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Lauren Willig

Lauren Willig is the New York Times bestselling author of nineteen works of historical fiction. Her books have been translated into over a dozen languages, awarded the RITA, Booksellers Best and Golden Leaf awards, and chosen for the American Library Association's annual list of the best genre fiction. After graduating from Yale University, she embarked on a PhD in History at Harvard before leaving academia to acquire a JD at Harvard Law while authoring her "Pink Carnation" series of Napoleonic-set novels. She lives in New York City, where she now writes full time.


“Right now, I couldn't have cared less if someone had waltzed across the room in a large flower costume with a sign saying GET YOUR BLACK TULIPS HERE. Every nerve in my body was on man-alert, screaming, "incoming!”
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“Amy wondered if Bonaparte could declare war on Miss Gwen alone without breaking his peace with England”
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“Her mother would be appalled, but she wouldn't say anything. She would just telegraph her distress with tightened lips and raised brows. She was good at that. Clemmie's mother's brows were better than sign language, complicated concepts conveyed with the minimum of movement.”
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“He admired her for throwing off her aristocratic shackles -- his terms, that -- and making her own way in the world.He didn't realize that the truth was so much more complex, so much less impressive. She had less thrown than been thrown.”
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“Amazing what the application of a knitting needle could do for one's manners.”
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“As a historian, I found myself all too often treating my historical subjects like fictional characters, malleable entities that could be made to do one thing or another, whose motivations could be speculated upon endlessly, and whose missing actions could be reconstructed and approximated based on assessments of prior and later behaviors. It was one of the hazards with working a fragmentary source base. You had little scraps, like puzzle pieces, and you could put them together as best you could. But no matter how faithful you tried to be to the historical record, there would always be that element of guesswork, of imagination, of (if we're being totally honest) fiction.”
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“It would be, like all of Pammy's parties, hot and crowded and filled with impossibly glamorous people with hip bones so sharp they could qualify as concealed weapons.”
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“LIPID (Last Idiot Person I Dated) syndrome: a largely undiagnosed but pervasive disease that afflicts single women.”
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“It is a truth universally acknowledged that one only comes up with clever, cutting remarks long after the other party is happily slumbering away.”
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“Tell them I have the headache--no, the plague! I need something nice and contagious.”
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“Love doesn't attack; it infiltrates.”
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“This was what the poets couldn't put in their poetry, she thought dumbly, the rush of desire so fierce and pure it made one shake, all on the force of a word.”
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“Such kindness wasn't a gift but a goad, scraping against one's skin like a yoke of thorns. She would have preferred him stiff, defensive, even offensive.”
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“Inside, the festivities would continue, probably well into the night, with flirtation and merriment and gratuitous use of mistletoe. It was an inexpressibly wearying thought.”
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“Her eyes were as hard and bright as stars. Not the pretty sort that poets mooned about, but the kind that made men's destinies. The Orchid Affair”
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“Old books exert a strange fascination for me -- their smell, their feel, their history; wondering who might have owned them, how they lived, what they felt.”
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“All this rapture,” managed Letty, wriggling out of her mother’s grasp, “is decidedly premature.”
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“Mr. Alsworthy!” exclaimed Letty’s mother. “How can you laugh at such a matter! Although, I must say, I would have thought if a pirate were to kidnap anyone, he would kidnap Mary. She looks quite as I did in my youth, and I’m sure a pirate would have wanted to kidnap me.”“Don’t taunt me with lost opportunities, my dear.”
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“There was nothing the least bit radical about her. In fact, she was the most conventional creature alive. She believed in true love, and loyalty to one's monarch, and death before dishonor. It was just that, sometimes, things didn't quite turn out as one would have wished. In those cases, there was nothing to do but carry on. And on and on and on.”
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“Gentlemen do so appreciate a nicely trimmed décolletage.”
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“with the complete lack of shame of the extremely deaf and the complete lack of grammar of the extremely inbred.”
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“But that initial, comet-blazing-across-the-sky, Big Idea is only the beginning. Each book is composed of a mosaic of thousands of little ideas, ideas that invariably come to me at two in the morning when my alarm is set for seven.”
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“The French just said he was a damned nuisance. Or they would have had they the good fortune to speak English. Instead being French they were forced to say it in their own language.”
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“There's nothing like competing for your boyfriend's attention with an emotionally needy sibling to make you feel like the worst sort of evil psycho-bitch.”
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“Why was it that cheering expressions were invariably so infuriating?”
