Lionel Shriver's novels include the New York Times bestseller The Post-Birthday World and the international bestseller We Need to Talk About Kevin, which won the 2005 Orange Prize and has now sold over a million copies worldwide. Earlier books include Double Fault, A Perfectly Good Family, and Checker and the Derailleurs. Her novels have been translated into twenty-five languages. Her journalism has appeared in the Guardian, the New York Times, the Wall Street Journal, and many other publications. She lives in London and Brooklyn, New York.
Author photo copyright Jerry Bauer, courtesy of Harper Collins.
“I suppose that's a common conceit, that you've already been so damaged that damage itself in its totality makes you safe.”
“Beware of what "everybody says".”
“Expectations are dangerous when they are both too high and unformed.”
“Funny how you dig yourself into a hole by the teaspoon.”
“I have no end of failings as a mother, but I have always followed the rules.”
“A boy is a dangerous animal.”
“You restored me to the concept of home.”
“Time itself made all things rare.”
“He'd been unable to discern whether this frantic bustle of hers was what it claimed to be - an ardent determination to live every remaining day to the fullest - or quite the opposite: an evasion. An equally ardent determination to distract herself, from what only she could know, and thus a complete failure to inhabit her life in the scarcest respect.”
“The energy it sapped from him, not being able to protect her. You wouldn't think that something you couldn't do and were not doing would take any energy, but it did.”
“The very insurmountability of the task, its very unattractiveness, was in the end what attracted me to it.”
“How lucky we are, when we're spared what we think we want!”
“I didn't put in my diaphragm' I mumbled when we were through.You stirred, 'Is it dangerous?''It's very dangerous,' I said.Indeed, just about any stranger could have turned up nine months later. We might as well have left the door unlocked.”
“Frankly, the reason why lawyers were compensated so lavishly was that they were paid to attend to the most stultifying aspects of modern life.”
“I thought at the time that I couldn't be horrified anymore, or wounded. I suppose that's a common conceit, that you've already been so damaged that damage itself, in its totality, makes you safe.”
“Later you referenced that anecdote to illustrate that my expectations were always preposterously outsized; that my very ravenousness for the exotic was self-destructive, because as soon as I seized upon the otherworldly, it joined this world and didn't count.”
“I wonder if I wouldn't have been more moved if my own mother had taken me in her arms and said, 'I like you'. I wonder if just enjoying your kids company isn't more important.”
“The only way my head was going truly somewhere else was to travel to a different life and not a different airport.”
“We all do it (or I used to-yes, once in a while, Franklin, what did you think?), we all know we all do it, but it isn't customary to say, "Honey, could you keep an eye on the spaghetti sauce, because I'm going to go masturbate.”
“Casting my own eye down Fifth Avenue as my belly swelled, I would register with incredulity: Every one of these people came from a woman's cunt.”
“The good life doesn't knock on the door. Joy is a job.”
“My own apathy is bone chilling.”
“I was mortified by the prospect of becoming hopelessly trapped in someone else's story.”
“I am vain, or once was, and one of my vanities was to feign that I was not.”
“All these men afraid of bein’ crowded, ain’t they? They need all this room, they afraid some woman gonna crawl in their head and take over. Well, surprise, surprise. Ain’t nobody crawlin’ in there ’cept you, honey, and you get older and older and it get stuffy in there. Let me tell you, you afraid of other folks takin’ away your elbow room, well, just relax. You born alone, you die alone, and you get any kind of company in between, you one lucky boy. Bein’ by yourself ain’t no accomplishment. Ain’t like being no kind of hero. Ray, see, Ray sho ’nough figures he gettin’ away with somethin’, understand me? He think he a clever boy, runnin’ round with whores, gettin’ diseases, drinkin’ his heart out till five in the a.m. Lucky Ray, huh? Well, what Raymond Harris gettin’ away with is not see his kids grow up, and when he do come back they call him Mr. Harris ’steada Daddy, and they shake his hand ’steada kiss his cheek, and they spit when he turn his back. And I spit, too, though I’ll take him in again and love him, ’cause that’s what I’s here to do. But I spit anyways, ’cause he such a dumb sucker, understand me? ’Less stupid ole Ray Harris die by hisself in some alleyway. Sho, run away. Best way in the world to be nothin’. Risk endin’ up croaked by garbage cans, when he could die in my arms?” Leonia put her coffee cup in its saucer, and it rattled softly. “That no way to be the big man, baby. That just be dumb and sad. You got me?”
“I seem to remember even from when I was very young that when you loved someone you also hated them for making you love them, since loving someone is so incredibly humiliating.”
