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Louis-Ferdinand Celine

Louis-Ferdinand Céline, pen name of Dr. Louis-Ferdinand Destouches, is best known for his works Voyage au bout de la nuit (Journey to the End of the Night), and Mort à crédit (Death on the Installment Plan). His highly innovative writing style using Parisian vernacular, vulgarities, and intentionally peppering ellipses throughout the text was used to evoke the cadence of speech.

Louis-Ferdinand Destouches was raised in Paris, in a flat over the shopping arcade where his mother had a lace store. His parents were poor (father a clerk, mother a seamstress). After an education that included stints in Germany and England, he performed a variety of dead-end jobs before he enlisted in the French cavalry in 1912, two years before the outbreak of the First World War in 1914. While serving on the Western Front he was wounded in the head and suffered serious injuries—a crippled arm and headaches that plagued him all his life—but also winning a medal of honour. Released from military service, he studied medicine and emigrated to the USA where he worked as a staff doctor at the newly build Ford plant in Detroit before returning to France and establishing a medical practice among the Parisian poor. Their experiences are featured prominently in his fiction.

Although he is often cited as one of the most influential and greatest writers of the twentieth century, he is certainly viewed as a controversial figure. After embracing fascism, he published three antisemitic pamphlets, and vacillated between support and denunciation of Hitler. He fled to Germany and Denmark in 1945 where he was imprisoned for a year and declared a national disgrace. He then received amnesty and returned to Paris in 1951.

Kurt Vonnegut, Jr., Henry Miller, William Burroughs, and Charles Bukowski have all cited him as an important influence.

Translated Profiles:

