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Lev Grossman

Hi! I'm the author of the #1 New York Times bestselling Magicians trilogy—The Magicians, The Magician King, and The Magician’s Land—which was adapted as a TV show that ran for five seasons on Syfy.

I've also written two novels for children: The Silver Arrow, which the New York Times, Wall Street Journal, People magazine, Apple and Amazon all put on their best-of-the-year lists, and its sequel The Golden Swift. I do some journalist and screenwriting too.

I grew up in Lexington, Massachusetts, the son of two English professors. My twin brother Austin is a writer and game designer, and my older sister Sheba is an artist. Sometimes I live in Brooklyn, New York, other times in Sydney, Australia, where my wife is from. I have three kids and a somehow steadily increasing number of cats.


“She tortured everybody around her, but only because she was more tortured than anyone.”
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“5 1/2 centuries after its 1.0 release, the book is a surprisingly robust piece of information technology. Sure, its memory is relatively tiny--one novel adds up to less than a megabyte. But it doesn't need charging, and it never crashes. Its interface is rapidly and intuitively navigable. The scroll never stood a chance.”
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“A magician is strong because he hurts more than others. His wound is his strength.”
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“You cannot study magic. You cannot learn it. You must ingest it. Digest it. You must merge with it. And it with you.”
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“By the standards of magical society they’d fallen at the first hurdle: they hadn’t had the basic good sense to keep their shit to themselves.”
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“With maaaaaaaaaagic!”
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“I just completed a long car trip on a Sunday in August with two small children, which believe me is enough to convince you that Samuel Beckett was right about everything.”
Lev Grossman
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“Personally, I think the "Potter" books have too many adverbs and not enough sex.”
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“Honk!" he yelled. "Honk honk honk honk honk honk honk!"His classmates agreed.”
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“I read obsessively when I'm writing. I think there are two kinds of fiction writers, those who read incessantly while they write and those who can't read at all, lest their individual voices get overwhelmed, or tainted somehow. I'm the first kind. To use a painfully precious metaphor, I need fixed stars to navigate by, otherwise I get lost in the blankness of the page.”
Lev Grossman
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“There was enough hiding in life. Sometimes you just wanted to show somebody your tits.”
Lev Grossman
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“A key part of successfully being Julia, it seemed, was not giving a shit if you looked weird.”
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“In one huge leather-gloved fist Jollyby held up a large, madly kicking hare by its ears.'Son of a bitch,' Dauntless said. 'He caught it.'Dauntless was a talking horse. She just didn't talk much.”
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“Well, he wouldn't get fooled again. He wouldn't give anybody the chance. Quentin felt a new attitude of detachment descend on him. His molten anger and grief were cooling into a glossy protective coating, a hard transparent lacquer of uncaring. He felt how infinitely safer and more sound this attitude was. The trick was just not wanting anything. That was power. That was courage: the courage not to love anyone or hope for anything.”
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“Quentin was thin and tall, though he habitually hunched his shoulders in a vain attempt to brace himself against whatever blow was coming from the heavens, and which would logically hit the tall people first.”
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“Fanfiction is what literature might look like if it were reinvented from scratch after a nuclear apocalypse by a band of brilliant pop-culture junkies trapped in a sealed bunker. They don't do it for money. That's not what it's about. The writers write it and put it up online just for the satisfaction. They're fans, but they're not silent, couchbound consumers of media. The culture talks to them, and they talk back to the culture in its own language.”
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“But there was a more seductive, more dangerous truth to Fillory that Quentin couldn’t let go of. It was almost like the Fillory books— especially the first one, The World in the Walls— were about reading itself. When the oldest Chatwin, melancholy Martin, opens the cabinet of the grandfather clock that stands in a dark, narrow back hallway in his aunt’s house and slips through into Fillory (Quentin always pictured him awkwardly pushing aside the pendulum, like the uvula of a monstrous throat), it’s like he’s opening the covers of a book, but a book that did what books always promised to do and never actually quite did: get you out, really out, of where you were and into somewhere better.”
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“When the oldest Chatwin, melancholy Martin, opens the cabinet of the grandfather clock that stands in a dark, narrow back hallway in his aunt’s house and slip through into Fillory...it’s like he’s opening the covers of a book, but a book that did what books always promised to do and never ac tually quite did: get you out, really out, of where you were and into something better.”
Lev Grossman
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“Now he had answers, but they weren't doing what answers were supposed to do: they weren't making things simpler or easier. They weren't helping.”
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“You can't just decide to be happy.""No, you can't. But you can sure as hell decide to be miserable. Is that what you want? Do you want to be the asshole who went to Fillory and was miserable there? Even in Fillory? Because that's who you are right now."There was something true about what Alice was saying. But he couldn't grasp it. It was too complex, or too simple. Too something...It was strange: he's thought that doing magic was the hardest thing he would ever do, but the rest of it was so much harder. It turned out that magic was the easy part.”
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“Wasn't there a spell for making yourself happy? Somebody must have invented one. How could he have missed it? Why didn't they teach it? Was it in the library, a flying book fluttering just out of reach, beating its wings against some high window?”
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“But where was he going to go, exactly? It was not considered the thing to look panicked or even especially concerned about graduation, but everything about the world after Brakebills felt dangerously vague and under-thought to Quentin. What was he going to do? What exactly? Every ambition he'd ever had in his life had been realized the day he was admitted to Brakebills, and he was struggling to formulate a new one with any kind of practical specificity. This wasn't Fillory, where there was some magical war to be fought. There was no Watcherwoman to be rooted out, no great evil to be vanquished, and without that everything else seemed so mundane and penny-ante. No one would come right out and say it, but the worldwide magical ecology was suffering from a serious imbalance: too many magicians, not enough monsters.”
