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Joseph Conrad

Joseph Conrad (born

Józef Teodor Konrad Korzeniowski

) was a Polish-born English novelist who today is most famous for Heart of Darkness, his fictionalized account of Colonial Africa.

Conrad left his native Poland in his middle teens to avoid conscription into the Russian Army. He joined the French Merchant Marine and briefly employed himself as a wartime gunrunner. He then began to work aboard British ships, learning English from his shipmates. He was made a Master Mariner, and served more than sixteen years before an event inspired him to try his hand at writing.

He was hired to take a steamship into Africa, and according to Conrad, the experience of seeing firsthand the horrors of colonial rule left him a changed man.

Joseph Conrad settled in England in 1894, the year before he published his first novel. He was deeply interested in a small number of writers both in French and English whose work he studied carefully. This was useful when, because a need to come to terms with his experience, lead him to write Heart of Darkness, in 1899, which was followed by other fictionalized explorations of his life.

He has been lauded as one of the most powerful, insightful, and disturbing novelists in the English canon despite coming to English later in life, which allowed him to combine it with the sensibilities of French, Russian, and Polish literature.


“I thought his memory was like the other memories of the dead that accumulate in every man's life,—a vague impress on the brain of shadows that had fallen on it in their swift and final passage. . .”
Joseph Conrad
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“No, they did not bury me, though there is a period of time which I remember mistily, with a shuddering wonder, like a passage through some inconceivable world that had no hope in it and no desire. I found myself back in the sepulchral city resenting the sight of people hurrying through the streets to filch a little money from each other, to devour their infamous cookery, to gulp their unwholesome beer, to dream their insignificant and silly dreams. They trespassed upon my thoughts. They were intruders whose knowledge of life was to me an irritating pretense, because I felt so sure they could not possibly know the things I knew. Their bearing, which was simply the bearing of commonplace individuals going about their business in the assurance of perfect safety, was offensive to me like the outrageous flauntings of folly in the face of a danger it is unable to comprehend. I had no particular desire to enlighten them, but I had some difficulty in restraining myself from laughing in their faces, so full of stupid importance. I dare say I was not very well at that time. I tottered about the streets—there were various affairs to settle—grinning bitterly at perfectly respectable persons. I admit my behavior was inexcusable, but then my temperature was seldom normal in these days.”
Joseph Conrad
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“oh youth! The strength of it, the faith of it, the imagination of it!”
Joseph Conrad
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“...and youth, strength, genius, thoughts, achievements, simple hearts-all dies...No matter.”
Joseph Conrad
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“. . . but in the great demoralization of the land he kept up his appearance. That's backbone.”
Joseph Conrad
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“The use of reason is to justify the obscure desires that move our conduct, impulses, passions, prejudices and follies, and also our fears.”
Joseph Conrad
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“One can't live with one's finger everlastingly on one's pulse.”
Joseph Conrad
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“He was a seaman, but he was a wanderer, too, while most seamen lead, if one may so express it, a sedentary life. Their minds are of the stay-at-home order, and their home is always with them - the ship; and so is their country - the sea. One ship is very much like another, and the sea is always the same. In the immutability of their surroundings the foreign shores, the foreign faces, the changing immensity of life, glide past, veiled not by a sense of mystery but by a slightly disdainful ignorance; for there is nothing mysterious to a seaman unless it be the sea itself, which is the mistress of his existence and as inscrutable as Destiny. For the rest, after his hours of work, a casual stroll or a casual spree on shore suffices to unfold for him the secret of a whole continent, and generally he finds the secret not worth knowing.”
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“O youth! The strenght of it, the faith of it, the imagination of it! (...) I think of her with pleasure, with affection, with regret - as you would think of some one dead you have loved. I shall never forget her.... Pass the bottle.”
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“No man engaged in a work he does not like can preserve many saving illusionsabout himself. The distaste, the absence of glamour, extend from the occupation to the personality. It is only when ourappointed activities seem by a lucky accident to obey the particular earnestness of our temperament that we can taste the comfort of complete self-deception.”
Joseph Conrad
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“A certain simplicity of thought is common to serene souls at both ends of the social scale.”
Joseph Conrad
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“As a general rule, a reputation is built on manner as much as on achievement.”
