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Josh Kilmer-Purcell

Josh Kilmer-Purcell is the New York Times best-selling author of I Am Not Myself These Days: A Memoir (Harper Perennial 2006), The Bucolic Plague: How Two Manhattanites Became Gentlemen Farmers (Harper 2010), and the novel Candy Everybody Wants (Harper Perennial 2008). He and his partner, Brent Ridge, are also the stars of Planet Green's The Fabulous Beekman Boys. Kilmer-Purcell writes a monthly column for OUT magazine, and contributes to NPR and numerous other publications. He and his partner divide their time between Manhattan and their goat farm in upstate New York, Beekman 1802.


“...once you've crawled into what's commonly thought of as the sordid underbelly of life, you realize it's all just different versions of normal.”
Josh Kilmer-Purcell
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“Blackouts can be fun if approached with the right mindset. You just can't sweat the fact that you've lost a small portion of your life for all eternity. Occasionally, little bubbles of memory will float up like surreal Mylar party balloons at unexpected times throughout the net day and start piecing together a colorful, if incomplete, version of reality.”
Josh Kilmer-Purcell
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“More than anything I wish he were here with me. "A relationship is an accumulation of shared history," he'd said to me once. And here I was making history without him. It's lonely. And I can't wait to go home. Parts of me are showing through my Aqua, and I'm having a hard time keeping them separate.”
Josh Kilmer-Purcell
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“I think it's a little presumptuous on his part to think that I would want to talk to him anyway. I mean, sure, I went home with him, probably slept with him, ate breakfast with him, and wore his clothes to work the next day. None of this I see as necessarily flirtatious on my part.”
Josh Kilmer-Purcell
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“There's a strange lack of knowledge about the role of drag queens in our culture. I attribute this to the appalling state of our country's education system. Others might blame an utter lack of interest. Who am I to judge?”
Josh Kilmer-Purcell
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“For even more “sizzle,” instead of simply leading the goats out to graze as we usually did, I raced out in front of them, hollering an improvisational goat call that made me sound like a yodeling hillbilly. I turned back toward the barn and aw that the goats had stayed back, huddled together in fear in the barn doorway. They obviously preferred to skip dinner rather than get too close to the retard scarecrow suffering a grand mal seizure.~The Bocolic Plauge, by Josh Kilmer-Purcell (2010), P. 214-215”
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“I try to make myself realize that I have learned the difference between right and wrong. That there is such a thing as right and wrong. But instead I've learned that these are things - this "right", this "wrong"- these are things that we are told. Simply told to believe. These are things we have not tested. And while most of the things we are told may be true, it is not until we have tested them, taunted them, flaunted them, that we truly know they are right. Or wrong. Or true. Or false. Or somewhere in-the-fucking-between. And I think I know now a little better which is which. And I also know I'll never quit testing this world. I'll never rely on common knowledge. Or common denominators. Or even common sense, for that matter.”
Josh Kilmer-Purcell
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“I take a step toward him. My arm reaches up. I don't know if I'm reaching for the pipe or for him. I want to touch his skin. I want to breathe in what he breathes. The yellow swirl. I want to be the yellow swirl. I want him to breathe me in, be sent riding on oxygen molecules deep into his lungs. I want to travel through his body, seeing what makes him happy. Attaching myself to whatever place in him sparks to life on my arrival. His blood, his tissues, his muscles, I want to burrow inside the folds like a windblown dusting of snow, so that each time I melt away he seeks me out again.”
Josh Kilmer-Purcell
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“Both of the twins exhibited a sort of prized Wisconsin Aryan-ness that excused them from blame for almost any caper. they looked liked the protagonists from a Disney movie but behaved like After School Specials.”
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“. . . New York doesn't leave a lot of time for pondering forks in the road. People who have paused to gather their wits often find themselves suddenly waking up in a cookie-cutter beige apartment in Hoboken. I will not ever leave New York. I don't know how long it takes to become a true New Yorker, but I assume that if I die here ... that would qualify me.”
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“And sometimes the show can't go on.”
Josh Kilmer-Purcell
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“...no matter how beneficial a disappearing act might be for me, I could never tear myself away from a show in progress. Even when the plot's tragic ending is apparent to the entire audience. Perhaps there's a deus ex machina that will lower from the ceiling and turn the whole debacle into a romantic comedy. never can tell. Paid the full ticket price, might as well stay.”
Josh Kilmer-Purcell
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