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Jonathan Safran Foer


“I loved having a dad who was smarter than the New York Times, and I loved how my cheek could feel the hairs on his chest through his T-shirt, and how he always smelled like shaving, even at the end of the day. Being with him made my brain quiet. I didn't have to invent a thing.”
Jonathan Safran Foer
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“I thought, it's a shame that we have to live, but it's a tragedy that we get to live only one life, because if I'd had two lives, I would have spent one of them with her.”
Jonathan Safran Foer
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“Life was a small negative space cut out of the eternal solidity, and for the first time, it felt precious - not like all of the words that had come to mean nothing, but like the last breath of a drowning victim.”
Jonathan Safran Foer
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“...and when is enough proof enough?”
Jonathan Safran Foer
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“For how long could we fail until we surrendered?”
Jonathan Safran Foer
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“...there are only some many times you can utter "It does not hurt" before it begins to hurt even more than the hurt.”
Jonathan Safran Foer
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“I think after you live it's like before you lived.”
Jonathan Safran Foer
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“Or how he was once found on the well regarded Rabbi's front lawn, bound in white string, and said he tied one around his finger to remember something terribly important, and fearing he would forget the index finger, he tied a string around his pinky, and then one from waist to neck, and fearing he would forget this one, he tied a string from ear to tooth to scrotum heel, and used his body to remember his body, but in the end could only remember the string. Is this someone to trust for a story?”
Jonathan Safran Foer
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“Everything that's born has to die, which means our lives are like skyscrapers. The smoke rises at different speeds, but they're all on fire, and we're all trapped.”
Jonathan Safran Foer
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“And also, there are so many times when you need to make a quick escape, but humans don't have their own wings, or not yet, anyway, so what about a birdseed shirt?”
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“Or maybe what he fears is just the opposite: that nobody is looking; that his death, like his life, is without purpose; that there is neither greater good nor evil--only people living and dying because their bodies function and then do not; that the universe is a rip.”
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“Some make their worlds without knowing it. Their universes are just sesame seeds and three-day weekends and dial tones and skinned knees and physics and driftwood and emerald earrings and books dropped in bathtubs and holes in guitars and plastic and empathy and hardwood and heavy water and high black stockings and the history of the Vikings and brass and obsolescence and burnt hair and collapsed souffles and the impossibility of not falling in love in an art museum with the person standing next to you looking at the same painting and all the other things that just happen and are.”
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“Which, then, brings us closer to what we want to communicate: saying what we intend, or trying to say the opposite?”
Jonathan Safran Foer
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“She spent an afternoon staring at their front door.Waiting for someone? Yankel asked.What color is this?He stood very close to the door, letting the end of his nose touch the peephole. He licked the wood and joked, It certainly tastes like red.Yes, it is red, isn't it?Seems so.She buried her head in her hands. But couldn't it be just a bit more red?”
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“When he pulled her out to feed her or just hold her, her body was tattooed with the newsprint . . . Sometimes he would rock her to sleep in his arms, and read her left to right, and know everything he needed to know about the world. If it wasn't written on her, it wasn't important to him.”
Jonathan Safran Foer
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“What do babies dream of? She must be dreaming of the before-life, just as I dream of the afterlife.”
Jonathan Safran Foer
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“He spoke to her as if she could understand him, never in high pitch or in monosyllables, and never in nonsense words. This is milk that I am feeding you. It comes from Mordechai the milkman, whom you will meet one day. He gets the milk from a cow, which is a very strange and troubling thing if you think about it, so don't think about it . . . This is my hand that is petting your face. Some people are left-handed and some are right-handed. We don't know which you are yet, because you just sit there and let me do the handling . . . This is a kiss. It is what happens when lips are puckered and pressed against something, sometimes other lips, sometimes a cheek, sometimes something else. It depends . . . This is my heart. You are touching it with your left hand, not because you are left-handed, although you might be, but because I am holding it against my heart. What you are feeling is the beating of my heart. It is what keeps me alive.”
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“Suddenly Yankel was overcome with a fear of dying, stronger than he felt when his parents passed of natural causes, stronger than when his only brother was killed in the flour mill or when his children died, stronger even than when he was a child and it first occurred to him that he must try to understand what it could mean not to be alive -- to be not in darkness, not in unfeeling -- to be not being, not to be.”
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“You will remember when a bird crashed through the window and fell to the floor. You will remember, those of you who were there, how it jerked its wings before dying, and left a spot of blood on the floor after it was removed. But who among you was first to notice the negative bird it left in the window? Who first saw the shadow that the bird left behind, the shadow that drew blood from any finger that dared to trace it, the shadow that was better proof of the bird's existence than the bird ever was?”
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“Was his death an essential stage in the continuation of his life?”
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“Or perhaps a widow found him and took him in: brought him an easy chair, changed his sweater every morning, shaved his face until the hair stopped growing, took him faithfully to bed with her every night, whispered sweet nothings into what was left of his ear, laughed with him over black coffee, cried with him over yellowing pictures, talked greenly about having kids of her own, began to miss him before she became sick, left him everything in her will, thought of only him as she died, always knew he was fiction but believed in him anyway.”
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“The horse at the bottom of the river, shrouded by the sunken night sky, closed its heavy eyes. The prehistoric ant in Yankel's ring, which had lain motionless in the honey-colored amber since long before Noah hammered the first plank, hid its head between its many legs, in shame.”
