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Joseph O'Neill

Joseph^O'Neill

Joseph O'Neill was born in Cork, Ireland, in 1964 and grew up in Mozambique, South Africa, Iran, Turkey, and Holland. His previous works include the novels This is the Life and The Breezes, and the non-fiction book Blood-Dark Track, a family history centered on the mysterious imprisonment of both his grandfathers during World War II, which was an NYT Notable Book. He writes regularly for The Atlantic. He lives with his family in New York City."


“I was just a boy on a boat in the universe.”
Joseph O'Neill
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“I felt shame - I see this clearly, now - at the instinctive recognition in myself of an awful enfeebling fatalism, a sense that the great outcomes were but randomly connected to our endeavors, that life was beyond mending, that love was loss, that nothing worth saying was sayable, that dullness was general, that disintegration was irresistible.”
Joseph O'Neill
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“New York interposed itself, once and for all, between me and all other places of origin.”
Joseph O'Neill
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“You know what my motto is?'I didn't think people had mottoes anymore,' I said.Think fantastic,' Chuck said. 'My motto is, Think fantastic.”
Joseph O'Neill
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“The yellow commuter train ran through canal-crossed fields as dull as graph paper. Always one saw evidence of the tiny brick houses that the incontinent municipalities, Voorschoten and Leidschendam and Rijswijk and Zoetermeer, pooped over the rural spaces surrounding The Hague.”
Joseph O'Neill
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“No, it was simply that I was uninterested in making, as I saw it, a Xerox of some old emotional state. I was in my mid-thirties, with a marriage more or less behind me. I was no longer vulnerable to curiosity's enormous momentum. I had nothing new to murmur to another on the subject of myself and not the smallest eagerness about being briefed on Danielle's supposedly unique trajectory—a curve described under the action, one could safely guess, of the usual material and maternal and soulful longings, a few thwarting tics of character, and luck good and bad. A life seemed like an old story.”
Joseph O'Neill
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“Who has the courage to set right those misperceptions that bring us love?”
Joseph O'Neill
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“I found it idiotically distressing that a sharp finger whistle could no longer summon them outdoors into a playful twilight. An ancient discovery was now mine to make: to leave is to make nothing less than a mortal action. The suspicion came to me for the fist time that they were figures of my dreaming, like the loved dead: my mother and all these vanished boys. And after Mama's cremation I could not rid myself of the notion that she had been placed in the furnace of memory even when alive and, by extension, that one's dealings with others, ostensibly vital, at a certain point become dealings with the dead.”
Joseph O'Neill
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“As I repeatedly went forth with him and began to understand the ignorance and contradictions and language difficulties with which he contended, and the doubtful sources of his information and the seemingly bottomless history and darkness out of which the dishes of New York emerge, the deeper grew my suspicion that his work finally consisted of minting or perpetuating and in any event circulating misconceptions about his subject and in this way adding to the endless perplexity of the world.”
Joseph O'Neill
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“But surely everyone can also testify to another, less reckonable kind of homesickness, one having to do with unsettlements that cannot be located in spaces of geography or history; and accordingly it's my belief that the communal, contractual phenomenon of New York cricket is underwritten, there where the print is finest, by the same agglomeration of unspeakable individual longings that underwrites cricket played anywhere--longings concerned with horizons and potentials sighted or hallucinated and in any event lost long ago, tantalisms that touch on the undoing of losses too private and reprehensible to be acknowledged to oneself, let alone to others. I cannot be the first to wonder if what we see, when we see men in white take to a cricket field, is men imagining an environment of justice.”
Joseph O'Neill
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“I'm tempted to point out that our dealings, however unusual and close, were the dealings of businessmen. My ease with this state of affairs no doubt reveals a shortcoming on my part, but it's the same quality that enables me to thrive at work, where so many of the brisk, tough, successful men I meet are secretly sick to their stomachs and their quarterlies, are being eaten alive by bosses and clients and all-seeing wives and judgmental offspring, and are, in sum, desperate to be taken at face value and very happy to reciprocate the courtesy. This chronic and, I think, peculiarly male strain of humiliation explains the slight affection that bonds so many of us, but such affection depends on a certain reserve. Chuck observed the code, and so did I; neither pressed the other on delicate subjects.”
