Karen Russell

“There's something pitiable and terrifying about the unconscious bully. His crumpled nose and hat.... This is the first true thing that Brauser and I have ever shared, this fear, besides dog-eared songbooks and cafeteria noodles.I wonder, briefly, if I could eat Brauser if it came to that.At this point, we have been alone on the glacier for fourteen minutes.”

“Music is pleasant not only because of the sound of many voices,but because of the silence that is in it.”

“It's unclear whether Brauser was trying to hit Franz Josef or Rangi. I hope it was the former. There's one difference between a bully and a hero, I guess: good aim.”

“We know that Rangi can at least mutter because Digger Gibson says he used to talk to the bear. In his group home for orphaned Moa boys, Rangi had a pet cinnamon bear. I saw her once. She was just a wet-nosed cub, a cuff of pure white around her neck. Rangi found her on the banks of the Waitiki River and walked her around on a leash. He filed her claws and fed her tiny, smelly fishes. They shot her the day his new father, Digger, came to pick him up."Burying that bear," I overheard Digger tell Mr. Oamaru once. "The first thing we ever did together as father and son."Rangi's given us this global silent treatment ever since, a silence he extends to people, animals, ice.”

“Sawtooth slumps into his deck chair and stares up at the sky. It's a drunken sky, the stars hiccupping light. Great gusty clouds go spinning past the moon. The bright planets feel like pinpricks to Sawtooth's old eyes.”

“Even as a young man, Sawtooth had a hard time talking to women. Since moving to Out-to-Sea, he's become tight-lipped as an oyster. But he can feel the worlds pearling on his tongue: Girl, you are my moon. You are the tidal pull that keeps time marching forward.”

“If Sawtooth could put words to the brambled knot forming in his throat, he would tell her: Girl, don't go. I am marooned in this place without you. What I feel for you is more than love. It's stronger, peninsular. You connect me to the Mainland. You are my leg of land over dark water.”

“On her last visit, the girl stole one of his family photographs right out of the frame. He thinks this means she is starting to care about him, too. Now whenever he looks at the empty frame, Sawtooth is moved to tears. He has to stare straight up at the ceiling, a loophole that prevents fluid from falling out of the eyes, thus saving a man the embarrassment of crying like a damn fool infant.”

“But her favorite is the Houdini fantasy. Big Red disagrees with his biographers, who say that he was driven by his longing to shuck off this mortal coil. She knows that he was all the time just searching for a box that could hold him.”

“I had been eagerly waiting just such a disaster. Storms, wolves, snakebite, floods-these are the occasions to find out how your father sees you, how strong and necessary he thinks you are.”

“Raffy has this magical, abracadabrical ability to transform all his "ifs" into "whens".”

“My fingers curl through the holes in the wicker, through the wet grass beneath it, trying to hold tight to the sharp blades of the present. Somewhere in my brain a sinkhole is bubbling over, and each bubble contains a scene from a tiny sunken world ... I have never been the prophet of my own past before. It makes me wonder how the healthy dreamers can bear to sleep at all, if sleep means that you have to peer into that sinkhole by yourself. ... I had almost forgotten this occipital sorrow, the way you are so alone with the things you see in dreams.”

“There are certain prehistoric things that swim beyond extinction.”

“It's go time.' He takes my elbow and gentles me down the planks with such tenderness that I am suddenly very afraid. But there's no sense making the plunge slow and unbearable. I take a running leap down the pier- ... -and launch over the water. It's my favorite moment: when I'm one toe away from flight and my body takes over. The choice is made, but the consequence is still just an inky shimmer beneath me. And I'm flying, I'm rushing to meet my own reflection-”

“Granana lives on the other side of the island. She's eighty-four, I'm twelve, and Wallow's fourteen, so it's a little ambiguous as to who's babysitting whom.”

“I swim with all my strength. No superhuman surge, or pony heroics; it's just me at my most desperate.”

“i haf the sownd of more words butt i coud not remember the shaps of the letters.”

“When you're a kid, it's hard to tell the innocuous secrets from the ones that will kill you if you keep them.”

“We keep giggling, happy and nervous, tickled by an incomplete innocence. We both sense that some dark joke is being played on us, even if we can't quite grasp the punch line.”

“If you're short on time, that would be the two-word version of our story: we fell.”

“We met every morning, still bearded with toast crumbs from our continental breakfasts.”