Joseph Conrad
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“There too he had been treated with revolting injustice. His struggles, his privations,his hard work to raise himself in the social scale, hadfilled him with such an exalted conviction of his merits that it was extremely difficult for the world to treat him with justice— the standard of that notion depending so much upon the patience of the individual. The Professor had genius, but lacked the great social virtue of resignation.”
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“Preparation for the future was necessary, and he was willing to admit that the great change would perhaps come in the upheaval of a revolution. But he argued that revolutionary propaganda was a delicate work of high conscience. It was the education of the masters of the world. It should be as careful as the education given to kings.”
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“The well-known shrill voice startled Almayer from his dream of splendid future into the unpleasant realities of the present hour. An unpleasant voice too. He had heard it for many years, and with every year he liked it less. No matter; there would be an end to all this soon.”
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“Everything belonged to him. It made me hold my breath in expectation of hearing the wilderness burst into prodigious peal of laughter that would shake the fixed stars in their places.”
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“Now when I was a little chap I had a passion for maps. I would look for hours at South America, or Africa, or Australia, and lose myself in all the glories of exploration. At that time there were many blank spaces on the earth, and when I saw one that looked particularly inviting on a map (but they all look that) I would put my finger on it and say, 'When I grow up I will go there.' The North Pole was one of these places, I remember. Well, I haven't been there yet, and shall not try now. The glamour's off. Other places were scattered about the hemispheres. I have been in some of them, and ... well, we won't talk about that. But there was one yet — the biggest, the most blank, so to speak — that I had a hankering after.True, by this time it was not a blank space any more. It had got filled since my boyhood with rivers and lakes and names. It had ceased to be a blank space of delightful mystery — a white patch for a boy to dream gloriously over. It had become a place of darkness.”
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“It was like a weary pilgrimage amongst hints for nightmares.”
Joseph Conrad
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“The Zangiacomo band was not making music; it was simply murdering silence with a vulgar, ferocious energy.”
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“I have a voice, too, and for good or evil mine is the speech that cannot be silenced”
Joseph Conrad
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“but heavens! how that man could talk! He electrified large meetings. He had faith—don't you see?—he had the faith. He could get himself to believe anything—anything. He would have been a splendid “leader of an extreme party.' 'What party?' I asked. 'Any party,' answered the other. 'He was an—an—extremist.”
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“But this is the idlest of dreams: for I did understand perfectly well at the time that the moment the breath left the body of the Magnificent Capitaz, the Man of the People freed at last from the toils of love and wealth, there was nothing more for me to do in Sulaco.”
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“Poor fool! If he had only left that shutter alone. He had no restraint, no restraint—just like Kurtz—a tree swayed by the wind. As soon as I had put on a dry pair of slippers, I dragged him out, after first jerking the spear out of his side, which operation I confess I performed with my eyes shut tight. His heels leaped together over the little doorstep; his shoulders were pressed to my breast; I hugged him from behind desperately. Oh! he was heavy, heavy; heavier than any man on earth, I should imagine. Then without more ado I tipped him overboard. The current snatched him as though he had been a wisp of grass, and I saw the body roll over twice before I lost sight of it for ever. All the pilgrims and the manager were then congregated on the awning–deck about the pilot–house, chattering at each other like a flock of excited magpies, and there was a scandalized murmur at my heartless promptitude. What they wanted to keep that body hanging about for I can’t guess. Embalm it, maybe. But I had also heard another, and a very ominous, murmur on the deck below. My friends the wood–cutters were likewise scandalized, and with a better show of reason—though I admit that the reason itself was quite inadmissible. Oh, quite! I had made up my mind that if my late helmsman was to be eaten, the fishes alone should have him. He had been a very second–rate helmsman while alive, but now he was dead he might have become a first–class temptation, and possibly cause some startling trouble. Besides, I was anxious to take the wheel, the man in pink pyjamas showing himself a hopeless duffer at the business.”
