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Kate Chopin

Kate Chopin was an American novelist and short-story writer best known for her startling 1899 novel, The Awakening. Born in St. Louis, she moved to New Orleans after marrying Oscar Chopin in 1870. Less than a decade later Oscar's cotton business fell on hard times and they moved to his family's plantation in the Natchitoches Parish of northwestern Louisiana. Oscar died in 1882 and Kate was suddenly a young widow with six children. She turned to writing and published her first poem in 1889. The Awakening, considered Chopin's masterpiece, was subject to harsh criticism at the time for its frank approach to sexual themes. It was rediscovered in the 1960s and has since become a standard of American literature, appreciated for its sophistication and artistry. Chopin's short stories of Cajun and Creole life are collected in Bayou Folk (1894) and A Night in Acadie (1897), and include "Desiree's Baby," "The Story of an Hour" and "The Storm."

Some biographers cite 1850 as Chopin's birth year.


“Goodbye -- Because I love you.”
Kate Chopin
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“Some people are born with a vital and responsive energy. It not only enables them to keep abreast of the times; it qualifies them to furnish in their own personality a good bit of the motive power to the mad pace. They are fortunate beings. They do not need to apprehend the significance of things. They do not grow weary nor miss step, nor do they fall out of rank and sink by the wayside to be left contemplating the moving procession.Ah! that moving procession that has left me by the road-side! Its fantastic colors are more brilliant and beautiful than the sun on the undulating waters. What matter if souls and bodies are failing beneath the feet of the ever-pressing multitude! It moves with the majestic rhythm of the spheres. Its discordant clashes sweep upward in one harmonious tone that blends with the music of other worlds--to complete God's orchestra.It is greater than the stars--that moving procession of human energy; greater than the palpitating earth and the things growing thereon. Oh! I could weep at being left by the wayside; left with the grass and the clouds and a few dumb animals. True, I feel at home in the society of these symbols of life's immutability. In the procession I should feel the crushing feet, the clashing discords, the ruthless hands and stifling breath. I could not hear the rhythm of the march.Salve! ye dumb hearts. Let us be still and wait by the roadside.”
Kate Chopin
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“a tangle of sea smell and of weeds and damp, new-plowed earth, mingled with the heavy perfumes of white blossoms somewhere near, but the night sat lightly upon the sea and the land. there was no weight of darkness, there were no shadows. the white light of the moon had fallen upon the world like the mystery and the softness of sleep.”
Kate Chopin
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“She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope.”
Kate Chopin
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“The stillest hour of the night had come, the hour before dawn, when the world seems to hold its breath. The moon hung low, and had turned from silver to copper in the sleeping sky.”
Kate Chopin
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“The mother-women seemed to prevail that summer at Grand Isle. It was easy to know them, fluttering about with extended, protecting wings when any harm, real or imaginary, threatened their precious brood. They were women who idolized their children, worshiped their husbands, and esteemed it a holy privilege to efface themselves as individuals and grow wings as ministering angels.”
Kate Chopin
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“Does he write to you? Never a line. Does he send you a message? Never a word. It is because he loves you, poor fool, and is trying to forget you, since you are not free to listen to him or to belong to him.”
Kate Chopin
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“I don't mind walking. I always feel so sorry for women who don't like to walk; they miss so much--so many rare little glimpses of life; and we women learn so little of life on the whole.”
Kate Chopin
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“As Edna walked along the street she was thinking of Robert. She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing.”
Kate Chopin
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“Edna looked straight before her with a self-absorbed expression upon her face. She felt no interest in anything about her. The street, the children, the fruit vender, the flowers growing there under her eyes, were all part and parcel of an alien world which had suddenly become antagonistic.”
Kate Chopin
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“She waited for the material pictures which she thought would gather and blaze before her imagination. She waited in vain. She saw no pictures of solitude, of hope, of longing, or of despair. But the very passions themselves were aroused within her soul, swaying it, lashing it, as the waves daily beat upon her splendid body. She trembled, she was choking, and the tears blinded her.”
Kate Chopin
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“She was a grown young woman when she was overtaken by what she supposed to be the climax of her fate. It was when the face and figure of a great tragedian began to haunt her imagination and stir her senses. The persistence of the infatuation lent it an aspect of genuineness. The hopelessness of it colored it with the lofty tones of a great passion.”
