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Jonathan Franzen

Jonathan Franzen is the author of The Corrections, winner of the 2001 National Book Award for fiction; the novels The Twenty-Seventh City and Strong Motion; and two works of nonfiction, How to Be Alone and The Discomfort Zone, all published by FSG. His fourth novel, Freedom, was published in the fall of 2010.

Franzen's other honors include a 1988 Whiting Writers' Award, Granta's Best Of Young American Novelists (1996), the Salon Book Award (2001), the New York Times Best Books of the Year (2001), and the James Tait Black Memorial Prize (2002).

http://us.macmillan.com/author/jonath...


“Reading Chip's college orientation materials, Alfred had been struck by the sentence New England winters can be very cold. The curtains he'd bought at Sears were of a plasticized brown-and-pink fabric with a backing of foam rubber. They were heavy and bulky and stiff. "You'll appreciate these on a cold night," he told Chip. "You'll be surprised how much they cut down drafts." But Chip's freshman roommate was a prep-school product named Roan McCorkle who would soon be leaving thumbprints, in what appeared to be Vaseline, on the fifth-grade photo of Denise. Roan laughed at the curtains and Chip laughed, too. He put them back in the box and stowed the box in the basement of the dorm and let it gather mold there for the next four years. He had nothing against the curtains personally. They were simply curtains and they wanted no more than what any curtains wanted - to hang well, to exclude light to the best of their ability, to be neither too small nor too large for the window that it was their task in life to cover; to be pulled this way in the evening and that way in the morning; to stir in the breezes that came before rain on a summer night; to be much used and little noticed. There were numberless hospitals and retirement homes and budget motels, not just in the Midwest but in the East as well, where these particularly brown rubber-backed curtains could have had a long and useful life. It wasn't their fault that they didn't belong in a dorm room. They'd betrayed no urge to rise above their station; their material and patterning contained not a hint of unseemly social ambition. They were what they were. If anything, when he finally dug them out of the eve of graduation, their virginal pinkish folds turned out to be rather less plasticized and homely and Sears-like than he remembered. They were nowhere near as shameful as he'd thought.”
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“Washington's all abstraction. It's about access to power and nothing else. I mean, I'm sure it's fun if you're living next door to Seinfeld, or To Wolfe, or Mike Bloomberg, but living next door to them isn't what New York is about, In Washington people literally talk about how many feet away from John Kerry's house their own house is. The neighborhoods are all so blah, the only thing that turns people on is proximity to power. It's a total fetish culture. People get this kind of orgasmic shiver when they tell you they sat next to Paul Wolfowitz at a conference or got invited to Grover Norquist's breakfast.”
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“depression was a successful adaptation to ceaseless pain and hardship [...] feeling bad all the time and expecting the worst had been natural ways of equilibrating themselves with the lousiness of their circumstances. Few things gratified depressives, after all, more than really bad news [...] Grim situations were Katz's niche the way murky water was a carp's [...] he might well have started making music again, had it not been for the accident of success. He flopped around on the ground, heavily carplike, his psychic gills straining futilely to extract dark sustenance from an atmosphere of approval and plenitude.”
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“The first thing that reading teaches us is how to be alone.”
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“Terwijl hij wachtte tot het trillen minder werd - terwijl hij machteloos keek naar de rukkerige, maaiende bewegingen, alsof hij in een kinderkamer vol krijsende, zich misdragende peuters zat en zijn stem kwijt was en ze niet tot bedaren kon brengen - vermaakte Alfred zich ermee zich voor te stellen dat hij zijn hand afhakte met een bijl: dat hij het ongehoorzame lichaamsdeel duidelijk maakte hoe vreselijk boos hij erop was, hoe weinig hij ervan hield als het hem niet wilde gehoorzamen. Het leidde tot een soort extase als hij zich voorstelde hoe het blad van de bijl de eerste keer in het bot en de spieren van zijn ergerlijke pols hakte; maar tegelijk met de extase, ermee samengaand, was er een neiging om te wenen om die hand die van hem was, waar hij van hield en die hij het beste toewenste, die hij zijn hele leven al kende.61”
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“She quickly discovered that the world is divided into people who know how to be comfortable by themselves on a bar chair and people who do not.”
