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Jonathan Safran Foer


“It’s much easier to be cruel than one might think.”
Jonathan Safran Foer
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“Food for her is not food, it is terror, dignity, gratitude, vengeance, joyfulness, humiliation, religion, history, and, of course, love. As if the fruit she always offered us were picked from the destroyed brances of out family tree.”
Jonathan Safran Foer
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“Needless to say, jamming deformed, drugged, overstressed birds together in a filthy, waste-coated room is not very healthy. Beyond deformities, eye damage, blindness, bacterial infections of bones, slipped vertebrae, paralysis, internal bleeding, anemia, slipped tendons, twisted lower legs and necks, respiratory diseases, and weakened immune systems are frequent and long-standing problems on factory farms.”
Jonathan Safran Foer
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“Elsewhere the paper notes that vegetarians and vegans (including athletes) 'meet and exceed requirements' for protein. And, to render the whole we-should-worry-about-getting-enough-protein-and-therefore-eat-meat idea even more useless, other data suggests that excess animal protein intake is linked with osteoporosis, kidney disease, calcium stones in the urinary tract, and some cancers. Despite some persistent confusion, it is clear that vegetarians and vegans tend to have more optimal protein consumption than omnivores. ”
Jonathan Safran Foer
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“Perhaps in the back of our minds we already understand, without all the science I've discussed, that something terribly wrong is happening. Our sustenance now comes from misery. We know that if someone offers to show us a film on how our meat is produced, it will be a horror film. We perhaps know more than we care to admit, keeping it down in the dark places of our memory-- disavowed. When we eat factory-farmed meat we live, literally, on tortured flesh. Increasingly, that tortured flesh is becoming our own.”
Jonathan Safran Foer
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“But when, at the end of my sophomore year, I became a philosophy major and started doing my first seriously pretentious thinking, I became a vegetarian again. The kind of willful forgetting that I was sure meat eating required felt too paradoxical to the intellectual life I was trying to shape. I thought life could, should, and must conform to the mold of reason. You can imagine how annoying this made me.”
Jonathan Safran Foer
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“At the end of my dream, Eve put the apple back on the branch. The tree went back into the ground. It became a sapling, which became a seed.”
Jonathan Safran Foer
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“The paper, the stapler, the staples, the tape. It makes me sick. Physical things. Forty years of loving someone becomes staples and tape.”
Jonathan Safran Foer
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“Flea-Market vendors are frozen mid-haggle. Middle-aged women are frozen in the middle of their lives. The gavels of frozen judges are frozen between guilt and innocence. On the ground are the crystals of the frozen first breaths of babies, and those of the last gasps of the dying.”
Jonathan Safran Foer
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“I realized I was on a something island. 'How did I get here,' I wondered, surrounded by Nothing, "and how can I get back? ”
Jonathan Safran Foer
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“She wanted more, more slang, more figures of speech, the bee's knees, the cats pajamas, horse of a different color, dog-tired, she wanted to talk like she was born here, like she never came from anywhere else”
Jonathan Safran Foer
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“We had everything to say to each other, but no ways to say it”
Jonathan Safran Foer
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“We cracked up together, which was necessary, because she loved me again.”
Jonathan Safran Foer
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“When I was old enough to take baths in the bathtub, and to know I had a penis and a scrotum and everything, I asked her not to sit in the room with me. "Why not?" "Privacy." "Privacy from what? From me?" I didn't want to hurt her feelings, because not hurting her feelings is another of my raisons d'etre. "Just privacy," I said...She agreed to wait outside, but only if I held a ball of yarn, which went under the bathroom door and was connected to the scarf she was knitting. Every few seconds she would give it a tug, and I had to tug back--undoing what she had just done--so that she could know I was OK.”
Jonathan Safran Foer
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“Only a few months into our marriage," writes the grandfather, "we started marking off areas in the apartment as 'Nothing Places,' in which one could be assured of complete privacy, we agreed that we never would look at the marked-off zones, that they would be nonexistent territories in the apartment in which one could temporarily cease to exist.”
Jonathan Safran Foer
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“Ich versuche mich an alles zu erinnern, was ich getan habe, Oskar. Und alles, was ich nicht getan habe. Die Fehler, die ich begangen habe, sind mir egal. Aber was ich nie getan habe, kann ich auch nicht zurücknehmen.”
Jonathan Safran Foer
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“[…] but I believe that things are extremely complicated, and her looking over me was as complicated as anything could ever be. But it was also incredibly simple.”
Jonathan Safran Foer
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“We are lying to ourselves and to each other.Lying about what? I don't care if we're lying.I am a bad person.I don't care. I don't care what you are.”
