canada in 1929”
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