Kevin Young photo

Kevin Young

Kevin Young is an American poet heavily influenced by the poet Langston Hughes and the art of Jean-Michel Basquiat. Young graduated from Harvard College in 1992, was a Stegner Fellow at Stanford University (1992-1994), and received his MFA from Brown University. While in Boston and Providence, he was part of the African-American poetry group, The Dark Room Collective.

Born in Lincoln, Nebraska, Young is the author of Most Way Home, To Repel Ghosts, Jelly Roll, Black Maria, For The Confederate Dead, Dear Darkness, and editor of Giant Steps: The New Generation of African American Writers; Blues Poems; Jazz Poems and John Berryman's Selected Poems.

His Black Cat Blues, originally published in The Virginia Quarterly Review, was included in The Best American Poetry 2005. Young's poetry has appeared in The New Yorker, Poetry Magazine, The Paris Review, Ploughshares, and other literary magazines. In 2007, he served as guest editor for an issue of Ploughshares. He has written on art and artists for museums in Los Angeles and Minneapolis.

His 2003 book of poems Jelly Roll was a finalist for the National Book Award.

After stints at the University of Georgia and Indiana University, Young now teaches writing at Emory University, where he is the Atticus Haygood Professor of English and Creative Writing, as well as the curator of the Raymond Danowski Poetry Library, a large collection of first and rare editions of poetry in English.


“Deep SongBelief is what buries us—that& the belief in belief—No longerdo I trust liltlessness—leewardis the world'sway—Go onplunge in—the lungs willlet us float.Joy is the mile-high ledgethe leap—a breathabove the lip of the abandonedquarry—beliefthe dark the deep.”
Kevin Young
Read more
“How I would singlike a kettle to keep you”
Kevin Young
Read more
“Daylight Savings"Like the money the lightdoesn't goas far these days”
Kevin Young
Read more
“holding tight / to their pocketbooks / at the pearly gates / just in case.”
Kevin Young
Read more