Khwaja Ahmad Abbas

“This, I must say, is unusual courtesy", he commented."This", she corrected him,"is an unusual country.”

“He was an odd mixture of naivety and snobbery, a poseur who was not entirely insincere, a dandy in khaddar, a patriot who would cheerfully go to the gallows - provided press photographers were present to take pictures of his martyrdom!”

“How do you know I'm a romanticist?" Like most romanticists Anwar too prided himself on being a realist.”

“Thus does youth weave the web for his own capture and feigns surprise when ultimately he is caught!”

“He buried his head in the lawn, letting his smooth cheeks feel the softness of the earth and be tickled by the short blunt spears of grass. Suddenly he wanted to do something heroic and brutal. He pulled handfuls of grass out of its roots, experiencing a crazy satisfaction at the ugly grating sound it produced like a limb being torn from limb! He dug his nails into the soft, wet earth, wanting suddenly to break it up, to disfigure it, to wreck his vengeful will upon it! He picked a rose from a bush nearby and plucked its petals one by one, letting them fall in a crumpled heap.He got his finger pricked by a thorn but when he sucked at the injured spot, the blood, his own blood, tasted bitter - and good - on his tongue.Then he retired to his room exhausted yet strangely satisfied. But he was pursued by someone even in his sleep. It was the same "other woman" of his childhood dreams and she was still screaming, "I am Woman, the daughter of Woman. Thou shalt not escape me." But when she came near, Anwar saw that she had an oval face, framed by a halo of dark curly hair, with big black innocent eyes!Next morning, as he looked into the mirror to comb his hair, Anwar saw the downy growth of hair, the beginnings of a beard on his cheeks and chin.”

“The flower-covered grave of the saint in the inner room could be seen dimly through the narrow doorway. In front of it was a wide vestibule where about two dozen people were seated in a circle. One of them was singing lustily some Persian verses, while others kept the time by clapping their hands; they joined in the refrain which was sung in chorus. Like rising tidal waves, the tempo of the singing was getting faster and faster, the clapping became more frantic and heads rolled from side to side, keeping time with the tempestuous melody. Eyes were closed and everyone was lost in the surging waves of emotion that seemed to flow out of the Sufistic poetry of the great Roomi. Then, to his amazement Anwar saw a man in the centre of the crowd open his eyes and stare vacantly. For a moment this man was silent, ominously silent and motionless in the midst of the emotional storm that raged around him. Then he was caught by a sudden frenzy, his whole body quivered and moved, beating time to the song which by now had reached a weird and frightening crescendo, faster and faster, louder and louder. The man's hands rose high in the air and as if clutching at an unseen rope, he raised himself and started to dance, wildly, ecstatically, tearing his clothes and pulling his hair, completely unselfconscious and unrestrained, oblivious of everything by some mysterious inner urge that demanded expression in this wild manner. And then the song died on the lips of the singer, the waves of emotion receded and in the ghostly silence that descended upon the assembly the standing figure of the man in the centre which looked inspired and hallowed a moment ago, suddenly appeared ridiculous and grotesque. For a few moments he stood as if poised for another outburst of frenzy. Then, deprived of the emotional support of the song, his knees sagged and he collapsed to the ground.For several minutes Anwar was speechless; so great had the effect of this spectacle been on him. His pulse beat faster, his mind was in a whirl and, as the song stopped, he felt a gnawing emptiness in his bowels.This then was Qawwali, the ecastatic ritual of the Persian Sufis.”