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Jonathan Maberry

JONATHAN MABERRY is a New York Times best-seller and Audible #1 bestseller, five-time Bram Stoker Award-winner, anthology editor, comic book writer, executive producer, magazine feature writer, playwright, and writing teacher/lecturer. He is the editor of WEIRD TALES Magazine and president of the International Association of Media Tie-in Writers. He is the recipient of the Inkpot Award, three Scribe Awards, and was named one of the Today’s Top Ten Horror Writers. His books have been sold to more than thirty countries. He writes in several genres including thriller, horror, science fiction, epic fantasy, and mystery; and he writes for adults, middle grade, and young adult.

Jonathan is the creator, editor and co-author of V-WARS, a shared-world vampire anthology from IDW Publishing that was adapted into a NETFLIX series starring Ian Somerhalder (LOST, VAMPIRE DIARIES).

His young adult fiction includes ROT & RUIN (2011; was named in Booklist’s Ten Best Horror Novels for Young Adults, an American Library Association Top Pick, a Bram Stoker and Pennsylvania Keystone to Reading winner; winner of several state Teen Book Awards including the Cricket, Nutmeg and MASL; winner of the Cybils Award, the Eva Perry Mock Printz medal, Dead Letter Best Novel Award, and four Melinda Awards); DUST & DECAY (winner of the 2011 Bram Stoker Award; FLESH & BONE (winner of the Bram Stoker Award; 2012; and FIRE & ASH (August 2013). BROKEN LANDS, the first of a new spin-off series, debuted in 2018 and was followed by LOST ROADS in fall 2020. ROT & RUIN is in development for film by ALCON ENTERTAINMENT and was adapted as a WEBTOON (a serialized comic formatted for cell phones), becoming their #1 horror comic.

His novels include the enormously popular Joe Ledger series from St. Martin’s Griffin (PATIENT ZERO, 2009, winner of the Black Quill and a Bram Stoker Award finalist for Best Novel) and eleven other volumes, most recently RELENTLESS. His middle grade novel, THE NIGHTSIDERS BOOK 1: THE ORPHAN ARMY (Simon & Schuster) was named one the 100 Best Books for Children 2015. His standalone novels include MARS ONE, GLIMPSE, INK, GHOSTWALKERS (based on the DEADLANDS role-playing game), X-FILES ORIGINS: DEVIL’S ADVOCATE, and THE WOLFMAN --winner of the Scribe Award for Best Movie Adaptation

His horror novels include The Pine Deep Trilogy from Pinnacle Books (GHOST ROAD BLUES, 2006, winner of the Bram Stoker Award for Best First Novel and named one of the 25 Best Horror Novels of the New Millennium; DEAD MAN’S SONG, 2007; and BAD MOON RISING, 2008; as well as DEAD OF NIGHT, and its sequels, FALL OF NIGHT, DARK OF NIGHT, and STILL OF NIGHT.

His epic fantasy series, KAGEN THE DAMNED debuts in May 2022. And he just signed to co-author (with Weston Ochse) a new series of military science fiction novels that launches the SLEEPERS series. Jonathan will also be launching a new series of science fiction horror novels for the newly established Weird Tales Presents imprint of Blackstone Publishing.

He is also the editor of three THE X-FILES anthologies; the dark fantasy anthology series, OUT OF TUNE; SCARY OUT THERE, an anthology of horror for teens; and the anthologies ALIENS: BUG HUNT, NIGHTS OF THE LIVING DEAD (with George Romero), JOE LEDGER UNSTOPPABLE (with Bryan Thomas Schmidt); two volumes of mysteries: ALTERNATE SHERLOCKS and THE GAME’S AFOOT (with Michael Ventrella); and ALIENS V PREDATOR: ULTIMATE PREY (with Bryan Thomas Schmidt). He is also the editor of DON’T TURN OUT THE LIGHTS, the official tribute to SCARY STORIES TO TELL IN THE DARK. His next anthology will be ALIENS VS PREDATOR: ULTIMATE PREY (with Bryan Thomas Schmidt), debuting in spring 2022.

Jonathan was an expert on the History Channel documentary series, ZOMBIES: A Living History and TRUE MONSTERS. And he was participated in the commentary track for NIGHT OF THE LIVING DEAD: REANIMATED.

