Lisa Carver
Lisa Crystal Carver (born 1968[1]), also known as Lisa Suckdog, is an American writer known for her writing in Rollerderby.[2] Through her interviews, she introduced the work of Vaginal Davis, Dame Darcy, Cindy Dall, Boyd Rice, Costes (her ex-husband with whom she performed Suckdog), Nick Zedd, GG Allin, Kate Landau, Queen Itchie & Liz Armstrong to many. A collection of notable articles from the zine was published as Rollerderby: The Book.
She started touring with the performance art band Psycodrama when she was 18 years old.[3] It was also at this time that she became a prostitute, which has been a major theme in her writings over the years.[4] She began touring with Costes a year later, and would also tour without him when he was in France. She toured the U.S. and Europe six times, the last time in 1998. The noise music soap operas included audience interaction including dancing and mock-rape of audience members.[3]
Carver is the also the author of Dancing Queen: a Lusty Look at the American Dream, in which she expounds upon various relics of pop culture past, including Lawrence Welk, roller rinks, and Olivia Newton-John. In 2005, Soft Skull Press released her newest book, Drugs Are Nice, detailing her early childhood and later romantic relationships with Costes, Boyd Rice and Smog's Bill Callahan. In addition to writing her own 'zines and books, Carver has also written for various magazines (including Peter Bagge's comic book Hate) and kept a fictionalized journal about her sex life for the website Nerve. Although Carver no longer writes her journal for the site, she is still a semi-regular contributor. The online Journal at Nerve was subsequently published in book form as The Lisa Diaries: Four Years in the Sex Life of Lisa Carver and Company. (via Wikipedia)
“In his attempt to graft my attributes onto his own belief system, one just would not take: my rabid feminism, which for me was the idea that no kind of sex is shameful and any kind of violence (including psychological, including societal mores) is. This is the unspoken reverse of American thinking in general, and of rich men in particular. I am often inappropriate. ”
“...I say long live the bountiful personality. Long live the people who make people mad. Long live the ones who won't listen to sense. Long live the people who are forever getting warned, "one of these times, you're going to go too far!" Long live the fiery, the unguilty, the unhumble, the dazzling, the cheerful and the brave. Even if they don't live long, even if they look obnoxious or even stupid in a certain light, they're still wonderful and magnificent to me, and they're free free free.”
“The only nineties performer I see worthy of wearing the Bee Gees mantle of grandiose love hurried on by an eternal wind is Seal. Seal informs the lady that she is "the light on the dark side of me." He goes on: "And did you know that when it snows my eyes become enlarged and the light that you shine can't be seen?" Well, no, I didn't know that. As with the Bee Gees, I'm not sure what Seal is trying to say, but it sounds so traumatic and interesting that I immediately imagine the song is about me. "You remain my power, my pleasure, my pain," Seal is telling me. I like to be talked to like that! I can't wait for his next album to come out so I can find out what else I am.”
“The beauty parlor is where everything interesting in life, everything alluring, is experienced firsthand, physically, rather than through the spectrum of some screen or another. It's so emotional in there! And all these people are stroking your hair. The atmosphere is centuries old, yet very now too. Elba is not bound to our technological era. Were armageddon to befall us tomorrow and wipe our electricity and organized delivery systems, elba would still have a job. Her gossip would take the place of associated press wire services. Instead of using bleach in a bottle, she'd squeeze the juice out of an unfortunate iguana directly onto her customer's hair. A woman like elba finds a way.”