Jonathan Safran Foer
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“Instead of singing in the shower, I would write out the lyrics of my favourite songs, the ink would turn the water blue or red or green, and the music would run down my legs.”
Jonathan Safran Foer
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“She loved herself in love, she loved loving love, as love loves loving, and was able, in that way, to reconcile herself with a world that fell so short of what she would have hoped for. It was not the world that was the great and saving lie, but her willingness to make it beautiful and fair, to live a once-removed life, in a world once-removed from the one in which everyone else seemed to exist.”
Jonathan Safran Foer
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“It's always possible to wake someone from sleep, but no amount of noise will wake someone who is pretending to be asleep.”
Jonathan Safran Foer
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“A few days after we came home from the hospital, I sent a letter to a friend, including a photo of my son and some first impressions of fatherhood. He responded, simply, 'Everything is possible again.' It was the perfect thing to write, because that was exactly how it felt. We could retell our stories and make them better, more representative or aspirational. Or we could choose to tell different stories. The world itself had another chance.”
Jonathan Safran Foer
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“Her life was a slow realization that the world was not for her and that for whatever reason she would never be happy and honest at the same time. She felt as if she were brimming always producing and hoarding more love inside her. But there was no release. table ivory elephant charm rainbow onion hairdo violence melodrama honey...None of it moved her. She addressed the world honestly searching for something deserving of the volumes of love she knew she had within her but to each she would have to say I don't love you.”
Jonathan Safran Foer
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“A powerful wind swept through the shtetl, making it whistle. Those studying obscure texts in dimly lit rooms looked up. Lovers making amends and promises, amendments and excuses, fell silent.”
Jonathan Safran Foer
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“The hardest part of writing is not to get the ideas but to remember, why it is important to get them.”
Jonathan Safran Foer
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“There are many premium writers, yes? Tolstoy, yes? He wrote War, and also Peace, which are both premium books.”
Jonathan Safran Foer
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“I remember spending an afternoon with Mr. Richter in the Central Park Zoo, I went weighted down with food for the animals, only someone who’d never been an animal would put up a sign saying not to feed them, Mr. Richter told a joke, I tossed hamburger to the lions, he rattled the cages with his laughter, the animals went to the corners, we laughed and laughed, together and separately, out loud and silently, we were determined to ignore whatever needed to be ignored, to build a new world from nothing if nothing in our world could be salvaged, it was one of the best days of my life, a day during which I lived my life and didn’t think about my life at all.”
Jonathan Safran Foer
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“We shared the smile of recognizing ourselves in each other, how many imposters do I have? Do we all make the same mistakes, or has one of us gotten it right, or even just a bit less wrong, am I the imposter?”
Jonathan Safran Foer
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“It was late, and we were tired.We assumed there would be other nights.Anna’s breathing started to slow, but I still wanted to talk.She rolled onto her side.I said, I want to tell you something.She said, You can tell me tomorrow.I had never told her how much I loved her.She was my sister.We slept in the same bed.There was never a right time to say it.It was always unnecessary.The books in my father’s shed were sighing.The sheets were rising and falling around me with Anna’s breathing.I thought about waking her.But it was unnecessary.There would be other nights.And how can you say I love you to someone you love?I rolled on my side and fell asleep next to her.Here is the point of everything I have been trying to tell you, Oskar.It’s always necessary.”
Jonathan Safran Foer
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“Well, what I don't get is why do we exist? I don't mean how, but why.' I watched the fireflies of his thoughts orbit his head. He said, 'we exist because we exist. . .we could imagine all sorts of universes like this one, but this is the one that happened.”
Jonathan Safran Foer
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“Whether we're talking about fish species, pigs, or some other eaten animal, is such suffering the most important thing in the world? Obviously not. But that's not the question. Is it more important that sushi, bacon, or chicken nuggets? That's the question.”
Jonathan Safran Foer
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“But I still couldn't figure out what it all meant. The more I found out, the less I understood.”
Jonathan Safran Foer
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“It's an empowering idea. The entire goliath of the food industry is driven and determined by the choices we make as the waiter gets impatient for our order or in the practicalities ad whimsies of what we load into our shopping carts or farmers'-market bags.”
Jonathan Safran Foer
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“He ran the back of his hand up her cheek, with the pretense of wiping away sweat. Do you think you could ever love me?I don't think so.Because I'm not good enough.It's not like that.Because I'm not smart.No.Because you couldn't love me.Because I couldn't love you.”
Jonathan Safran Foer
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“He spent the next weeks blocking scenes of the bureaucrat fucking his wife. On the floor with cooking ingredients. Standing, with socks still on. In the grass of the yard of their new and immense house. He imagined her making noises she never made for him and feeling pleasures he could never provide because the bureaucrat was a man, and he was not a man. Does she suck his penis? he wondered. I know this is a silly thought, a thought that will only bring me pain, but I can't free myself of it. And when she sucks his penis, because she must, what is he doing? Is he pulling her hair back to watch? Is he touching her chest? Is he thinking of someone else? I'll kill him if he is.”
