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Kyung Ran Jo

Jo Kyung Ran (this is the author's preferred Romanization per LTI Korea) is a South Korean writer.

Jo’s work is famous for taking trivial, mundane, and everyday occurrences and delicately describing them in subtle emotional tones.

Her work has won the Munhakdongne New Writer Award, the Today’s Young Artist Award, The Contemporary Literature Award (for the 2003 novella A Narrow Gate), and the Dong-in Literary Award(2008).[12] Her work has been translated into French, German, Hebrew and English.


“There is balance in taste, too, and an unbalanced taste can't captivate the eater. In order to create harmony, you have to think about balance, and to get balance in the kitchen you have to follow seemingly insignificant but crucial rules.”
Kyung Ran Jo
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“The first change is a realization that I am no longer alone. Even when I'm lying in the dark by myself, I now sense other beings hovering near me. It isn't just me living in this house, but unfinished love and my dejection and anger and dead Paulie, and their miraculous presence feels as real as my fingernails digging into my hand. The second change is that I'm not more obsessed with cooking, like the Roman gourmets and their cherished chefs, who wanted to put all things wonderful or special or new or majestic or strange or scary-looking on the table. The cooks back then knew only how to bake or boil, but I understand how a few drops of pomegranate juice can transform a dish. The third change is that with these first two revelations, my sense of taste has become ever more sensitive and sharp, my imagination richer. When I got my ears pierced and walked into the street in the middle of winter, I become one large ear. All sensation and pain were concentrated in my ears. It's that same feeling. Everything about me disappears and I'm only a pink tongue. This is the time to grow into a truly good chef.”
Kyung Ran Jo
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“It's not important whether someone is a gourmet. Everyone wants to eat and knows that food is crucial to live. But everyone has his own special reaction toward food. One person can become so excited about a certain dish that his eyes sparkle and his muscles harden, while someone else shovels in the same dish without paying any thought to what he's eating. A gourmet appreciates beauty. Gourmets eat slowly and thoughtfully experience taste—they don't rush through a meal and leave the table as soon as they're done. People who are not gourmets don't see cooking as an art. Gourmandism is an interested in everything that can be eaten, and this deep affection for food birthed the art of cooking. Other animals have limited tastes, some eating only plants and others subsisting solely on but, but humans are omnivores. They can eat everything. Love for delicious food is the first emotion gourmets feel. Sometimes that love can't be thwarted, not by anything.”
Kyung Ran Jo
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“You don't enjoy cooking if you think of it as a duty.”
Kyung Ran Jo
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“Eating is an absolute, repetitive activity. The same as love. Once you start you can't stop. So if you can't eat when you're hungry, it's worse than being stricken with the gravest illness.”
Kyung Ran Jo
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“The food I eat in my imagination is more powerful and particular than what I consume in reality, just as a dream feels very real seconds after you awake from it, just as a person thinking about killing someone first tries it out in his dreams. You go over it again and again in the imaginary world because you're deprived of whatever it is you want, because there's something in you that misses it—an unfinished piece of art. Human beings sprint toward pleasure. Unfortunately, they feel pain, a joining of sensations, more easily than pleasure.”
Kyung Ran Jo
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“A sated person is different from a hungry one. A hungry one can't be persuaded to do anything, but a full person can be given boundaries and convinced... Like most intelligent and creative people, she knew what she wanted and how to focus her whole being on what she wanted. She wasn't avoiding food, she was using food to get over her fear of eating. It was unspoken, but that was what we both wanted for her.”
Kyung Ran Jo
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“When women cook, they're not just doing it for sustenance. An expression of rage and unhappiness and desire and sadness and pleading and pain may lurk in their dishes. Of course, the best kind is food filled with love.”
Kyung Ran Jo
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“...the most crucial thing to keep in mind when you cook is the people who are going to eat your food - their tastes, their desires, their likes and dislikes, what will satisfy them, what will move them, what will make them want it again.”
Kyung Ran Jo
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“What does a woman do as she waits for her man? She may wash her hair, put on makeup, choose the kind of outfit any woman would be eager to try on, spray on perfume, and look at herself one last time in the mirror. If she does these things, it's when she and the man she's waiting for are in love. It's different when a woman waits for a man she still loves but who has broken up with her, because the pure joy of it is missing. Loving someone is like carving words into the back of your hand. Even if the others can't see the words, they, like glowing letters, stand out in the eyes of the person who's left you. Right now, that's enough for me.”
Kyung Ran Jo
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“When there is a huge crack in your relationship with someone, you wonder what others do in similar situations. I realize I'm trying as hard as I can to present myself as the most unthreatening being in the world, like a small animal. I hunch into myself, avoiding going back to the same places I frequented with him. Obviously I don't eat the kind of food we ate or made together. But I don't think I'm going to move to a new house, because I have the kitchen and the large fridge that I'd wanted for so long. People say you can't possibly like your lover every single second of your life. But that's not true. I liked and looked to my lover every single second we were together. And I still can't admit that he's gone. True sorrow is when one person desires but the other doesn't. I don't know any better words to describe it, and I can't yet express this feeling through any kind of food. The one thing we know about sorrow is that it's a very personal, individual feeling.”
Kyung Ran Jo
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“Rejection of food: This was the first hurdle I encountered after parting with him. Refusing food is basically a refusal of relationships, and if it gets worse it can turn into a frightening illness, leading to a complete destruction of all human contact.”
Kyung Ran Jo
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“After spending all that time in bed, I realized I was treating the act of eating as though it's the art of Zen, taking in just enough, a little at a time, slowly. Exactly the way I never did with food. Like dancing without passion, eating like that will never awaken your palate.”
Kyung Ran Jo
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“The most important thing in a kitchen isn't how delectable the food is but how happy you are while you're there.”
Kyung Ran Jo
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