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“Genuinely social people never ceased to amaze him. Their brains seemed to generate an inexhaustible fund of things to say, naturally, with no effort, out of nothing at all.”
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“It was strange to be naked in front of anybody. It was like that cold water out there in the bay: scary, you didn’t think you could stand it, but then you plunged in and pretty soon you got used to it. There was enough hiding in life. Sometimes you just wanted to show somebody your tits.”
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“Forget everything you ordinarily associate with religious study. Strip away all the reverence and the awe and the art and the philosophy of it. Treat the subject coldly. Imagine yourself to be a theologist, but a special kind of theologist, one who studies gods the way an entomologist studies insects. Take as your dataset the entirety of world mythology and treat it as a collection of field observations and statistics pertaining to a hypothetical species: the god. Proceed from there.”
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“Magic: it was what happened when the mind met the world, and the mind won for a change.”
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“A big silvery janitor. Penny, this can’t be how the universe works.” “In the Order we call it ‘inverse profundity.’ We’ve observed it in any number of cases. The deeper you go into the cosmic mysteries, the less interesting everything gets.”
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“That’s what death did, it treated you like a child, like everything you had ever thought and done and cared about was just a child’s game, to be crumpled up and thrown away when it was over. It didn’t matter. Death didn’t respect you. Death thought you were bullshit, and it wanted to make sure you knew it.”
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“You’re saying the gods don’t have free will.” “The power to make mistakes,” Penny said. “Only we have that. Mortals.”
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“You didn’t get the quest you wanted, you got the one you could do.”
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“You’re all so obsessed with other worlds, you’re so convinced that this one is crap and everywhere else is great, but you’ve never bothered to figure out what’s going on here!”
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“Everybody wanted to be the hero of their own story. Nobody wanted to be comic relief.”
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“Being a hero, the man had observed, is largely a matter of knowing one’s cues.”
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“He wanted to stick his finger in it and see what happened. Some story, some quest, started here, and he wanted to go on it. It felt fresh and clean and unsafe, nothing like the heavy warm lard of palace life. The protective plastic wrap had been peeled off”
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“Though the funny thing about never being asked for anything is that after a while you start to feel like maybe you don’t have anything worth giving.”
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“Sure, but real life’s not actually like that,” Quentin went on, fumbling after what he was sure was an important insight. “You don’t just go on fun adventures for good causes and have happy endings. You’re not going to be a character in a story, there’s nobody arranging everything for you. The real world just doesn’t work like that.”
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“would have to find something else, he thought mazily. Something new. Couldn’t stay here anymore. Couldn’t go back. Only forward.”
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“What is written with a sword cannot be erased.”
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“...to live out childhood fantasies as a grown-up was to court and wed and bed disaster.”
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“You don't have to do anything. This is what you don't understand! You don't know any older magicians except our professors. It's a wasteland out there. Out here. You can do nothing or anything or everything, and none of it matters. You have to find something to really care about to keep from running totally off the rails. A lot of magicians never find it.”
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“Do you promise to hate my parents as much as I do?""Oh, absolutely," Quentin said. "Maybe even more.”
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“I killed the Google Alert I used to have on myself two years ago. I don’t need any more information about myself. I get more than enough of that just by being me.”
Lev Grossman
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“The Order seemed to adhere to the principle of suckers walk, players ride.”
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“Young minds - young brains - need stories and ideas like the ones in those [censored and banned] books in order to grow. They need ideas that you disagree with. They need ideas that I disagree with. Or they'll never be able to figure out what ideas they believe in.”
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“They went around the room telling stories about how they'd gotten here. No two were exactly the same, but there was always a certain family resemblance. Somebody went looking for a lost ball in an alley, or a stray goat in a drainage ditch, or fallowed an inexplicable extra cable in the high school computer room which led to a server closet that had never been there before.”
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“Stop looking for the next secret door that is going to lead you to your real life. Stop waiting. This is it: there's nothing else.”
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“If you please, Admiral, don't be a cock. I'll know it when I see it, and if, for some reason, I don't, you tell me, alright?" Admiral Lacker inclined his head almost imperceptibly to indicate that they had a deal. He would endeavor to be as little of a cock as possible.”
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“All of it just confirmed his belief that his real life, the life he should be living, had been mislaid through some clerical error by the cosmic bureaucracy. This couldn't be it. It had been diverted elsewhere, to somebody else, and he'd been issued this shitty substitute faux life instead”
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“By now he had learned enough to know that when he was getting annoyed at somebody else, it was usually because there was something that he himself should be doing, and he wasn't doing it.”
Lev Grossman
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“Look, who's the talking bear here?” Quentin snapped. “Is it you? Are you the talking fucking bear? All right. So shut the fuck up.”
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