Jonathan Safran Foer
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“She was a genius of sadness, immersing herself in it, separating its numerous strands, appreciating its subtle nuances. She was a prism through which sadness could be divided into its infinite spectrum.”
Jonathan Safran Foer
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“She maintained a careful balance by her window, never allowing the men to come too close, never allowing them to stray too far.”
Jonathan Safran Foer
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“They reciprocated the great and saving lie--that our love for things is greater than our lover for our love for things--willfully playing the parts they wrote for themselves, willfully creating and believing fictions necessary for life.”
Jonathan Safran Foer
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“It's true, I am afraid of dying. I am afraid of the world moving forward without me, of my absence going unnoticed, or worse, being some natural force propelling life on. Is it selfish? Am I such a bad person for dreaming of a world that ends when I do? I don't mean the world ending with respect to me, but every set of eyes closing with mine.”
Jonathan Safran Foer
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“I could not believe in a God that would challenge faith like this.”
Jonathan Safran Foer
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“(You do not have to be shamed in my closeness. Family are the people who must never make you feel ashamed.)(You are wrong. Family are the people who must make you feel ashamed when you are deserving of shame.)(And you are deserving of shame?)(I am. I am trying to tell you.) 'We were stupid,' he said, 'because we believed in things.''Why is this stupid?''Because there are not things to believe in.'(Love?)(There is no love. Only the end of love.)(Goodness?)(Do not be a fool.)(God?)(If God exists, He is not to be believed in.)”
Jonathan Safran Foer
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“And so it was when anyone tried to speak: their minds would become tangled in remembrance. Words became floods of thought with no beginning or end, and would drown the speaker before he could reach the life raft of the point he was trying to make. It was impossible to remember what one meant, what, after all of the words, was intended.”
Jonathan Safran Foer
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“Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.”
Jonathan Safran Foer
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“SADNESS OF THE INTELLECT: Sadness of being misunderstood [sic]; Humor sadness; Sadness of love wit[hou]t release; Sadne[ss of be]ing smart; Sadness of not knowing enough words to [express what you mean]; Sadness of having options; Sadness of wanting sadness; Sadness of confusion; Sadness of domes[tic]ated birds, Sadness of fini[shi]ng a book; Sadness of remembering; Sadness of forgetting; Anxiety sadness...”
Jonathan Safran Foer
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“The animals are those things that God likes but doesn't love.”
Jonathan Safran Foer
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“Please be truthful, but also please be benevolent, please.”
Jonathan Safran Foer
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“But I do not do these things because we are family. I do them because they are common decencies. That is an idiom that the hero taught me. I do them because I am not a big fucking asshole. That is another idiom that the hero taught me.”
Jonathan Safran Foer
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“I have tutored Little Igor to be a man of this world. For example, I exhibited him a smutty magazine three days yore, so that he should be appraised of the many positions in which I am carnal. 'This is sixty-nine,' I told him, presenting the magazine in front of him. I put my fingers--two of them--on the action, so that he would not overlook it. 'Why is it dubbed sixty-nine?' he asked, because he is a person hot on fire with curiosity. 'It was invented in 1969. My friend Gregory knows a friend of the nephew of the inventor.' 'What did people do before 1969?' 'Merely blowjobs and masticating box, but never in chorus.”
Jonathan Safran Foer
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“He awoke each morning with the desire to do right, to be a good and meaningful person, to be, as simple as it sounded and as impossible as it actually was, happy. And during the course of each day his heart would descend from his chest into his stomach. By early afternoon he was overcome by the feeling that nothing was right, or nothing was right for him, and by the desire to be alone. By evening he was fulfilled: alone in the magnitude of his grief, alone in his aimless guilt, alone even in his loneliness. I am not sad, he would repeat to himself over and over, I am not sad. As if he might one day convince himself. Or fool himself. Or convince others--the only thing worse than being sad is for others to know that you are sad. I am not sad. I am not sad. Because his life had unlimited potential for happiness, insofar as it was an empty white room. He would fall asleep with his heart at the foot of his bed, like some domesticated animal that was no part of him at all. And each morning he would wake with it again in the cupboard of his rib cage, having become a little heavier, a little weaker, but still pumping. And by the midafternoon he was again overcome with the desire to be somewhere else, someone else, someone else somewhere else. I am not sad.”
Jonathan Safran Foer
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“The more you love someone, he came to think, the harder it is to tell them. It surprised him that strangers didn't stop each other on the street to say I love you.”
Jonathan Safran Foer
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