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“compliments were like a beverage she was unconsciously smart enough to deny herself even one drop of, because her thirst for them was infinite.”
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“Gary si augurava che ogni ulteriore migrazione verso le coste venisse proibita, e tutti gli abitanti del Midwest fossero incoraggiati a tornare ai cibi pesanti, agli abiti fuori moda e ai giochi di società, in modo da mantenere una riserva nazionale strategica di idiozia”
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“Fiction, I believed, was the transmutation of experiential dross into linguistic gold. Fiction meant taking up whatever the world had abandoned by the road and making something beautiful out of it.”
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“You thought you knew what food was, you thought it was elemental. You forgot how much restaurant there was in restaurant food and how much home was in homemade.”
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“Not just Negroponte, who doesn't like to read, but even Birkerts, who thinks that history is ending, underestimates the instability of society and the unruly diversity of its members. The electronic apotheosis of mass culture has merely reconfirmed the elitism of literary reading, which was briefly obscured in the novel's heyday. I mourn the eclipse of the cultural authority that literature once possessed, and I rue the onset of an age so anxious that the pleasure of a text becomes difficult to sustain. I don't suppose that many other people will give away their TVs. I'm not sure I'll last long myself without buying one. But the first lesson reading teaches is how to be alone.”
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“It’s great that a song now costs exactly the same as a pack of gum and lasts exactly the same amount of time before it loses its flavour and you have to spend another buck.”
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“My conception of a novel is that it ought to be a personal struggle, a direct and total engagement with the author's story of his or her own life. This conception, again, I take from Kafka, who, although he was never transformed into an insect, and although he never had a piece of food (an apple from his family's table!) lodged in his flesh and rotting there, devoted his whole life as a writer to describing his personal struggle with his family, with women, with moral law, with his Jewish heritage, with his Unconscious, with his sense of guilt, and with the modern world. Kafka's work, which grows out of the nighttime dreamworld in Kafka's brain, is *more* autobiographical than any realistic retelling of his daytime experiences at the office or with his family or with a prostitute could have been. What is fiction, after all, if not a kind of purposeful dreaming? The writer works to create a dream that is vivid and has meaning, so that the reader can then vividly dream it and experience meaning. And work like Kafka's, which seems to proceed directly from dream, is therefore an exceptionally pure form of autobiography. There's an important paradox here that I would like to stress: the greater the autobiographical content of a fiction writer's work, the *smaller* its superficial resemblance to the writer's actual life. The deeper the writer digs for meaning, the more the random particulars of the writer's life become *impediments* to deliberate dreaming.”
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“El amor consiste en una empatía ilimitada, surgida de lo que el corazón nos revela, que el otro es tan real como nosotros. Y por eso el amor, según lo entiendo, siempre es concreto. Intentar amar a toda la humanidad puede ser una empresa loable, pero curiosamente se centra en uno mismo, en el bienestar moral y espiritual de uno mismo. Mientras que para amar a una persona concreta, e identificarse con sus esfuerzos y alegrías como si fueran propios, uno tiene que renunciar a una parte de sí.”
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“There was, of course, nowhere better in the world to be than New York City. This fact was the foundation of her family's satisfaction with itself, the platform from which all else could be ridiculed, the collateral of adult sophistication that bought them the right to behave like children.”
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“He may not have been exactly what she wanted in a man, but he was unsurpassable in providing the rabid fandom which, at the time, she needed even more than romance.”
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“Cooks were the mitochondria of humanity; they had their own separate DNA, they floated in a cell and powered it but were not really of it.”
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“Elective ignorance was a great survival skill, perhaps the greatest.”
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“Fiction is a solution, the best solution, to the problem of existential solitude.”
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“Fiction is a particularly effective way for strangers to connect across time and distance”
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“Reading enables me to maintain a sense of something substantive– my ethical integrity, my intellectual integrity.”
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“Love is about bottomless empathy, born out of the heart’s revelation that another person is every bit as real as you are. And this is why love, as I understand it, is always specific. Trying to love all of humanity may be a worthy endeavor, but, in a funny way, it keeps the focus on the self, on the self’s own moral or spiritual well-being. Whereas, to love a specific person, and to identify with his or her struggles and joys as if they were your own, you have to surrender some of your self.”