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“I began to feel slightly uneasy. You know I am not used to such ceremonies, and there was something ominous in the atmosphere. It was just as though I had been let into some conspiracy—I don’t know—something not quite right; and I was glad to get out. In the outer room the two women knitted black wool feverishly. People were arriving, and the younger one was walking back and forth introducing them. The old one sat on her chair. Her flat cloth slippers were propped up on a foot–warmer, and a cat reposed on her lap. She wore a starched white affair on her head, had a wart on one cheek, and silver–rimmed spectacles hung on the tip of her nose. She glanced at me above the glasses. The swift and indifferent placidity of that look troubled me. Two youths with foolish and cheery countenances were being piloted over, and she threw at them the same quick glance of unconcerned wisdom. She seemed to know all about them and about me, too. An eerie feeling came over me. She seemed uncanny and fateful. Often far away there I thought of these two, guarding the door of Darkness, knitting black wool as for a warm pall, one introducing, introducing continuously to the unknown, the other scrutinizing the cheery and foolish faces with unconcerned old eyes. AVE! Old knitter of black wool. MORITURI TE SALUTANT. Not many of those she looked at ever saw her again—not half, by a long way.”
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“There were moments when one's past came back to one, as it will sometimes when you have not a moment to spare to yourself; but it came in the shape of an unrestful and noisy dream, remembered with wonder amongst the overwhelming realities of this strange world of plants, and water, and silence. And this stillness of life did not in the least resemble a peace. It was the stillness of an implacable force brooding over an inscrutable intention. It looked at you with a vengeful aspect.”
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“I found myself back in the sepulchral city resenting the sight of people hurrying through the streets to filch a little money from each other, to devour their infamous cookery, to gulp their unwholesome beer, to dream their insignificant and silly dreams. They trespassed upon my thoughts.”
Joseph Conrad
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“A slight clinking behind me made me turn my head. Six black men advanced in a file, toiling up the path. They walked erect and slow, balancing small baskets full of earth on their heads, and the clink kept time with their footsteps. Black rags were wound round their loins, and the short ends behind wagged to and fro like tails. I could see every rib, the joints of their limbs were like knots in a rope; each had an iron collar on his neck, and all were connected together with a chain whose bights swung between them, rhythmically clinking. Another report from the cliff made me think suddenly of that ship of war I had seen firing into a continent. It was the same kind of ominous voice; but these men could by no stretch of imagination be called enemies. They were called criminals, and the outraged law, like the bursting shells, had come to them, an insoluble mystery from over the sea. All their meager breasts panted together, the violently dilated nostrils quivered, the eyes stared stonily uphill. They passed me within six inches, without a glance, with that complete, deathlike indifference of unhappy savages.”
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“Don't be too sure,' he continued. “The other day I took up a man who hanged himself on the road. He was a Swede, too.' 'Hanged himself! Why, in God's name?' I cried. He kept on looking out watchfully. 'Who knows? The sun too much for him, or the country perhaps.”
Joseph Conrad
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“Conrad”
Joseph Conrad
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“I believe in children praying--well, women, too, but I rather think God expects men to be more self-reliant. I don't hold with a man everlastingly bothering the Almighty with his silly troubles.”
Joseph Conrad
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“He feels it himself, and says often that he is 'preparing to leave all this; preparing to leave...' while he waves his hand sadly at his butterflies.”
Joseph Conrad
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“Or you may be such a thunderingly exalted creature as to be altogether deaf and blind to anything but heavenly sights and sounds. Then the earth for you is only a standing place- whether to be like this is your loss or your gain I won't pretend to say.”
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“We are snared into doing things for which we get called names, and things for which we get hanged, and yet the spirit may well survive - survive the condemnations, survive the halter, by Jove! And there are things - they look small enough sometimes too - by which some of us are totally and completely undone.”
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“What is a novel if not a conviction of our fellow-men's existence strong enough to take upon itself a form of imagined life clearer than reality and whose accumulated verisimilitude of selected episodes puts to shame the pride of documentary history.”
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“The cabman looked at the pieces of silver, which, appearing very minute in his big, grimy palm, symbolised the insignificant results which reward the ambitious courage and toil of a mankind whose day is short on this earth of evil.”
Joseph Conrad
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“Any work aspiring to be art however humble should carry its justification in every line.”
Joseph Conrad
