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Justin Cronin

In 2010, Justin Cronin’s The Passage was a phenomenon. The unforgettable tale that critics and readers compared to the novels of Cormac McCarthy, Michael Crichton, Stephen King, and Margaret Atwood became a runaway bestseller and enchanted readers around the globe. It spent 3 months on The New York Times bestseller list. It was featured on more than a dozen “Best of the Year” lists, including Time’s “Top 10 Fiction of 2010,” NPR’s “Year’s Most Transporting Books,” and Esquire’s “Best & Brightest of 2010.” It was a #1 Indie Next Selection. It sold in over 40 countries and became a bestseller in many of them. Stephen King called The Passage “enthralling… read this book and the ordinary world disappears.” Now, PEN/Hemingway Award-winner Justin Cronin bring us the conclusion to his epic trilogy with The City of Mirrors. For the last time, Amy—the Girl from Nowhere, who lived a thousand years—will join her friends and face down the demons that threaten the last of humanity. Justin Cronin is also the author of Mary and O’Neil (which won the PEN/Hemingway Award and the Stephen Crane Prize), and The Summer Guest. Other honors for his writing include a fellowship from the National Endowment for the Arts and a Whiting Writer’s Award. A Distinguished Faculty Fellow at Rice University, he divides his time between Houston, Texas, and Cape Cod, Massachusetts.


“Even on the darkest night, my friend, life will have its way.”
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“How stark everything became, at the end, all the wishes for one's children distilled by the world's swift cruelty into the desperate hope that death would take them fast.”
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“The military was all about hierarchies, who urinated highest on the hydrant”
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“He still had the young person’s predisposition to regard the world as a series of vaguely irritating problems created by people less cool and smart than he was.”
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“His father had always said, Son, the most important thing in life is to make a contribution. Who would have thought Kittridge’s contribution would be video-blogging from the front lines of the apocalypse?”
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“That was always the hardest part, missing you.”
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“This isn't a question of odds. Of all the men in the world, that woman hose you. If she's still out there, she's waiting for you. Staying alive any way she can until you find her.”
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“What were the living dead, Wolgast thought, but a metaphor for the misbegotten march of middle age?”
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“Last night they came again. The soldiers had set up a defense perimeter, but there were simply too many—they must have come by the hundreds of thousands, a huge swarm that blotted out the stars. Three soldiers killed, as well as Cole. He was standing right in front of me; they actually lifted him off his feet before they bored through him like hot knives through butter. There was barely enough of him left to bury.”
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“For you, hunting the Twelve isn't an answer. It's a question. Does anybody out there care? Are we worth saving? What would God want from me, if there is a God? The greatest faith is the willingness to ask in the first place, all evidence to the contrary. Faith not just in God, but in all of us.”
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“Kittredge had obviously misjudged her, but he had learned that was the way with most people. The story was never the story, and it surprised you, how much another person could carry.”
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“There was something in the pages of these books that had the power to make him feel better about things, a life raft to cling to before the dark currents of memory washed him downstream again, and on brighter days, he could even see himself going on this way for some time. A small but passable life.And then, of course, the end of the world happened.”
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“As long as we remember a person, they're not really gone. Their thoughts, their feelings, their memories, they become a part of us.”
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“Don't be afraid to ask if you're on the right train.”
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“Lacey, you don't understand." He felt weightless, benumbed. He had nothing to fight with, not even a blade. "We're totally unarmed. I've seen what he can do." "There are weapons more powerful than guns and knives," the woman replied. Her face held no fear, only a sense of purpose. "It is time for you to see it." "See what?" "What you came to find," said Lacey. "The Passage.”
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“Events can seem random while you're living them, but when you look back, what do you see? A chain of coincidences? Plain old luck? Or something more?”
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“This ravishing world. This achingly bittersweet, ravishing world.”
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“The progress of her aging seemed to occur in fits and starts, not so much a matter of physical growth as a deepening self-possession, as if she were coming into ownership of her life.”
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“I could have held his hand.”
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“Because that's what heaven is...it's opening the door of a house in twilight and everyone you love is there.”
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“It's all well and good to save the human race. You could say I'm in favor. But you might want to pay a little more attention to what's right in front of you.”
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“Zander was always sneaking off to the library to get more books ... Guy would read anything. Said books were more interesting than people.”
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“Peter held up the book he had been reading: 'Moby-Dick; or, The Whale'."To tell you the truth, I'm not even sure this is English," Peter said. "It's taken me most of today to get through a page.”
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“Because the world was not the world, that was the thing, that was the terrible truth he had discovered. It was a dream world, a veil of light and sound and matter that the real world hid behind. Walkers in a dream of death, that's what they were, and the dreamer was the girl, this Girl from Nowhere. The world was a dream and she was dreaming them!”
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“Kittridge closed his eyes. So, the end. It would happen instantaneously, a painless departure, quicker than thought. he felt the presence of his body one last time: the taste of air in his lungs, the blood surging in his veins, the drumlike beating of his heart. The bomb was dropping toward them."I've got you," he said, hugging Tim fiercely; and again, over and over, so that the boy would be hearing these words. "I've got you, I've got you, I've got you, I've got you.”
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“Michael lifted a menu from a stack on the counter and opened it. 'What's meatloaf?' I get the meat part, but a loaf of it?”
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“The world was a world of dreaming souls who could not die.”
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“Mankind had built a world that would take hundred years to die. A century for the last lights to go out.”
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“It was funny, Grey thought. Not funny ha-ha, but funny strange, the whole idea of time. He'd thought it was one thing but it was actually another. It wasn't a line but a circle, and even more; it was a circle made of circles made of circles, each lying on top of the other, so that every moment was next to every other moment, all at once. And once you knew this you couldn't unknow it. Such as now the way he could see events as they were about to unfold, as if they'd already happened, because in a way they had.”
