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Joy Williams

Williams is the author of four novels. Her first, State of Grace (1973), was nominated for a National Book Award for Fiction. Her most recent novel, The Quick and the Dead (2000), was a finalist for the Pulitzer Prize for Fiction. Her first collection of short stories was Taking Care, published in 1982. A second collection, Escapes, followed in 1990. A 2001 essay collection, Ill Nature: Rants and Reflections on Humanity and Other Animals, was a finalist for the National Book Critics Circle Award for Criticism. Honored Guest, a collection of short stories, was published in 2004. A 30th anniversary reprint of The Changeling was issued in 2008 with an introduction by the American novelist Rick Moody.

Her stories and essays are frequently anthologized, and she has received many awards and honors, including the Harold and Mildred Strauss Living Award from the American Academy of Arts and Letters and the Rea Award for the Short Story.


“That's nice, isn't it?" Edith said. "That little kid is so trusting it's kind of holy, but if his trust were misplaced it would really be holy.”
Joy Williams
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“Regarding life, it is much the best to think that the experiences we have are necessary for us. It is by means of experience that we develop and not through our imagination. Imagination is nothing. Explanation is nothing. One can only experience and somehow describe--with, in Camus's phrase, lucid indifference. At the same time, experience is fundamentally illusory. When one is experiencing emotional pain or grief, one feels that everything that happens in life is unreal. And this is a right understanding of life.”
Joy Williams
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“Sam and Elizabeth met as people usually meet. Suddenly, there was a deceptive light in the darkness. A light that reminded the lonely blackly of the darkness.”
Joy Williams
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“You must stop worrying about why things happen and wonder what they mean when they do.”
Joy Williams
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“She had a dream about a tattoo. This was a pleasant dream. She was walking away and she had the most beautiful tattoo. It covered her shoulders, her back, the back of her legs. It was unspeakably fine.”
Joy Williams
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“Why does the writer write? The writer writes to serve--hopelessly he writes in the hope that he might serve--not himself and not others, but that great cold elemental grace that knows us.”
Joy Williams
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“Down in the kitchen, I open the refrigerator. There is nothing there but the prize steer of the county fair, rearranged in neat and mysterious packages. Daily, the cook pushes her hand into the cold. The result in uncertain. A gristly Ouija. It could be pot roast or brisket, eye of the round or sirloin tip. The steer has invaded their lives. He is everywhere. There is no room for the sisters' diet-cola or for their underwear on sizzling mornings. They have been eating him for weeks.”
Joy Williams
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“What is the difference between being not yet born and having lived, being now dead?”
Joy Williams
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“You don't believe in Nature anymore. It's too isolated from you. You've abstracted it. It's so messy and damaged and sad. Your eyes glaze as you travel life's highway past all the crushed animals and the Big Gulp cups.”
Joy Williams
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“For centuries poets, some poets, have tried to give a voice to the animals, and readers, some readers, have felt empathy and sorrow. If animals did have voices, and they could speak with the tongues of angels--at the very least with the tongues of angels--they would be unable to save themselves from us. What good would language do? Their mysterious otherness has not saved them, nor have their beautiful songs and coats and skins and shells and eyes. We discover the remarkable intelligence of the whale, the wolf, the elephant--it does not save them, nor does our awareness of the complexity of their lives. Their strength, their skills, their swiftness, the beauty of their flights. It matters not, it seems, whether they are large or small, proud or shy, docile or fierce, wild or domesticated, whether they nurse their young or brood patiently on eggs. If they eat meat, we decry their viciousness; if they eat grasses and seeds, we dismiss them as weak. There is not one of them, not even the songbird who cannot, who does not, conflict with man and his perceived needs and desires. St. Francis converted the wolf of Gubbio to reason, but he performed this miracle only once and as miracles go, it didn’t seem to capture the public’s fancy. Humans don’t want animals to reason with them. It would be a disturbing, unnerving, diminishing experience; it would bring about all manner of awkwardness and guilt.”
Joy Williams
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“She was never going to seek gainful employment again, that was for certain. She'd remain outside the public sector. She'd be an anarchist, she'd travel with jaguars. She was going to train herself to be totally irrational. She'd fall in love with a totally inappropriate person. She'd really work on it, but abandon would be involved as well. She'd have different names, a.k.a. Snake, a.k.a. Snow - no that was juvenile. She wanted to be extraordinary, to possess a savage glitter.”
Joy Williams
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“Clouds aren't as pretty as they used to be. That's a known fact. ”
Joy Williams
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“Mornings, out in the garden, she would, at times, read aloud from one of her many overdue library books. Dew as radiant as angel spit glittered on the petals of Jack's roses. Jack was quite the gardener. Miriam thought she knew why her particularly favored roses. The inside of a rose does not at all correspond with its exterior beauty. If one tears off all the petals of the corolla, all that remains is a sordid-looking tuft. Roses would be right up Jack's alley, all right."Here's something for you, Jack," Miriam said. You'll appreciate this. Beckett describes tears as 'liquified brain.'"God, Miriam," Jack said. "Why are you sharing that with me? Look at this day, it's a beautiful day! Stop pumping out the cesspit! Leave the cesspit alone!”
Joy Williams
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“He had dreamed, he had dreamed...it left him.”
Joy Williams
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“There is a certain type of conversation one hears only when one is drunk and it is like a dream, full of humor and threat and significance, deep significance.”
Joy Williams
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“We are saved not because we are worthy. We are saved because we are loved.”
Joy Williams
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“Words at night were feral things.”
Joy Williams
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“Nothing we do is inevitable, but everything we do is irreversible.”
Joy Williams
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“Alice heard a woman say, 'Before I start writing I feel affectionate, interested, and frustrated. In that order. Afterwards I feel relieved, disgusted, and confused. Sometimes I don't think it's worth it.”
Joy Williams
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