“...some people coddle their own afflictions the way others spoil small pedigreed dogs with cans of pate.”
“...trying to be a good mother may be as distant from being a good mother as trying to have a good time is from truly having one.”
“I realize it's commonplace for parents to say to their child sternly, 'I love you, but I don't always like you.' But what kind of love is that? It seems to me that comes down to, 'I'm not oblivious to you - that is, you can still hurt my feelings - but I can't stand having you around.' Who wants to be loved like that? Given a choice, I might skip the deep blood tie and settle for being liked. I wonder if wouldn't have been more moved if my own mother had taken me in her arms and said, 'I like you.' I wonder if just enjoying your kid's company isn't more important.”
“...hoarders of guilty secrets are inevitably consumed with appearances.”
“But I was beginning to intuit that full-blown maturity was not so very different from childhood. Both states in their extreme were all about following the rules.”
“...whenever a woman describes a man as sweet, the dalliance is doomed.”
“Still, I may have been glad to scratch the dry surface of our day-to-day peaceableness the way Violetta had clawed the sere crust on her limbs, anything to get something bright and liquid flowing again, out in the open and slippery between our fingers.”
“For Celia, her whole surround was animate, and each tapioca lump had a dense, nauseating little soul.”
“It isn't very nice to admit, but domestic violence has its uses. So raw and unleashed, it tears away the veil of civilization that comes between us as much as it makes life possible. A poor substitute for the sort of passion we like to extol perhaps, but real love shares more in common with hatred and rage than it does with geniality or politeness.”
“In truth we are bigger, greedier versions of the same eating, shitting, rutting ruck, hell-bent on disguising from somebody, if only from a three-year-old, that pretty much all we do is eat and shit and rut. The secret is there is no secret. that is what we really wish to keep fom our kids, and it's suppression is the true collusion of adulthood...”
“...violence is anything an airplane can do to a cloud”
“Bur Armenians have a talent for sorrow.”
“It's always the mother's fault, ain't it?" she said softly, collecting her coat. "That boy turn out bad cause his mama a drunk, or she a junkie. She let him run wild, she don't teach him right from wrong. She never home when he back from school. Nobody ever say his daddy a drunk, or his daddy not home after school. And nobody ever say they some kids just damned mean. ...”
“It was a short session of the simple being-ness that he had long coveted for The Afterlife. What Glynis had called "doing nothing," The smelling and seeing and hearing and small noticings of sheer animal presence in the world surely constituted activity of a sort, perhaps the most important kind. This was a form of companionship that he'd been especially cherishing with Glynis of late: devoid of conversation, but so surprising in its contrast to being by yourself.”
“I have never in all my life considered you other people.”
“What would I like to get away from? Complexity. Anxiety. A feeling I've had my whole life that at any given time there's something I'm forgetting, some detail or chore, something that I'm supposed to be doing or should have already done. That nagging sensation - I get up with it, I go through the day with it, I go to sleep with it. When I was a kid, I had a habit of coming home from school on Friday afternoons and immediately doing my homework. So I'd wake up on Saturday morning with this wonderful sensation, a clean, open feeling of relief and possibility and calm. There'd be nothing I had to do. Those Saturday mornings, they were a taste of real freedom that I've hardly ever experienced as an adult. I never wake up in Elmsford with the feeling that I've done my homework.”
“I'm unsure why one trifling incident this afternoon has moved me to write to you. But since we've been separated, I may most miss coming home to deliver the narrative curiosities of my day, the way a cat might lay mice at your feet: the small, humble offerings that couples proffer after foraging in separate backyards. Were you still installed in my kitchen, slathering crunchy peanut butter on Branola though it was almost time for dinner, I'd no sooner have put down the bags, one leaking a clear vicious drool, than this little story would come tumbling out, even before I chided that we're having pasta tonight so would you please not eat that whole sandwich.”
“Only a country that feels invulnerable can afford political turmoil as entertainment.”
“Not that happiness is dull. Only that it doesn't tell well. And of our consuming diversions as we age is to recite, not only to others but to ourselves, our own story.”
“In a country that doesn't discriminate between fame and infamy, the latter presents itself as plainly more achievable.”
“The existence of other people is essentially awkward.”
“A lot of people get so hung up on what they can't have that they don't think for a second about whether they really want it.”
“Change is like that: you are no longer where you were; you are not yet where you will get; you are nowhere exactly.”
“No eleven-year-old has any real grasp of death. He doesn't have any real concept of other people--that they feel pain, even that they exist. And his own adult future isn't real to him, either. Makes it that much easier to throw away.”