Joseph O'Neill
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“people in new york are authorized by convention to snoop around and mentally measure and pass comment on any real estate they're invited to step into.”
Joseph O'Neill
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“We are in the realm not of logic but of wistfulness, and I must maintain that wistfulness is a respectable, serious condition. How, otherwise, to account for much of one's life?”
Joseph O'Neill
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“Despair busies one, and my weekend was spoken for. I was going to lie down on the floor of my apartment in the draft of the air conditioner and spend two days and nights traveling a circuit of regret, self-pity, and jealousy.”
Joseph O'Neill
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“Each of her soothing utterances battered me more grievously than the last—as if I were traveling in a perverse ambulance whose function was to collect a healthy man and steadily damage him in readiness for the hospital at which a final and terrible injury would be inflicted.”
Joseph O'Neill
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“About Danielle, I remember, my feelings were no more specific than pleasant anxiousness. She hadn’t caught me, obviously enough, at a very erotic moment in my life. I had never been much of a pickup artist—a few ghastly encounters in my twenties had seen to that—and the alternative prospect of a euphoric romance not only exhausted me but, in fact, struck me as impossible. This wasn’t because of any fidelity to my absent wife or some aversion to sex, which, I like to think, grabs me as much as the next man. No, it was simply that I was uninterested in making, as I saw it, a Xerox of some old emotional state. I was in my mid-thirties, with a marriage more or less behind me. I was no longer vulnerable to curiosity’s enormous momentum. I had nothing new to murmur to another on the subject of myself and not the smallest eagerness about being briefed on Danielle’s supposedly unique trajectory—a curve described under the action, one could safely guess, of the usual material and maternal and soulful longings, a few thwarting tics of character, and luck good and bad. A life seemed like an old story.”
Joseph O'Neill
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“The word "Yankee" itself, I was informed, came from that simplest of Dutch names - Jan.”
Joseph O'Neill
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“My instinct was to keep him at a distance, at that distance, certainly, that we introduce between ourselves and those we suspect of neediness.”
Joseph O'Neill
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“For those under the age of 45 it seemed that world events had finally contrived a meaningful test of their capacity for conscientious political thought. Many of my acquaintances, I realized, had passed the last decade or two in a state of intellectual and psychic yearning for such a moment — or, if they hadn’t, were able to quickly assemble an expert arguer’s arsenal of thrusts and statistics and ripostes and gambits and examples and salient facts and rhetorical maneuvers.”
Joseph O'Neill
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“Perhaps the relevant truth is that we all find ourselves in temporal currents and that unless you're paying attention you'll discover, often too late, that an undertow of weeks or of years has pulled you deep into trouble.”
Joseph O'Neill
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“Sometimes to walk in shaded parts of Manhattan is to be inserted into a Magritte: the street is night while the sky is day.”
Joseph O'Neill
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“he now paid the allowance that permitted his son to live in frugal idleness.”
Joseph O'Neill
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“We were trying, as I irrelevantly analyzed it, to avoid what might be termed a historic mistake. We were trying to understand, that is, whether we were in a preapocalyptic situation, like the European Jews in the thirties or the last citizens of Pompeii, or whether our situation was merely near-apocalyptic, like that of the Cold War inhabitants of New York, London, Washington”
Joseph O'Neill
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“I felt above all, tired. Tiredness: if there ws a constant symptom of the disease in our lives at this time, it was tiredness....A banal state of affairs, yes-but our problems were banal, the stuff of women's magazines. All lives, I remember thinking, eventually funnel into the advice columns of women's magazines.”
Joseph O'Neill
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“It was the kind of barbarously sticky American afternoon that made me yearn for the shadows cast by scooting summer clouds in northern Europe....”
Joseph O'Neill
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“I see, I tell him, looking from him to Rachel and again to him.Then I turn to look for what it is we're supposed to be seeing.”
Joseph O'Neill
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