“Who is going to pay a day's wage to slide down a damn tongue?" -- The Chief, Swamplandia”

“Well, you look weird. New pajamas? Did somebody exhume you last night?" -- Kiwi, Swamplandia!”

“And I do think that great fiction, even when it's comedic, has an urgency or an inevitability to it, a sense that the writer absolutely had to write this particular story in this way.”

“But things can be over in horizontal time and just beginning in your body, I’m learning. Sometimes the memory of that summer feels like a spore in me, a seed falling through me.”

“No, I don’t have to tell a soul about this, I promised myself. When you are a kid, you don’t know yet that a secret, like an animal, can evolve. Like an animal, a secret can develop a self-preserving intelligence. Shaglike, mute and thick, a knowledge with a fur: your secret.”

“Even in her trances, even while possessed, my sister was very shrewd about her prospects. A fantasy would collapse like a wave against the rocks of her intelligence. Madness, as I understood it from books, meant a person who was open to the high white whine of everything.”

“Some team! The Chief was doing so many jobs alone. I’d fix on the Chief’s raw, rope-burned palms or all the gray hairs collected in his sink, and I’d suffer this terrible side pain that Kiwi said was probably an ulcer and Ossie diagnosed as lovesickness. Or rather a nausea produced by the “black fruit” of love—a terror that sprouted out of your love for someone like rotting oranges on a tree branch. Osceola knew all about this black fruit, she said, because she’d grown it for our mother, our father, Grandpa Sawtooth, even me and Kiwi. Loving a ghost was different, she explained—that kind of love was a bare branch. I pictured this branch curving inside my sister: something leafless and complete, elephantine, like a white tusk. No rot, she was saying, no fruit. You couldn’t lose a ghost to death.”

“I had to explain to him Mom's death, which was always hard to do. It felt like killing her again.”

“Kiwi thought back to his first weeks, when insults had been impossible for him. One time he'd called Deemer a troglodyte but his delivery had been tentative and way, way too slow, as if the insult were a fork tenderly entering a steak.”

“Granana doesn't understand what the big deal is. She didn't cry at Olivia's funeral, and I doubt she even remembers Olivia's name. Granana lost, like, ninety-two million kids in childbirth. All of her brothers died in the war. She survived the Depression by stealing radish bulbs from her neighbors' garden, and fishing the elms for pigeons. Dad likes to remind us of this in a grave voice, as if it explained her jaundiced pitilessness: "Boys. Your grandmother ate pigeons.”

“My older sister has entire kingdoms inside of her, and some of them are only accessible at certain seasons, in certain kinds of weather.”

“Blah!' Oglivy yells, pushing Emma and me into a pile of wet leaves. We roll around, a red flail of limbs and hysterical laughter. We are all raccoon-drunk on moonlight and bloodshed and the heady, under blossom smell of the forest. I breathe in the sharp odor of cold stars and skunk, thinking, 'This is the happiest I have ever been'. I wish somebody would murder a sheep every night of my life. It feels like we are all embarking on a nightmare together. 'And will stop it in progress!' I think, yanking Emma and Ogli to their feet and hurting towards the lake. We will make sure that the rest of the herd escapes Heimdall's fate, we will....”

“On the fifth night of our search, I see a plesiosaur. It is a megawatt behemoth, bronze and blue-white, streaking across the sea floor like a torpid comet. Watching it, I get this primordial deja vu, like I'm watching a dream return to my body. It wings towards me with a slow, avian grace. Its long neck is arced in an S-shaped curve; its lizard body is the size of Granana's carport. Each of its ghost flippers pinwheels colored light. I try to swim out of its path, but the thing's too big to avoid. That Leviathan fin, it shivers right through me. It's a light in my belly, cold and familiar. And I flash back to a snippet from school, a line from a poem or a science book, I can't remember which: 'There are certain prehistoric things that swim beyond extinction'.”

“She doesn't know how to answer the man's question about why she snuck into the conch. She just feels like there's something she needs to protect. Some larval understanding, something cocooned inside her, that seems to get unspun and exploded with each passing year...That's the way to do it, the grown up voices whisper. Wear your skeleton on the inside out, and keep your insect heart secret.”

“Mr. Pappadakis smells like Just for Men peroxide dye and eucalyptus foot unguents. He has a face like a catcher's mitt. The whole thing puckers inward, drooping with the memory of some dropped fly ball.”