Kate Chopin
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“The trouble is," sighed the Doctor, grasping her meaning intuitively, "that youth is given up to illusions. It seems to be a provision of Nature; a decoy to secure mothers for the race. And Nature takes no account of moral consequences, of arbitrary conditions which we create, and which we feel obliged to maintain at any cost.”
Kate Chopin
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“The rain beat softly upon the shingles, inviting them to drowsiness and sleep. But they dared not yield. The rain was over; and the sun was turning the glistening world into a palace of gems.”
Kate Chopin
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“there would be no powerful will binding hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow creature…And yet she had loved him- sometimes. Often she had not. What did it matter! What could love, the unsolved mystery, count for in the face of this possession of self-assertion which she suddenly recognized as the strongest impulse of her being.”
Kate Chopin
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“And, moreover, to succeed, the artist much possess the courageous soul.”
Kate Chopin
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“It was not despair, but it seemed to her as if life were passing by, leaving its promises broken and unfulfilled. Yet there were other days when she listened, was led on and deceived by fresh promises which her youth had held out to her.”
Kate Chopin
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“She's got some sort of notion in her head concerning the eternal rights of women.”
Kate Chopin
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“one who awakens gradually out of a dream, a delicious, grotesque, impossible dream, to feel again the realities pressing into her soul”
Kate Chopin
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“But she saw beyond that bitter moment a long procession of years to come that would belong to her absolutely.”
Kate Chopin
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“There were days when she was very happy without knowing why. She was happy to be alive and breathing, when her whole being seemed to be one with the sunlight, the color, the odors, the luxuriant warmth of some perfect Southern day. She liked then to wander alone into strange and unfamiliar places. She discovered many a sunny, sleepy corner, fashioned to dream in. And she found it good to dream and to be alone and unmolested.There were days when she was unhappy, she did not know why—when it did not seem worth while to be glad or sorry, to be alive or dead; when life appeared to her like a grotesque pandemonium and humanity like worms struggling blindly toward inevitable annihilation.”
Kate Chopin
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“She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and torturous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet, half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mournful notes without promise, devoid even of hope.”
Kate Chopin
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“Why?" asked her companion. "Why do you love him when you ought not to?"Edna, with a motion or two, dragged herself on her knees before Mademoiselle Reisz, who took the glowing face between her two hands."Why? Because his hair is brown and grows away from his temples; because he opens and shuts his eyes, and his nose is a little out of drawing; because he has two lips and a square chin, and a little finger which he can't straighten from having played baseball too energetically in his youth. Because - ""Because you do, in short," laughed Mademoiselle.”
Kate Chopin
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“Even as a child she had lived her own small life within herself. At a very early period she had apprehended instinctively the dual life - that outward existence which conforms, the inward life which questions.”
Kate Chopin
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“Edna felt depressed rather than soothed after leaving them. The little glimpse of domestic harmony which had been offered her, gave her no regret, no longing. It was not a condition of life which fitted her, and she could see in it but an apalling and hopeless ennui. She was moved by a kind of commiseration for Madame Ratignolle, - a pity for that colorless existence which never uplifted its possessor beyond the region of blind contentment, in which no moment of anguish ever visited her soul, in which she would never have the taste of life's delirium. Edna vaguely wondered what she meant by "life's delirium." It had crossed her thought like some unsought, extraneous impression.”
Kate Chopin
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“She was young, with a fair, calm face, whose lines bespoke repression and even a certain strength. But now there was a dull stare in her eyes, whose gaze was fixed away off yonder on one of those blue patches of sky. It was not a glance of reflection, but rather indicated a suspension of intelligent thought.”
Kate Chopin
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“I'm tired," she uttered complainingly."I know you are.""You don't know anything about it. Why should you know? I never was so exhausted in my life. But it isn't unpleasant. A thousand emotions have swept through me to-night. I don't comprehend half on them. Don't mind what I'm saying; I am just thinking aloud.”
Kate Chopin
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“She was still under the spell of her infatuation. She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing.”
Kate Chopin
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“It sometimes entered Mr. Pontellier's mind to wonder if his wife were not growing a little unbalanced mentally. He could see plainly that she was not herself. That is, he could not see that she was becoming herself and daily casting aside that fictitious self which we assume like a garment with which to appear before the world.”