His many nonfiction works include VAMPIRE UNIVERSE (Citadel Press, 2006); THE CRYPTOPED


“This one looks good,” said Chong over breakfast the next morning. Benny read out loud from the paper. “‘Pit Thrower.’ What’s that?” “I don’t know,” Chong said with a mouth full of toast. “I think it has something to do with barbecuing.” It didn’t.”
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“They held each other and wept as the night closed its fist around their tiny shelter, and the world below them seethed with killers both living and dead.”
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“Suffering is easier to endure when shared.”
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“Chong said, 'Do yourself a favor, Morg. Next time you're staring at a girl's boobs, look up. You'll be shocked to learn it, but there's going to be a face up there. Nose, mouth, eyes. And behind the eyes is an actual person.”
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“Reporters trade in pain. It sells papers. Everyone knows that.”
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“She looked like a character from a video game. One of those improbably busty, impossibly well-armed superchicks who could do acrobatics and hit the kill zone even while firing guns from both hands during a cartwheel. "You look fucking ridiculous," she told herself.”
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“No matter what choice you make, it doesn't define you. Not forever. People can make bad choices and change their minds and hearts and do good things later; just as people can make good choices and then turn around and walk a bad path. No choice we make lasts our whole life. If there's ever a choice you've made that you no longer agree with, you can make another choice.”
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“A wise man once said that we can't make anyone feel or do anything. We can throw things into the wind, but it's up to each person to decide how they want to react, where they want to stand when things fall.”
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“...but it was death that changed. People are still people. Some good, some bad. Death changed, and we don't know what death really means anymore. Maybe that was the point. Maybe this is an object lesson about the arrogance of our assumptions. Hard to say. But the world? She didn't change. She healed. We stopped hurting her and she began to heal. You can see it all around. The whole world is a forest now. The air is fresher. More trees, more oxygen.”
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“Revenge is an infection of the spirit.”
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“Everyone carries around his own monsters.---Richard Pryor”
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“Sometimes shame is a more powerful engine than rage.”
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“Generosity could be as contagious as the zombie plague as long as enough people were willing to be carriers.”
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“Walls, towns, rules, and day-to-day life doesn't make us civilized ... That's organization and ritual. Civilization lives in our hearts and heads or it doesn't exist at all.”
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“We're each alone inside our heads, some more so than others.”
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“It's important to know the past, but your survival depends on knowing the present.”
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“Often it was the most unlikely people who found within themselves a spark of something greater. It was probably always there, but most people are never tested, and they go through their whole lives without ever knowing that when things are at their worst, they are at their best.”
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“Sometimes people say terrible things when they're scared. They don't mean to, but they can't help it. They lash out because if they can see that their words hurt someone else, it makes them feel as if they aren't completely powerless.”
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“A bite will still hurt, but it won't kill you.”
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“It’s easier to be a character in a story than the star of your own tragedy.”
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“Closure isn't closure until someone's ready to close the door.”
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“Nix still held Benny's hand, and her grip tightened to an almost crushing force, grinding his hand bones together. It hurt, but Benny would rather have cut that hand off than take it back at that moment. If it would help Nix through this, he'd give her a pair of pliers and a vise so she could do a proper job.”
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“Newton screamed when he felt them begin to crawl over his scrotum and try to wiggle between his buttocks”
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“If it rushed he'd slash. Stabbing is a fool's move, the blade gets caught. Ben knew that quick slashes could fend off even a big hound or a boar.”
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“When Tony lost it, it would be up to Ruger to take Lady Death by the tits and giver a good tweak. That's how he saw it. Give Lady Death's tits a good tweak.”
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“We had the whole 'when you assume you make an ass out of you and me' speech in school.”
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“They won the war but lost the peace,”
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“When you have to kill the same terrorist twice in one week, then there's either something wrong with your skills or something wrong with your world. And there's nothing wrong with my skills.”
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“I’m not sure I could trust a man who would bypass an Oreo in favor of vanilla wafers. It’s a fundamental character flaw, possibly a sign of true evil.”
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“There was a sliver of moon and a splash of stars, and the light outlined her face and glistened on the tears that ran like mercury down her cheeks.”
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“There are moments that define a person's whole life. Moments in which everything they are and everything they may possibly become balance on a single decision. Life and death, hope and despair, victory and failure teeter precariously on the decision made at that moment. These are moments ungoverned by happenstance, untroubled by luck. These are the moments in which a person earns the right to live, or not.”
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“Apple of My Eye is a twisted collection of short stories by Amy Grech, including the sexy and deadly title story that makes you want to stay home with the door locked and the lights on. Grech's stories are sinister, sneaky, convoluted and dangerous—and absolutely not to be missed!”— Jonathan Maberry, Bram Stoker Award-Winning Author ofGhost Road Blues and Dead Man's Song”
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