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“All Eyes”
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“Don't we all deserve forgiveness? I hope we do; I believe we do. Forgiveness says as much about the character of the person bestowing it as the person receiving it. Learning to forgive may be the most difficult of human acts,and the closest thing to divinity, whatever you decide that is.”
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“Just ten minutes, but everything was different now. He was different, the world was different. His father was nowhere in it. And with that, tears came to his eyes.”
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“The things of your life arrived in their own time, like a train you had to catch. Sometimes this was easy, all you had to do was step onto it, the train was plush and comfortable and full of people smiling at you in a hush, and a conductor who punched your ticket and tousled your head with his big hand, saying, Ain’t you pretty, ain’t you the prettiest girl now, lucky lady taking a big train trip with your daddy, while you sank into the dreamy softness of your seat and sipped ginger ale from a can and watched the world float in magical silence past your window, the tall buildings of the city in the crisp autumn light and then the backs of the houses with laundry flapping and a crossing with gates where a boy was waving from his bicycle, and then the woods and fields and a single cow eating grass............Because sometimes it was one way, easy, and sometimes it was the other, not easy; the things of your life roared down to you and it was all you could do to grab hold and hang on. Your old life ended, and the train took you away to another...”
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“He breathed once more, holding the air in his chest, as if it were not air but something more--a sweet taste of freedom, of all cares lifted, everything over and done.”
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“On a fading summer evening, late in the last hours of his old life, Peter Jaxon—son of Demetrius and Prudence Jaxon, First Family; descendent of Terrence Jaxon, signatory of the One Law; great-great-nephew of the one known as Auntie, Last of the First; Peter of Souls, the Man of Days and the One Who Stood—took his position on the catwalk above Main Gate, waiting to kill his brother.”
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“There was something about him, a kind of warm light from inside that you wanted to be near. It reminded her of those little plastic sticks that you snapped so the liquid inside made them glow.”
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“It had never occurred to her that God would cry, but of course that was wrong. God would be crying all the time. He would cry and cry and never stop.”
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“It was what you did, Wolgast understood; you started to tell a story about who you were, and soon enough the lies were all you had and you became that person.”
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“The lie had worked so far, but Lacey felt its softness, like a floor of rotten boards beneath her feet.”
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“Wolgast leaned back in his chair and realized how exhausted he was. It always came upon him like this, like the sudden unclenching of a fist.”
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“For the lips of an immoral woman drip honey, and her mouth is smoother than oil; but in the end she is as bitter as wormword, sharp as a two-edged sword. Her feet go down to death, her steps lay hold of hell”
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“And isn’t silence, in its way, a good sign? That everything is well, that the ship is still steaming safely away from shore?”
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“Arthur laughs at his son’s embarrassment, though he also knows that this is exactly the kind of thing he likes about her. What does anyone like? Freckles, the curve of hair where she tucks it behind an ear, the sound of her voice when she tells a joke, her great, gleaming trombone in its velvet case. O’Neil has had girlfriends before, but this, Arthur knows, is different; he is entering the web, the matrix of a thousand details that make another person real, not just an object to be wanted.”
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“Mary adored her mother with a hopeless affection, like an unrequited crush. She understood this feeling was common in middle children, as Mary was, but there was also a story.”
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“Richards remembered the day - that glorious and terrible day - watching the planes slam into the towers, the image repeated in endless loops. The fireballs, the bodies falling, the liquefaction of a billion tons of steel and concrete, the pillowing clouds of dust. The money shot of the new millennium, the ultimate reality show broadcast 24-7. Richards had been in Jakarta when it happened, he couldn't even remember why. He'd thought it right then; no, he'd felt it, right down to his bones. A pure, unflinching rightness. You had to give the military something to do of course, or they'd all just fucking shoot each other. But from that day forward, the old way of doing things was over. The war - the real war, the one that had been going on for a thousand years and would go on for a thousand thousand more - the war between Us and Them, between the Haves and the Have-Nots, between my gods and your gods, whoever you are - would be fought by men like Richards: men with faces you didn't notice and couldn't remember, dressed as busboys or cab drivers or mailmen, with silencers tucked up their sleeves. It would be fought by young mothers pushing ten pounds of C-4 in baby strollers and schoolgirls boarding subways with vials of sarin hidden in their Hello Kitty backpacks. It would be fought out of the beds of pickup trucks and blandly anonymous hotel rooms near airports and mountain caves near nothing at all; it would be waged on train platforms and cruise ships, in malls and movie theaters and mosques, in country and in city, in darkness and by day. It would be fought in the name of Allah or Kurdish nationalism or Jews for Jesus or the New York Yankees - the subjects hadn't changed, they never would, all coming down, after you'd boiled away the bullshit, to somebody's quarterly earnings report and who got to sit where - but now the war was everywhere, metastasizing like a million maniac cells run amok across the planet, and everyone was in it.”
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“And then, despite all these concerns, Arnette felt her mind begin to loosen, the images of the day unwinding inside her like a spool of thread, pulling her down into sleep.”
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“Here she was, a women who could bolt-load a crossbow in under a second, put half a dozen long arrows in the air in fewer than five, blade a target dead through the sweet spot at six meters, on the run, on an off day; and yet knitting a pair of baby booties seemed completely beyond her power.”
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“If asked to name the worst moment of his life, Michael Fisher wouldn't have hesitated to give his answer: it was when the lights went out.”
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“Before she became the Girl from Nowhere-the One Who Walked In, the First and Last and Only, who lived a thousand years-she was just a little girl in Iowa, named Amy. Amy Harper Bellafonte.”
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“I saw my one purpose in that moment, looking into that little girls eyes. I was the one who was meant to save her, that was my one purpose all this time.”
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