Луи-Фердинанд Селин


“The beginning of genius is being scared shitless.”
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“People avenge themselves for the favors done them.”
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“A bien calculer quand on songe, c'est peut-être ça L'Espérance ? Et l'avenir esthétique aussi ! Des guerres qu'on saura plus pourquoi !... De plus en plus formidables ! Qui laisseront plus personne tranquille !... que tout le monde en crèvera... deviendra des héros sur place... et poussière par-dessus le marché !... Qu'on débarrassera la Terre... Qu'on a jamais servi à rien... Le nettoyage par l'Idée...”
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“Há várias maneiras de ser condenado à morte. Ah! o que eu não daria naquele momento para estar na prisão ao invés de estar ali, eu, cretino! Para ter, por exemplo, quando era tão fácil, previsível, roubado alguma coisa, em algum lugar, quando ainda era tempo. A gente não pensa em nada! Da prisão a gente sai vivo, da guerra não. O resto é lero-lero.Se pelo menos eu ainda tivesse tempo, mas não tinha mais! Não havia mais nada pra roubar! Como seria agradável uma prisãozinha sossegada, é o que pensava, por onde as balas não passassem! Não passam nunca! Eu conhecia uma prontinha, ao sol, bem protegida! Um sonho, a de Saint-Germain, mais exatamente, tão perto da floresta, eu a conhecia bem, volta e meia passava por lá, antigamente. Como mudamos! Na época eu era uma criança, ela me metia medo, a prisão. É que eu não conhecia os homens. Nunca mais acreditarei no que dizem, no que pensam. É dos homens e só deles que se deve ter medo, sempre.”
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“Ils dénichaient mainte fois une ration de pain (même déficient du point de vue diététique) afin de survivre quand même jusqu'à la prochaine typhoïde qui, elle, n'allait pas rater leur organisme affaibli.”
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“Ils racontaient sur mon compte des horreurs à n'en plus finir et des mensonges à s'en faire sauter l'imagination.”
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“L'amour c'est comme l'alcool, plus on est impuissant et saoul et plus on se croit fort et malin, et sûr de ses droits.”
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“Si les gens sont si méchants, c'est peut-être seulement parce qu'ils souffrent, mais le temps est long qui sépare le moment où ils ont cessé de souffrir de celui où ils deviennent un peu meilleurs.”
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“Ah ! Dostum ! İnanın bana, bu dünya aslında tamamen insanlarla taşak geçmek için yaratılmış koskocaman bir kandırmacadır.”
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“Autant pas se faire d'illusions, les gens n'ont rien à se dire, ils ne se parlent que de leurs peines à eux chacun, c'est entendu. Chacun pour soi, la terre pour tous.”
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“And where, I ask you, can a man escape to, when he hasn’t enough madness left inside him? The truth is an endless death agony. The truth is death. You have to choose: death or lies. I’ve never been able to kill myself.”
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“When you’re not used to comfort and good things to eat, you’re intoxicated by them in no time. Truth’s only too pleased to leave you. Very little’s ever needed for Truth to let go of you. And after all, you’re not really very keen to keep hold of it.”
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“Since life consists of madness spiked with lies, the farther you are from each other the more lies you can put into it and the happier you'll be. That's only natural and normal. Truth is inedible.”
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“Il y a bien des façons d'être condamné à mort. Ah combien n'aurais-je pas donné à ce moment-là pour être en prison au lieu d'être ici moi crétin Pour avoir par exemple quand c'était si facile prévoyant volé quelque chose quelque part quand il en était temps encore. On ne pense à rien”
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“Donc pas d'erreur Ce qu'on faisait à se tirer dessus comme ça sans même se voir n'était pas défendu Cela faisait partie des choses qu'on peut faire sans mériter une bonne engueulade. C'était même reconnu encouragé sans doute par les gens sérieux comme le tirage au sort les fiançailles la chasse à courre ... Rien à dire. Je venais de découvrir d'un coup la guerre tout entière. Je venais d'être dépucelé.”
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“It happened, you see, after the war, when I saw people making money while the others were dying in the trenches. You saw it and you couldn't do anything about it. Then later I was at the League of Nations, and there I saw the light. I really saw the world was ruled by the Golden Calf, by Mammon! Oh, no kidding! Implacably. Social consciousness certainly came to me late.”
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“We're pupils of the religions—Catholic, Protestant, Jewish . . . Well, the Christian religions. Those who directed French education down through the centuries were the Jesuits. They taught us how to make sentences translated from the Latin, well balanced, with a verb, a subject, a complement, a rhythm. In short—here a speech, there a preach, everywhere a sermon! They say of an author, “He knits a nice sentence!” Me, I say, “It's unreadable.” They say, “What magnificent theatrical language!” I look, I listen. It's flat, it's nothing, it's nil. Me, I've slipped the spoken word into print. In one sole shot.”
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“Love is like liquor, the drunker and more impotent you are, the stronger and smarter you think yourself and the surer you are of your rights.”
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“A woman who spends her time worrying about pregnancy is a virtual cripple, she'll never go very far.”
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“The sadness of the world has different ways of getting to people, but it seems to succeed almost every time.”
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“When it becomes really impossible to get away and sleep, then the will to live evaporates of its own accord.”
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“W małej jadalni, tuż obok, ujrzałem ojca, który chodził od jednej ściany do drugiej. Widać było, że jeszcze nie wypracował sobie odpowiedniej postawy, że nie był do końca gotów na tę okoliczność. Być może czekał, aż wydarzenia same się wyklarują, i że łatwiej mu będzie wtedy coś postanowić. Trwał tak, i stał jak nad przepaścią, niezdecydowany. Ludzie przechodzą od jednej sztuki do drugiej. W międzyczasie sztuka nie jest jeszcze gotowa, a ludzie nie potrafią dobrze jeszcze odróżnić jej zarysów, nie znają ról, jakie mają w niej odegrać, więc stoją tak, z opuszczonymi rękami, przed tym, co się dzieje na ich oczach, z instynktem złożonym jak parasol, poruszając się niezbornie, zredukowani do samych siebie, to znaczy, że zredukowani do nicości.”
