Jonathan Lethem photo

Jonathan Lethem


“Eighth grade's a distant rumor, a tabled issue, and Dylan knows from experience that the summer between might change anything, everything. He and Mingus Rude too and even Arthur Lomb for that matter are released from the paint-by-numbers page of their schooldays, from their preformatted roles as truant or victim, freed to an unspoiled summer, that inviting medium for doodling in self-transformation. ”
Jonathan Lethem
Read more
“It wasn't for children, seventh grade. You could read the stress of even entering the building in the postures of the teachers, the security guards. Nobody could relax in such a racial and hormonal disaster area.”
Jonathan Lethem
Read more
“The cars rushing below knew nothing. People in cars weren't New Yorkers anyway, they'd suffered some basic misunderstanding. The two boys on the walkway, apparently standing still they were moving faster than the cars. Nineteen seventy-five.”
Jonathan Lethem
Read more
“If. If Mingus Rude could be kept in this place, kept somehow in Dylan's pocket, in his stinging, smudgy hands, then summer wouldn't give way to whatever came after. If. If. Fat chance. Summer on Dean Street had lasted one day and that day was over, it was dark out, had been for hours. The Williamsburg Savings Bank tower clock read nine-thirty in red-and-blue neon. Final score, a million to nothing. The million-dollar kid.Your school wasn't on fire, you were.”
Jonathan Lethem
Read more
“Grips slipped. Hers had from every surface. She's shaped nothing after all, only been crushed and reshaped. No wonder she felt for the brownstones, the cripples, now filling chaotically with no regard for her plan.”
Jonathan Lethem
Read more
“There were days when no kid came out of his house without looking around. The week after Halloween had a quality both hungover and ominous, the light pitched, the sky smashed against the rooftops.”
Jonathan Lethem
Read more
“Go buy milk,' Robert said at last.Dylan moved for Buggy's door.But if ou come around here with that old lady's money next time I might have to take it off you.'Dylan recognized this as a sort of philosophical using. He was grateful for the implied sense of pooled information. He and Robert could move forward together from this point into whatever was required.”
Jonathan Lethem
Read more
“The alphabet Miss Poobner taught was represented on the wall above her head by a series of personified cartoonlike letters--Mr. A, Eating an Apple; Mrs. B, Buying a Broom; and so on--and something insipid about the parade of grinning letters defeated Dylan's will utterly.”
Jonathan Lethem
Read more
“The Joker's henchmen break into the museum and empty the display cases; this occurs repeatedly, again and again: finally it can be reckoned upon beforehand and becomes a part of the exhibition. ”
Jonathan Lethem
Read more
“I want what we all want," said Carl. "To move certain parts of the interior of myself into the exterior world, to see if they can be embraced.”
Jonathan Lethem
Read more
“Destroy the traces. I’d never tried to do that. Instead I’d lived in their midst for thirty years, oblivious, a blind man fancying himself invisible.”
Jonathan Lethem
Read more
“As I get older I find that the friendships that are the most certain, ultimately, are the ones where you and the other person have made substantial amounts of money for one another.”
Jonathan Lethem
Read more
“Every room I've lived in since I was given my own room at eleven was lined with, and usually overfull of, books. My employment in bookstores was always continuous with my private hours: shelving and alphabetizing, building shelves, and browsing-- in my collection and others-- in order to understand a small amount about the widest possible number of books. Such numbers of books are constantly acquired that constant culling is necessary; if I slouch in this discipline, the books erupt. I've also bricked myself in with music--vinyl records, then compact discs. My homes have been improbably information-dense, like capsules for survival of a nuclear war, or models of the interior of my own skull. That comparison--room as brain-- is one I've often reached for in describing the rooms of others, but it began with the suspicion that I'd externalized my own brain, for anyone who cared to look.”
Jonathan Lethem
Read more
“Mingus Rude, Arthur Lomb, Gabriel Stern and Tim Vandertooth, even Aaron K. Doily: Dylan never met anyone who wasn't about to change immediately into someone else. His was a special talent for encountering persons about to shed one identity or disguise for another. He took it in stride by now.”
Jonathan Lethem
Read more