Jonathan Rosen

“There is a moment in the tractate Menahot when the Rabbis imagine what takes place when Moses ascends Mount Sinai to receive the Torah. In this account (there are several) Moses ascends to heaven, where he finds God busily adding crownlike ornaments to the letters of the Torah. Moses asks God what He is doing and God explains that in the future there will be a man named Akiva, son of Joseph, who will base a huge mountain of Jewish law on these very orthographic ornaments. Intrigued, Moses asks God to show this man to him. Moses is told to 'go back eighteen rows,' and suddenly, as in a dream, Moses is in a classroom, class is in session and the teacher is none other than Rabbi Akiva. Moses has been told to go to the back of the study house because that is where the youngest and least educated students sit.Akiva, the great first-century sage, is explaining Torah to his disciples, but Moses is completely unable to follow the lesson. It is far too complicated for him. He is filled with sadness when, suddenly, one of the disciples asks Akiva how he knows something is true and Akiva answers: 'It is derived from a law given to Moses on Mount Sinai.' Upon hearing this answer, Moses is satisfied - though he can't resist asking why, if such brilliant men as Akiva exist, Moses needs to be the one to deliver the Torah. At this point God loses patience and tells Moses, 'Silence, it's my will.”

“It's the side-by-side culture of the Talmud I like so much. 'On the one hand' and 'on the other hand' is frustrating for people seeking absolute faith, but for me it gives religion an ambidextrous quality that suits my temperament.”

“In my tradition, God revealed Himself in words and lives in stories and, no, you cannot touch or even see Him. The Word, in Judaism, was never made flesh. The closest God came to embodiment was in the Temple in Jerusalem...But the Temple was destroyed. In Judaism, the flesh became words. Words were the traditional refuge of the Jewish people - Yochanan ben Zakkai led a yeshiva, my father became a professor. And little boys, in the Middle Ages, ate cakes with verses inscribed on them, an image I find deeply moving and, somehow, deeply depressing. This might help explain a certain melancholy quality books in general, for all their bright allure, have always had for me. As many times as I went down to my parents' library for comfort, I would find myself standing in front of the books and could almost feel them turning back into trees, failing me somehow.”

“The Talmud offered a virtual home for an uprooted culture, and grew out of the Jewish need to pack civilization into words and wander out into the world. The Talmud became essential for Jewish survival once the Temple - God's pre-Talmud home - was destroyed, and the Temple practices, those bodily rituals of blood and fire and physical atonement, could no longer be performed. When the Jewish people lost their home (the land of Israel) and God lost His (the Temple), then a new way of being was devised and Jews became the people of the book and not the people of the Temple or the land. They became the people of the book because they had no place else to live. That bodily loss is frequently overlooked, but for me it lies at the heart of the Talmud, for all its plenitude. The Internet, which we are continually told binds us together, nevertheless engenders in me a similar sense of diaspora, a feeling of being everywhere and nowhere. Where else but in the middle of Diaspora do you need a home page?”

“The Talmud tells a story about a great Rabbi who is dying, he has become a goses, but he cannot die because outside all his students are praying for him to live and this is distracting to his soul. His maidservant climbs to the roof of the hut where the Rabbi is dying and hurls a clay vessel to the ground. The sound diverts the students, who stop praying. In that moment, the Rabbi dies and his soul goes to heaven. The servant, too, the Talmud says, is guaranteed her place in the world to come.”

“It means that the things that make us human often make us ill.”

“Most people don't want to die, but they don't want to live either. I am speaking about men now as much as women. They look for a third way, but there is no third way.”

“Hollywood culture is a universal culture now. Everyone wants to step out of life and into the flat perfections of a movie screen. My own wish to drown was not so different from the desire those girls had to leave their real lives behind, to recieve new names and wardrobes and perfectly scripted lines.”

“Starlets were always turning up dead in people's pools. They fished them out like goldfish. Nobody seemed to find it unusual that so many young, beautiful women wanted to die.”