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“You know about innards? The trick they play on tramps in the country? They stuff an old wallet with putrid chicken innards. Well, take it from me, a man is just like that, except that he's fatter and hungrier and can move around, and inside there's a dream.”
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“It is, I believe, one of the few dangerous forms of eccentricity, a highly contagious mania, to be precise, of the rampant social variety! In your friend's case, we may not yet be dealing with out-and-out insanity . . . No . . . Maybe his trouble is only exaggerated conviction . . . But the contagious manias are well known to me! . . . I've known a good many sufferers from conviction mania . . . Of many different types . . . And in the last analysis, those who talk about justice seem to be the maddest of the lot! . . . At first, I must confess, I took a certain interest in justice fanatics . . . Today those particular maniacs annoy and exasperate me more than I can tell . . . Don't you feel the same way? . . . Human beings show a strange aptitude for transmitting this mania. It terrifies me, and we find it, mind you, in all human beings!”
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“Love...is a poodle's chance of attaining the infinite...”
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“İnsan bir yerde takılıp kaldıkça, nesneler ve insanlar iyice yozlaşıyorlar, çürüyorlar ve sırf sizin hatırınıza leş gibi kokmaya başlıyorlar.”
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“Life must go on, even if it's no joke...just pretend to believe in the future.”
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“We never change. Neither our socks nor our masters nor our opinions, or we're so slow about it that it's no use. We were born loyal and that's what killed us! Soldiers free of charge, heroes for everyone else, talking monkeys, tortured words, we are the minions of King Misery...It's not a life.”
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“la vérité, c'est une agonie qui n'en finit pas. La vérité de ce monde, c'est la mort. Il faut choisir, mourir ou mentir. Je n'ai jamais pu me tuer moi”
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“Chin up, Ferdinand," I kept saying to myself, to keep up my courage. "What with being chucked out of everywhere, you're sure to find whatever it is that scares all those bastards so. It must be at the end of the night, and that's why they're so dead set against going to the end of the night.”
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“I hadn't found out yet that mankind consists of two very different races, the rich and the poor. It took me ... and plenty of other people . . . twenty years and the war to learn to stick to my class and ask the price of things before touching them, let alone setting my heart on them.”
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“In my room I'd barely closed my eyes when the blonde from the movie house came along and sang her whole song of sorrow just for me. I helped her put me to sleep, so to speak, and succeeded pretty well... I wasn't entirely alone... It's not possible to sleep alone...”
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“Not much music left inside us for life to dance to. Our youth has gone to the ends of the earth to die in the silence of the truth. And where, I ask you, can a man escape to, when he hasn't enough madness left inside him? The truth is an endless death agony. The truth is death. You have to choose: death or lies. I've never been able to kill myself.”
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“Frankly, just between you and me, I'm ending up even worse than I started...”
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“After conscientiously tasting fritters every day for a month Lola had put on two pounds! Her little belt bore witness to the disaster, she found herself obliged to move on to the next notch. She burst into tears.”
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“An unfamiliar city is a fine thing. That's the time and place when you can suppose that all the people you meet are nice. It's dream time. ”
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“Now I know... we have at least two friends!... Cillie von Leiden and the hunchback... not bad in our situation... or, come right down to it, no matter where and when, peace, dead calm, wars, convulsions... so many vaginas, stomachs, cocks, snouts, and flies you don't know what to do with them... shovelsful!... but hearts?... very rare!”
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“Etre seul, c'est s'entrainer a la mort.”
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“Well, you know... experience is a muffled lantern that throws light only on the bearer...it's incommunicable...”
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“There is something sad about people going to bed. You can see they don’t give a damn whether they’re getting what they want out of life or not, you can see they don’t ever try to understand what we’re here for. They just don’t care. Americans or not, they sleep no matter what, they’re bloated mollusks, no sensibility, no trouble with their conscience. I’d seen too many troubling things to be easy in my mind. I knew too much and not enough. I’d better go out, I said to myself, I’d better go out again. Maybe I’ll meet Robinson. Naturally that was an idiotic idea, but I dreamed it up as an excuse for going out again, because no matter how I tossed and turned on my narrow bed, I couldn’t snatch the tiniest scrap of sleep. Even masturbation, at times like that, provides neither comfort nor entertainment. Then you're really in despair.”
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“When you stop to examine the way in which our words are formed and uttered, our sentences are hard-put to it to survive the disaster of their slobbery origins. The mechanical effort of conversation is nastier and more complicated than defecation. That corolla of bloated flesh, the mouth, which screws itself up to whistle, which sucks in breath, contorts itself, discharges all manner of viscous sounds across a fetid barrier of decaying teeth—how revolting! Yet that is what we are adjured to sublimate into an ideal. It's not easy. Since we are nothing but packages of tepid, half-rotted viscera, we shall always have trouble with sentiment. Being in love is nothing, its sticking together that's difficult. Feces on the other hand make no attempt to endure or grow. On this score we are far more unfortunate than shit; our frenzy to persist in ourpresent state—that's the unconscionable torture. Unquestionably we worship nothing more divine than our smell. All our misery comes from wanting at all costs to go on being Tom, Dick, or Harry, year in year out. This body of ours, this disguise put on by common jumping molecules, is in constant revolt against the abominable farce of having to endure. Our molecules, the dears, want to get lost in the universe as fast as they can! It makes them miserable to be nothing but 'us,' the jerks of infinity. We'd burst if we had the courage, day after day we come very close to it. The atomic torture we love so is locked up inside us by our pride.”
