Kirsty Gunn
Kirsty Gunn was born in 1960 in New Zealand and educated at Queen Margaret College and Victoria University, Wellington, and at Oxford, where she completed an M.Phil. After moving to London she worked as a freelance journalist.
Her fiction includes the acclaimed Rain (1994), the story of an adolescent girl and the break-up of her family, for which she won a London Arts Board Literature Award; The Keepsake (1997), the fragmented narrative of a young woman recalling painful memories; and Featherstone (2002), a story concerned with love in all its variety. Her short stories have been included in many anthologies including The Junky's Christmas and Other Yuletide Stories (1994) and The Faber Book of Contemporary Stories about Childhood (1997).
She is also author of This Place You Return To Is Home (1999), a collection of short stories, and in 2001 she was awarded a Scottish Arts Council Writer's Bursary. Her latest books are The Boy and the Sea (2006), winner of the 2007 Sundial Scottish Arts Council Book of the Year Award; and 44 Things (2007), a book of personal reflections over the course of one year.
Kirsty Gunn lives in Edinburgh, Scotland.
“A player whose technical skill is not of the first rank will make gracenotes longer than they should be. As a result he has to shorten the theme notes (unless he is to drag the variation badly.) Short theme notes means less emphasis on the melody.”
“When the rain came it came first as the scent of rain, the grey air stained darker behind the hills. Then when it came down to us it was like thread and needles, piercing the jellyish water with a trillion tiny pricks, the silver threads attaching water to sky. And there too was the sound of rain, drumming gently upon the canvas cover where it was stretched taut at the back of the boat. It was so warm.”
“Hell, she knows why you chew your nails, why your eyes are blue one day, black the next. And all you want to do then is curl yourself with her, snug like a worm, lay your pumping head down in her lap. Have her caress you, be kind. No words because both of you are bodies, wrapping and unwrapping, there's eloquence in your embracings. Eyes closed, you realize everything you've ever wanted to say is right there.”
“No one would ever find her here. Even from the high saddle there was no sign of the way she'd come, no path, no road, only the bent backs of the hills repeating themselves, over and over, on one side of the road all the way to the western mountains, on the other to the sea.”
“That minute, that tiny second when you hit the water flat on, you lose your breath. All the air flattens out of you - like going flat out on concrete. Then the next second you're sliding through, sliding and sinking slowly to the bottom of the pool. You touch the bottom, you bounce once there gently like an astronaut. And you feel the bottom of the pool against the soles of your feet and that's queer-but not queer, because you're the same person, aren't you? Just in another place that's all, you've still got the same body there. You look around, in that blue time, in that deep place. You look around with the same eyes, at the milky chlorine blue, and you have so much time there. Deep in the water with your same body, but everything's different, everything's better.”
“We can't change things, you and I. We sit up here all day, under a bad sun, but we can't stop the weather turning. We make our piles of earth and they become graves around us. Nothing's as important as it seems.”
“She holds within her the memory of this journey, drawn out for her like a constellation in the darkness, each element of the landscape connecting her along a line that is her past. Carter may want to come here now, but she's the one who belongs, on this road, under this piece of sky.”
“Could have been, mind you. And that's one big mother of a conditional. Because who's to say she wanted me in the same way? After all, she left me, didn't she? Maybe I didn't try too hard to get her to stay but what words are there for begging? Please? Don't go, honey? They're crippled halfwits, those sentences, and besides, who uses a lot of words in a friendship anyway? You run out of things to say pretty early on, that's my experience. Sure, you start off thick enough, so many words you could gag on them. The facts, and the sentences - and the sticky tears. Out it comes, out it all comes, the fat story of your life but before you know it you've talked your guts out and there's nothing left to say. You go to her, to confide, and choke up air.”
“Only let the darkness inside her that she fears also be the darkness of infinite gentleness, the mouth for killing the same mouth that carries the babies safely away.”