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“Colin mustered a perfunctory leer, but his mind was obviously elsewhere. 'Do you know...' he began.I knew many things, but I didn't think he needed to hear the entirety of the Prologue to the Canterbury Tales right at just this moment.”
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“The leaves do fad and fall away, / Berries rot and sheaves decay; / The deer is fled back to the field. / That is all your promises yield. / All wind and words, your vows, I see, / Are barren as the fruitless tree.”
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“About, not to. Prepositions had been invented for a reason.”
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“Good Gad! It looks like the last act of Hamlet in here. Turnip banged his head against his clenched fists, making inarticulate moaning noises.Pinchingdale gave him an odd look. 'I had no idea you felt so strongly about the play, Fitzhugh.”
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“There is, I have heard, a little thing called sunrise, in which the sun reverses the process we all viewed the night before. You might assume such a thing as mythical as those beasts that guard the corners of the earth, but I have it on the finest authority, and have, indeed, from time to time, regarded it with my own eyes.”
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“[He] had insisted that inanimate objects couldn't have malignant motivations, but Emma had extensive proof to the contrary.”
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“Think before you speak. Take a deep breath, people suggested. Count to ten. Count sheep. Oh, wait, that was for sleeping. Even in her own head, her tongue ran ahead of her brain. It propelled her into all sorts of absurd situations. Elopements. Scandals. This.”
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“They were a strange and mercantile people, these Americans. One never knew what they might come up with next.”
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“There's nothing so attractive as a blank slate. Take one attractive man, slap on a thick coat of daydream, and voila, the perfect man. With absolutely no resemblance to reality.”
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“It was lovely to see cynicism in one so young. It positively restored his faith in human nature.”
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“When they arrived at Parva Magna, everyone agreed that it was quite a good thing thatthe newly married couple had managed to find shelter in the storm, although there was someconfusion as to why it had taken them a full three days to make their way fifteen miles.”
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“Hard to believe that so nearby, just across the Channel, such atrocities could still occur in their supposedly civilized world, that one could wake up one morning and find oneself bereft of brothers, parents, friends, all with the slice of an ax.”
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“Patience is only a virtue when there is something worth waiting for.”
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“Quite definitely a Bingley”
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“Whether I like it or not, most of my images of what various historical periods feel, smell, or sound like were acquired well before I set foot in any history class. They came from Margaret Mitchell, from Anya Seton, from M.M. Kaye, and a host of other authors, in their crackly plastic library bindings. Whether historians acknowledge it or not, scholarly history’s illegitimate cousin, the historical novel, plays a profound role in shaping widely held conceptions of historical realities.”
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“They were close enough that he could feel the hurried beat of her heart. He could feel Charlotte's indecision in every word she didn't say and every move she didn't make. She was tense with uncertainty, quivering with irresolution. She might not be leaning into him, but she wasn't pulling away, either.”
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“I love the sound of words, the feel of them, the flow of them. I love the challenge of finding just that perfect combination of words to describe a curl of the lip, a tilt of the chin, a change in the atmosphere. Done well, novel-writing can combine lyricism with practicality in a way that makes one think of grand tapestries, both functional and beautiful. Fifty years from now, I imagine I’ll still be questing after just that right combination of words.”
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“For a long moment, he held her gaze without speaking, simply letting the impact of words sink in, before adding rapidly, as though he wished to get it over with as quickly as possible, "I won't deny that you're beautiful. No mirror could tell you otherwise. But there are beautiful women for the buying in any brothel in London. Oh yes, and the ballrooms, too, if one has the proper price. It wasn't your appearance that caught me. It was the way you put me down in the gallery at Sibley Court." Vaughn's lips curved in a reminiscent smile. "And the way you tried to bargain with me after.""Successfully bargained," Mary corrected."That," replied Lord Vaughn, "is exactly what I mean. Has anyone ever told you that you haggle divinely? That the simple beauty of your self-interest is enough to bring a man to his knees?"Mary couldn't in honesty say that anyone had.Vaughn's eyes were as hard and bright as silver coins. "Those are the reasons I want you. I want you for your cunning mind and your hard heart, for your indomitable spirit and your scheming soul, for they're more honest by far than any of the so-called virtues.""The truest poetry is the most feigning?" Mary quoted back his own words to him."And the most feigning is the most true.”
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“Miles was still mourning the loss of his Romantic Plan. 'There was going to be champagne, and oysters, and you' -- he held out both hands as though shifting a piece of furniture -- 'were going to be sitting there, and I was going to get down on one knee, and...and...”
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