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“The simple fact of the matter is that trying to be perfectly likable is incompatible with loving relationships. Sooner or later, for example, you’re going to find yourself in a hideous, screaming fight, and you’ll hear coming out of your mouth things that you yourself don’t like at all, things that shatter your self-image as a fair, kind, cool, attractive, in-control, funny, likable person. Something realer than likability has come out in you, and suddenly you’re having an actual life.Suddenly there’s a real choice to be made, not a fake consumer choice between a BlackBerry and an iPhone, but a question: Do I love this person? And, for the other person, does this person love me?There is no such thing as a person whose real self you like every particle of. This is why a world of liking is ultimately a lie. But there is such a thing as a person whose real self you love every particle of. And this is why love is such an existential threat to the techno-consumerist order: it exposes the lie.”
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“Du skal bare huske at det ikke er en perfekt krig i en perfekt verden.”
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“Det var det der holdt mig vågen om natten," sagde Walter. "Den her opsplitning af landet. For det er det samme problem overalt. Det er ligesådan med internettet eller kabel-tv - der er aldrig noget centrum, der er ingen fælles enighed, der er bare en billion forskellige distraherende støjkilder. Vi kan aldrig sætte os og føre en vedvarende samtale, det er bare billigt skrammel og en lorteudvikling, det hele. Alt det ægte, alt det autentiske, alt det ærlige dør ud. Intellektuelt og kulturelt bliver vi kastet omkring som tilfældige billiardkugler og reagerer på den seneste tilfældige stimulans.”
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“D'où venait l'apitoiement sur soi ? Cette quantité extraordinaire d'apitoiement sur soi ? Selon presque tous les critères possibles, elle menait une vie très heureuse. Elle avait toutes ses journées pour penser à une façon décente et satisfaisante de vivre, et pourtant tout ce qu'elle semblait récolter avec tous ses choix et toute sa liberté, c'était de plus en plus de malheur. Du coup, l'autobiographie en arrive presque à la conclusion qu'elle se lamentait d'avoir autant de liberté. (p. 262)”
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“Can a better kind of fiction save the world? There’s always some tiny hope (strange things do happen), but the answer is almost certainly no, it can’t. There is some reasonable chance, however, that it could save your soul. If you’re unhappy about the hatred that’s been unleashed in your heart, you might try imagining what it’s like to be the person who hates you; you might consider the possibility that you are, in fact, the Evil One yourself.”
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“There’s hardly anybody who doesn’t hate somebody now, and nobody at all whom somebody doesn’t hate.”
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“She had to tell him, while she still had time, how wrong he’d been and how right she’d been. How wrong not to love her more, how wrong not to cherish her and have sex at every opportunity, how wrong not to trust her financial instincts, how wrong to have spent so much time at work and so little with the children, how wrong to have been so negative, how wrong to have been gloomy, how wrong to have run away from life, how wrong to have said no, again and again, instead of yes: she had to tell him all of this, every single day.”
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“That was the way most people were - stupid.”
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“And if the world refused to square with his version of reality then it was necessarily an uncaring world, a sour and sickening world, a penal colony, and he was doomed to be violently lonely in it.”
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“He'd lost track of what he wanted, and since who a person was what a person wanted, you could say that he'd lost track of himself.”
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“He didn't understand what happened to him. He felt like a piece of paper that had once had coherent writing on it but had been through the wash. He felt roughened, bleached, and worn out along the fold lines.”
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“You could slap his wrist for saying it, but then he said it with his face, and you could spank him for making faces, but then he said it with his eyes, and there were limits to correction—no way, in the end, to penetrate behind the blue irises and eradicate a boy’s disgust.”
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“As if sustained and too-direct contact with time's raw passage could scar the nerves permanently, like staring at the sun.”
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“If multiculturalism succeeds in making us a nation of independently empowered tribes, each tribe will be deprived of the comfort of victimhood and be forced to confront human limitation for what it is: a fixture of life.”