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“I felt suddenly that 'this sort of thing' would kill me. The definition of the cause was vague, but the thought itself was no mere morbid artificiality of sentiment but a genuine conviction. 'That sort of thing' was what I would have to die from. It wouldn't be from the innumerable doubts. Any sort of certitude would be also deadly. It wouldn't be from a stab—a kiss would kill me as surely. It would not be from a frown or from any particular word or any particular act—but from having to bear them all, together and in succession—from having to live with 'that sort of thing.' About the time I finished with my neck-tie I had done with life too.”
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“The only legitimate basis of creative work lies in the courageous recognition of all the irreconcilable antagonisms that make our life so enigmatic, so burdensome, so fascinating, so dangerous - so full of hope.”
Joseph Conrad
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“To be hopeful in an artistic sense it is not necessary to think that the world is good. It is enough to believe that there is no impossibility of it being made so.”
Joseph Conrad
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“It is not the clear-sighted who rule the world. Great achievements are accomplished in a blessed, warm fog.”
Joseph Conrad
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“It is to be remarked that a good many people are born curiously unfitted for the fate waiting them on this earth.”
Joseph Conrad
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“Faith is a myth and beliefs shift like mists on the shore; thoughts vanish; words, once pronounced, die; and the memory of yesterday is as shadowy as the hope of to-morrow.... In this world — as I have known it — we are made to suffer without the shadow of a reason, of a cause or of guilt.... There is no morality, no knowledge and no hope; there is only the consciousness of ourselves which drives us about a world that... is always but a vain and floating appearance.... A moment, a twinkling of an eye and nothing remains — but a clot of mud, of cold mud, of dead mud cast into black space, rolling around an extinguished sun. Nothing. Neither thought, nor sound, nor soul. Nothing.”
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“And we all nodded at him: the man of finance, the man of accounts, the man of law, we all nodded at him over the polished table that like a still sheet of brown water reflected our faces, lined, wrinkled; our faces marked by toil, by deceptions, by success, by love; our weary eyes looking still, looking always, looking anxiously for something out of life, that while it is expected is already gone – has passed unseen, in a sigh, in a flash – together with the youth, with the strength, with the romance of illusions.”
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“[…] but I remember I preferred the soldier to the philosopher at the time; a preference which life has only confirmed. One was a man, and the other was either more – or less. However, they are both dead, and Mrs Beard is dead, and youth, strength, genius, thoughts, achievements, simple hearts – all dies… No matter.”
Joseph Conrad
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“The mysteries of a universe made of drops of fire and clods of mud do not concern us in the least. The fate of humanity condemned ultimately to perish from cold is not worth troubling about. If you take it to heart it becomes an unendurable tragedy. If you believe in improvement you must weep, for the attained perfection must end in cold, darkness and silence. In a dispassionate view the ardour for reform, improvement for virtue, and knowledge, and even for beauty is only a vain sticking up for appearances as though one were anxious about the cut of one’s clothes in a community of blind men.”
Joseph Conrad
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“We can never cease to be ourselves.”
Joseph Conrad
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“I have wrestled with death. It is the most unexciting contest you can imagine. It takes place in an impalpable greyness, with nothing underfoot, with nothing around, without spectators, without clamour, without glory, without the great desire of victory, without the great fear of defeat, in a sickly atmostphere of tepid scepticism, without much belief in your own right, and still less in that of your adversary.”
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“I think it had whispered to him things about himself which he did not know, things of which he had no conception till he took counsel with this great solitude - and the whisper had proved irresistibly fascinating. It echoed loudly within him because he was hollow at the core.”
Joseph Conrad
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“But the snags were thick, the water was treacherous and shallow, the boiler seemed indeed to have a sulky devil in it, and thus neither that fireman nor I had any time to peer into our creepy thoughts.”
Joseph Conrad
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“Well, you know that was the worst of it - this suspicion of their not being inhuman. It would come slowly to one. They howled and leaped, and spun, and made horrid faces; but what thrilled you was just the thought of their humanity - like yours - the thought of your remote kinship with this wild and passionate uproar. Ugly. Yes, it was justly enough; but if you were man enough you would admit to yourself that there was in you just the faintest trace of a response to the terrible frankness of that noise, a dim suspicion of there being a meaning in it which you - you so remote from the night of first ages could comprehend.”
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