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“The Place Faidherbe had the characteristic atmosphere, the overdone décor, the floral and verbal excess, of a subprefecture in southern France gone mad. The ten cars left the Place Faidherbe only to come back five minutes later, having once more completed the same circuit with their cargo of anemic Europeans, dressed in unbleached linen, fragile creatures as wobbly as melting sherbet. For weeks and years these colonials passed the same forms and faces until they were so sick of hating them that they didn’t even look at one another. The officers now and then would take their families out for a walk, paying close attention to military salutes and civilian greetings, the wives swaddled in their special sanitary napkins, the children, unbearably plump European maggots, wilted by the heat and constant diarrhea. To command, you need more than a kepi; you also need troops. In the climate of Fort-Gono the European cadres melted faster than butter. A battalion was like a lump of sugar in your coffee; the longer you looked the less you saw. Most of the white conscripts were permanently in the hospital, sleeping off their malaria, riddled with parasites made to order fo every nook and cranny of the body, whole squads stretched out flat between cigarettes and flies, masturbating under moldy sheets, spinning endless yarns between fits of painstakingly provoked and coddled fever.”
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“The best way to make a sort of peace, a fragile armistice to be sure, but precious all the same, with men, officers or not, is to let them bask and wallow in childish self-glorification. There’s no such thing as intelligent vanity. It’s an instinct. And you’ll never find a man who is not first and formenost vain. The role of admiring doormat is about the only one that one man is glad to tolerate in another. With these soldiers I had no need to tax my imagination.”
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“When men can hate without risk, their stupidity is easily convinced, the motives supply themselves.”
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“It didn't take long. In that despondent changeless heat the entire human content of the ship congealed into a massive drunkenness. People moved flabbily about like squid in a tank of tepid smelly water. From that moment on we saw, rising to the surface, the terrifying nature of white men, exasperated, freed from constraint, absolutely unbuttoned, their true nature, same as in the war. That tropical steam bath called forth the instincts as August breeds toads and snakes on the fissured walls of prisons. In the European cold, under gray, puritanical northern skies, we seldom get to see our brothers' festering cruelty except in times of carnage, but when roused by the foul fevers of the tropics, their rottenness rises to the surface. That's when the frantic unbuttoning sets in, when filth triumphs and covers us entirely. It's a biological confession. Once work and cold weather cease to constrain us, once they relax their grip, the white man shows you the same spectacle as a beautiful beach when the tide goes out: the truth, fetid pools, crabs, carrion, and turds.”
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“She knew her duty inside and out. The prosperity of the cash drawer brought happiness to husband and wife. Not that Madame Puta was bad looking, not at all, she could even, like so many others, have been rather pretty, but she was so careful, so distrustful that she stopped short of beauty just as she stopped short of life—her hair was a little too well dressed, her smile a little too facile and sudden, and her gestures a bit too abrupt or too furtive. You racked your brains trying to figure out what was too calculated about her and why you always felt uneasy when she came near you. This instinctive revulsion that shopkeepers inspire in anyone who goes near them who knows what's what, is one of the few consolations for being as down at heel as people who don't sell anything to anybody tend to be.”
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“The old men from the charity hospital next door would come jerking past our rooms, making useless, disjointed leaps. They'd go from room to room, spitting out gossip between their decayed teeth, purveying scraps of malignant worn-out slander. Cloistered in their official misery as in an oozing dungeon, those aged workers ruminated the layer of shit that long years of servitude deposit on men's souls. Impotent hatreds grown rancid in the pissy idleness of dormitories. They employed their last quavering energies in hurting each other a little more. In destroying what little pleasure they had left. Their last remaining pleasure! Their shriveled carcasses contained not one solitary atom that was not absolutely vicious!”
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“I warn you that when the princes of this world start loving you it means they are going to grind you up into battle sausage.”
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“The coldest most rational scientific madness is also the most intolerable. But when a man has acquired a certain ability to subsist, even rather scantily, in a certain niche with the help of a few grimaces, he must either keep at it or resign himself to dying the death of a guinea pig. Habits are acquired more quickly than courage, especially the habit of filling one's stomach.”
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“While he was cautiously preambling, I tried to form a picture of all he did each day to earn his calories, all his grimaces and promises, pretty much like my own . . . And then to amuse myself, I imagined him all naked at his altar . . . It's a good habit to get into: when somebody comes to see you, quick reduce him to nakedness, and you'll see through him in a flash, regardless of who it is, you will instantly discern the underlying reality, namely an enormous, hungry maggot. It's good sleight-of-the-imagination. His lousy prestige vanishes, evaporates. Once you've got him naked you'll be dealing with nothing more than a bragging pretentious beggar, talking drivel of one kind or another. It's a test that nothing can withstand. In a moment you'll know where you are at. There wont be anything left but ideas, and there's nothing frightening about ideas. With ideas nothing is lost, everything can be straightened out. Whereas it's sometimes hard to stand up to the prestige of a man with his clothes on. Nasty smells and mysteries cling to his clothes.”
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