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“Success at sports is the province of the almost empty head.”
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“Wow, thank you so much for the compliment!" Patty answered brightly, to end things. At the time, she believed that it was because she was so selflessly team-spirited that direct personal compliments made her so uncomfortable. The autobiographer now thinks that compliments were like a beverage she was unconsciously smart enough to deny herself even one drop of, because her thirst for them was infinite.”
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“Earlier in the day, while killing some hours by circling in blue ballpoint ink every uppercase M in the front section of a month-old New York Times, Chip had concluded that he was behaving like a depressed person. Now, as his telephone began to ring, it occurred to him that a depressed person ought to continue staring at the TV and ignore the ringing — ought to light another cigarette and, with no trace of emotional affect, watch another cartoon while his machine took whoever’s message. That his impulse, instead, was to jump to his feet and answer the phone — that he could so casually betray the arduous wasting of a day — cast doubt on the authenticity of his suffering. He felt as if he lacked the ability to lose all volition and connection with reality the way depressed people did in books and movies. It seemed to him, as he silenced the TV and hurried into his kitchen, that he was failing even at the miserable task of falling properly apart.”
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“The conservatives won. They turned the Democrats into a center-right party. They got the entire country singing 'God Bless America,' stress on God, at every single major-league baseball game. They won on every fucking front, but they especially won culturally, and especially regarding babies. In 1970 it was cool to care about the planet's future and not have kids. Now the one thing everyone agrees on, right and left, is that it's beautiful to have a lot of babies. The more the better. Kate Winslet is pregnant, hooray hooray. Some dimwit in Iowa just had octuplets, hooray hooray. The conversation about the idiocy of SUV's stops dead the minute people say they're buying them to protect their precious babies. (221)”
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“Zachary's mother, Lucy, waylaid him on the third-floor landing and offered, unsolicited, her opinion that the Traumatics had been the kind of adolescently posturing, angst-mongering boy group that never interested her. Then she waited, with parted lips and a saucy challenge in her eyes, to see how her presence --the drama of being her-- was registering. In the way of such chicks, she seemed convinced of the originality of her provocation. Katz had encountered, practically verbatim, the same provocation a hundred times before, which put him in the ridiculous position now of feeling bad for being unable to pretend to be provoked: of pitying Lucy's doughty little ego, its floatation on a sea of aging-female insecurity. He doubted he could get anywhere with her even if he felt like trying, but he knew that her pride would be hurt if he didn't make at least a token effort to be disagreeable. (p. 194)”
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“By now it was too late to call St. Jude. He chose an out-of-the-way patch of airport carpeting and lay it down to sleep. He didn't understand what had happened to him. He felt like a piece of paper that had once had coherent writing on it but had been through the wash. He felt roughened, bleached and worn out along the fold lines. He semi-dreamed of disembodied eyes and isolated mouths in ski masks. He'd lost track of what he wanted, and since who a person was was what a person wanted, you could say that he'd lost track of himself.”
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“He couldn't figure out if she was immensely well adjusted or seriously messed up.”
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“What he'd never understood about men in his position, in all the books he'd read and movies he'd seen about them, was clearer to him now: you couldn't keep expecting wholehearted love without, at some point, requiting it. There was no credit to be earned for simply being good.”
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“If you choose to spend an hour every day tinkering with your Facebook profile, or if you don’t see any difference between reading Jane Austen on a Kindle and reading her on a printed page, or if you think Grand Theft Auto IV is the greatest Gesamtkunstwerk since Wagner, I’m very happy for you, as long as you keep it to yourself.”
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“Alfred believed that the real and the true were a minority that the world was bent on exterminating.”
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“Then again, there had always been something not quite right about the Berglunds.”
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“Walter non aveva mai capito come vivere, ma adesso lo capiva meno che mai”
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“Il Paradiso e l'inferno ce li creiamo da soli.”
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“People nowadays seemed to resent the railroads for abandoning romantic steam power in favor of diesel. People didn't understand the first goddamned thing about running a railroad. A diesel locomotive was versatile, efficient, and low-maintenance. People thought the railroad owed them romantic favors, and then they belly ached if a train was slow. That was the way most people were—stupid.”
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