Ken Saro-Wiwa
Kenule "Ken" Beeson Saro Wiwa was a Nigerian writer, television producer, environmental activist, and winner of the Right Livelihood Award and the Goldman Environmental Prize.
Saro-Wiwa was a member of the Ogoni people, an ethnic minority in Nigeria whose homeland, Ogoniland, in the Niger Delta has been targeted for crude oil extraction since the 1950s and which has suffered extreme environmental damage from decades of indiscriminate petroleum waste dumping. Initially as spokesperson, and then as President, of the Movement for the Survival of the Ogoni People (MOSOP), Saro-Wiwa led a nonviolent campaign against environmental degradation of the land and waters of Ogoniland by the operations of the multinational petroleum industry, especially the Royal Dutch Shell company.
He was also an outspoken critic of the Nigerian government, which he viewed as reluctant to enforce environmental regulations on the foreign petroleum companies operating in the area.
At the peak of his non-violent campaign, Saro-Wiwa was arrested, hastily tried by a special military tribunal, and hanged in 1995 by the military government of General Sani Abacha, all on charges widely viewed as entirely politically motivated and completely unfounded. His execution provoked international outrage and resulted in Nigeria's suspension from the Commonwealth of Nations for over three years.
“The writer cannot be a mere storyteller; he cannot be a mere teacher; he cannot merely X-ray society’s weaknesses, its ills, its perils. He or she must be actively involved shaping its present and its future.”
“In this country [England], writers write to entertain, they raise questions of individual existence...but for a Nigerian writer in my position you can't go into that. Literature has to be combative. You cannot have art for art's sake. This art must do something to transform the lives of a community, of a nation. And for that reason, literature has a different purpose altogether in that sort of society...The stories that I tell must have a different sort of purpose from the artist in the Western world...and art, in that instance, becomes so meaningful both to the artist and to the consumers of that art, because you do not just depend on them to read your books, you even have to live a life that they can emulate.”