Kate Chopin
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“Madame Ratignolle hoped that Robert would exercise extreme caution in dealing with the Mexicans, who, she considered, were a treacherous people, unscrupulous and revengeful. She trusted she did them no injustice in thus condemning them as a race. She had known personally but one Mexican, who made and sold excellent tamales, and whom she would have trusted implicitly, so soft-spoken was he. One day he was arrested for stabbing his wife. She never knew whether he had been hanged or not.”
Kate Chopin
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“To be an artist includes much; one must possess many gift -absolute gifts- which have not been acquired by one's effort. And, moreover, to succeed, the artist must possess the courageous soul.”
Kate Chopin
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“She stayed alone in a kind of reverie -- a sort of stupor. Step by step she lived over every instant of the time she had been with Robert after he had entered Mademoiselle Reisz's door. She recalled his words, his looks. How few and meager they had been for her hungry heart! A vision -- a transcendently seductive vision of a Mexican girl arose before her. She writhed with a jealous pang. She wondered when he would come back. He had not said he would come back. She had been with him, had heard his voice and touched his hand. But some way he had seemed nearer to her off there in Mexico.”
Kate Chopin
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“She had tried to forget him, realizing the inutility of remembering. But the thought of him was like an obsession, ever pressing itself upon her. It was not that she dwelt upon details of their acquaintance, or recalled in any special or peculiar way his personality; it was his being, his existence, which dominated her thought, fading sometimes as if it would melt into the mist of the forgotten, reviving again with an intensity which filled her with an incomprehensible longing.”
Kate Chopin
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“In short, Mrs. Pontellier was beginning to realize her position in the universe as a human being, and to recongize her relations as an individual to the world within and about her. This may seem like a ponderous weight of wisdom to descend upon the soul of a young woman of twenty-eight - perhaps more wisdom than the Holy Ghost is usually pleased to vouchsafe to any woman.”
Kate Chopin
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“She felt that her speech was voicing the incoherency her thoughts, and stopped abruptly.”
Kate Chopin
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“Step by step she lived over every instant of the time she had been with Robert... She recalled his words, his looks. How few and meager they had been for her hungry heart! ... She wondered when he would come back. He had not said he would come back. She had been with him had heard his voice and touched his hand. But some way he had seemed nearer to her off there in Mexico.”
Kate Chopin
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“The Doctor...told the old ever-new and curious story of the waning of a woman's love, seeking strange, new channels, only to return to its legitimate source after days of fierce unrest.”
Kate Chopin
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“She was flushed and felt intoxicated with the sound of her own voice and the unaccustomed taste of candor. It muddled her like wine, or like a first breath of freedom.”
Kate Chopin
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“There would be no one to live for her during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature.”
Kate Chopin
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“Who can tell what metals the gods use in forging the subtle bond which we call sympathy, which we might as well call love.”
Kate Chopin
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“There was no despondency when she fell asleep that night; nor was there hope when she awoke in the morning.”
Kate Chopin
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“There are some people who leave impressions not so lasting as the imprint of an oar upon the water.”
Kate Chopin
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“A certain light was beginning to dawn dimly within her,—the light which, showing the way, forbids it.”
Kate Chopin
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“She was just having a good cry all to herself.”
Kate Chopin
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“An indescribable oppression, which seemed to generate in some unfamiliar part of her consciousness, filled her whole being with a vague anguish. It was like a shadow, like a mist passing across her soul's summer day. It was strange and unfamiliar; it was a mood. She did not sit there inwardly upbraiding her husband, lamenting at Fate, which had directed her footsteps to the path which they had taken. She was just having a good cry all to herself.”
Kate Chopin
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“At a very early period she had apprehended the instinctively the dual life - that outward existence which conforms, the inward life which questions.”
Kate Chopin
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“He could see plainly that she was not herself. That is, he could not see that she was becoming herself and daily casting aside that fictitious self which we assume like a garment with which to appear before the world.”
Kate Chopin
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“And moreover, to succeed, the artist must possess the courageous soul . . . the brave soul. The soul that dares and defies.”
Kate Chopin
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“youth is given up to illusions. It seems to be a provision of Nature; a decoy to secure mothers for the race. And Nature takes no account of moral consequences, of arbitrary conditions which we create, and which we feel obliged to maintain at any cost.”
Kate Chopin
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“We shall be everything to each other. Nothing else shall be of any consequence.”
Kate Chopin
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