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“He removed several pages of death certificates, which were picked up by another breeze and sent into the trees. Some would fall with the leaves that September. Some would fall with the trees generations later.”
Jonathan Safran Foer
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“It would be possible, in theory, for life and art to be reversed.”
Jonathan Safran Foer
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“We aren’t exactly emptying the oceans; it’s more like clear-cutting a forest with thousands of species to create massive fields with one type of soybean.”
Jonathan Safran Foer
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“Of course, consumers might notice that their chickens don’t taste quite right — how good could a drug-stuffed, disease-ridden, shit-contaminated animal possibly taste? — but the birds will be injected (or otherwise pumped up) with “broths” and salty solutions to give them what we have come to think of as the chicken look, smell, and taste.”
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“When I learned about this, I was told that it was “instinct.” (“Instinct” continues to be the explanation of choice whenever animal behavior implies too much intelligence.) Instinct, though, wouldn’t go very far in explaining how pigeons use human transportation routes to navigate. Pigeons follow highways and take particular exits, likely following many of the same landmarks as the humans driving below.”
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“But unlike all farmed meat, which requires the creation and maintenance of animals, dogs are practically begging to be eaten. Three to four million dogs and cats are euthanized annually. This amounts to millions of pounds of meat now being thrown away every year.”
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“What does it remember like?”
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“In truth I was manufacturing a brick wall of shits.”
Jonathan Safran Foer
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“But there was always work to be done. We spent our lives making livings.”
Jonathan Safran Foer
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“We are not long-term beings. Not heroes of romances in many volumes. For one gesture, for one word alone, we shall make the effort. We openly admit: our creations will be temporary. We shall have this as our aim: a gesture.”
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“At first I thought I'd walked into a tree, but then that tree became a person, who was also recovering on the ground, and then I saw that it was her and she saw that it was me...”
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“We spent our lives making livings.”
Jonathan Safran Foer
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“I went to my grandmother, your great-great-grandmother, and asked her to write a letter. She was my mother's mother. Your father's mother's mother's mother. I hardly knew her. I didn't have any interest in knowing her. I have no need for the past, I thought, like a child. I did not consider that the past might have a need for me.What kind of letter? my grandmother asked.I told her to write whatever she wanted to write.You want a letter from me? she asked.I told her yes.Oh, God bless you, she said.The letter she gave me was sixty-seven pages long. It was the story of her life. She made my request into her own. Listen to me.”
Jonathan Safran Foer
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“Can’t you even tell me if I’m on the right track?" Buckminster purred, and Dad shrugged his shoulders again. "But if you don’t tell me anything, how can I ever be right?" He circled something in an article and said, "Another way of looking at it would be, how could you ever be wrong?”
Jonathan Safran Foer
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“My boots were so heavy that I was glad there was a column beneath us. How could such a lonely person have been living so close to me my whole life? If I had known, I would have gone up to keep him company.”
Jonathan Safran Foer
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“You can't love anything more than something you miss.”
Jonathan Safran Foer
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“I like to see people reunited, maybe that's a silly thing, but what an I say, I like to see people run to each other, I like the kissing and they crying, I like the impatience, the stories that the mouth can't tell fast enough, the ears that aren't big enough, the eyes that can't take in all of the change, I like the hugging, the bringing together, the end of missing someone, I sit on the side with a coffee and write in my daybook, I examine the flight schedules that I've already memorized, I observe, I write, I try not to remember the life that I didn't want to lose but lost and have to remember”
Jonathan Safran Foer
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“The only way to overcome sadness is to consume it. ”
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“This is love, she thought, isn't it? When you notice someone's absence and hate that absence more than anything? More, even, than you love his presence?”
Jonathan Safran Foer
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“The Eskimos have four hundred words for snow, and the Jewshave four hundred for schmuck.”
Jonathan Safran Foer
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“The only thing worse than being sad is for others to know you are sad.”
Jonathan Safran Foer
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“Now that I'm thinking about it," I told Gerald, "they could make an incredibly long limousine that had it's back seat at your mom's VJ and it's front seat at your mausoleum, and it would be as long as your life.”
Jonathan Safran Foer
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“Literature was the only religion her father practiced, when a book fell on the floor he kissed it, when he was done with a book he tried to give it away to someone who would love it.”
Jonathan Safran Foer
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“Killing an animals oneself is more often then not a way to forget the problem while pretending to remember. This is perhaps more harmful than ignorance. It is always possible to wake someone from sleep, but there is no amount of noise that will wake someone who is pretending to be asleep.”
Jonathan Safran Foer
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“He was not such a special person. He loved to read very much, and also to write. He was a poet, and he exhibited me many of his poems. I remember many of them. They were silly, you could say, and about love. He was always in his room writing those things, and never with people. I used to tell him, What good is all that love doing on paper? I said, Let love write on you for a little. But he was so stubborn. Or perhaps he was only timid.”
Jonathan Safran Foer
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“The factory farm has succeeded by divorcing people from their food, eliminating farmers, and ruling agriculture by corporate fiat.”
Jonathan Safran Foer
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“Find a printer paper and imagine a full-grown bird shaped something like a football with legs standing on it. Imagine 33,000 of these rectangles in a grid. (Broilers are never in cages, and never on multiple levels.) Now enclose the grid with windowless walls and put a ceiling on top. Run in automated (drug-laced) feed, water, heating, and ventilation systems. This is a farm.”
Jonathan Safran Foer
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“There's nothing wrong with not understanding yourself.”
Jonathan Safran Foer
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