Karen Connelly

“He starts to whisper a prayer. "Whatever beings there are, may they be free from suffering. Whatever beings there are, may they be free from enmity. Whatever beings there are, may they be free from hurtfulness. Whatever beings there are, may they be free from ill health. Whatever beings there are, may they be able to protect their own happiness.”

“Lying in his dirty palm is a pale green stone.”

“Whatever he writes will mean You have not silenced me. Despite all your power, you are not all powerful. Men have often reduced his voice to gasps and weeping. They have crushed the power to speak from his body, from many bodies. But words written down outlive the vulnerability of the flesh. His songs will fly through the air like swallows. Recorded words can be passed along. In one form or another, they will be passed along. Movement is their essential nature.”

“Then, as if by magic, everything changed. Of course, it wasn't magic, was it? It was just Teza, talking. It was just a visit to a laundry.”

“Each time they meet, they have more to discuss, and so they talk, quietly revealing themselves with and without language, their eyes moving like their hands over the plates of food between them....As he walks away from these visits, his heart almost bursts from happiness and regret. He would give anything to have made different choices. He is making those choices now, but he is forty-six years old. Sometimes he is haunted by the thought that it's all come too late. Other times he thinks, No, what is happening now could never have happened before; I was too young and too fearful. The paradox fascinates him--as the old loyalties desiccate and the danger intensifies, he feels lighter and younger than he has in years.”

“Their conversations were often charged with an excitement out of proportion to what they talked about... Their words seemed to glimmer in the air between them, dangerous metallic threads that quickly connected both of them to books and ideas, to language itself. The jailer told Teza about the daring subject matter of the famous writer Ju's recent novel, in which a passionate young man falls in love with an older woman, but the story, as he was telling it, became a metaphor for their own deepening and forbidden association....Teza refused to act like a prisoner, which freed Chit Naing from acting like a jailer.”