Louise Erdrich

“The music was more than music- at least what we are used to hearing. The music was feeling itself. The sound connected instantly with something deep and joyous. Those powerful moments of true knowledge that we have to paper over with daily life. The music tapped the back of our terrors, too. Things we'd lived through and didn't want to ever repeat. Shredded imaginings, unadmitted longings, fear and also surprisingly pleasures. No, we can't live at that pitch. But every so often something shatters like ice and we are in the river of our existence. We are aware. And this realization was in the music, somehow, or in the way Shamengwa played it.”

“Ravens are the birds I'll miss most when I die. If only the darkness into which we must look were composed of the black light of their limber intelligence. If only we did not have to die at all. Instead, become ravens.”

“Life will break you. Nobody can protect you from that, and living alone won’t either, for solitude will also break you with its yearning. You have to love. You have to feel. It is the reason you are here on earth. You are here to risk your heart. You are here to be swallowed up.”

“The contents of a house can trigger all sorts of revisions to family history.”

“The habits of Franciscan nuns still shrouded all but their faces, and so each of the new nun's features were emphasized, read forty times over in astonishment. Outlined in a stiff white frame of starched linen, Sister's eyes, nose, and mouth leapt out, a mask from a dream, a great raw-boned jackal's muzzle.”

“Leave the dishes.Let the celery rot in the bottom drawer of the refrigeratorand an earthen scum harden on the kitchen floor.Leave the black crumbs in the bottom of the toaster.Throw the cracked bowl out and don't patch the cup.Don't patch anything. Don't mend. Buy safety pins.Don't even sew on a button.Let the wind have its way, then the earththat invades as dust and then the deadfoaming up in gray rolls underneath the couch.Talk to them. Tell them they are welcome.Don't keep all the pieces of the puzzlesor the doll's tiny shoes in pairs, don't worrywho uses whose toothbrush or if anythingmatches, at all.Except one word to another. Or a thought.Pursue the authentic-decide firstwhat is authentic,then go after it with all your heart.Your heart, that placeyou don't even think of cleaning out.That closet stuffed with savage mementos.Don't sort the paper clips from screws from saved baby teethor worry if we're all eating cereal for dinneragain. Don't answer the telephone, ever,or weep over anything at all that breaks.Pink molds will grow within those sealed cartonsin the refrigerator. Accept new forms of lifeand talk to the deadwho drift in though the screened windows, who collectpatiently on the tops of food jars and books.Recycle the mail, don't read it, don't read anythingexcept what destroysthe insulation between yourself and your experienceor what pulls down or what strikes at or what shattersthis ruse you call necessity.”

“What is this life but the sound of an appalling love.”

“To sew is to pray. Men don't understand this. They see the whole but they don't see the stitches. They don't see the speech of the creator in the work of the needle. We mend. We women turn things inside out and set things right. We salvage what we can of human garments and piece the rest into blankets. Sometimes our stitches stutter and slow. Only a woman's eyes can tell. Other times, the tension in the stitches might be too tight because of tears, but only we know what emotion went into the making. Only women can hear the prayer.”

“Here is the most telling fact: you wish to possess me.
 Here is another fact: I loved you and let you think you could.”

“Tu dois aimer. Tu dois ressentir. C'est la raison pour laquelle tu es ici sur terre. Tu es ici pour mettre ton coeur en danger”

“All of our actions have in their doing the seed of their undoing. ... That in her creation of her children there should be the unspeakable promise of their death, for by their birth she had created mortal beings.”

“The universe is transformation.”

“When we are young, the words are scattered all around us. As they are assembled by experience, so also are we, sentence by sentence, until the story takes shape.”

“They moved in dance steps too intricate for the noninitiated eye to imitate or understand. Clearly they were of one soul. Handsome, rangy, wildly various, they were bound in total loyalty, not by oath, but by the simple, unquestioning belongingness of part of one organism.”

“Her clothes were filled with safety pins and hidden tears.”

“I tried out the unfamiliar syllables. They fit. They cracked in my ears like a fist through ice.”

“Wherever the family was, these two dogs, both six-year-old shepherd mixes, took up their posts at the central coming-and-going point. Gil called them concierge dogs. And it's true, they were inquisitive and accommodating. But they were not fawning or overly playful. They were watchful and thoughtful. Irene thought they had gravitas. Weighty demeanors. She thought of them as diplomats. She had noticed that when Gil was about to lose his temper one of the dogs always appeared and did something to divert his attention. Sometimes they acted like fools, but it was brilliant acting. Once, when he was furious about a bill for the late fees for a lost video, one of the dogs had walked right up to Gil and lifted his leg over his shoe. Gil was shouting at Florian when the piss splattered down, and she'd felt a sudden jolt of pride in the dog.”

“We started dying before the snow, and like the snow, we continued to fall.”

“It seemed to her that almost any pain was sympathetic to her loss and she inserted herself immediately into the concept of fantastic suffering.”

“She had always been a reader… but now she was obsessed. Since her discovery of the book hoard downstairs from her job, she’d been caught up in one such collection of people and their doings after the next…The pleasure of this sort of life – bookish, she supposed it might be called, a reading life – had made her isolation into a rich and even subversive thing. She inhabited one consoling or horrifying persona after another…That she was childless and husbandless and poor meant less once she picked up a book. Her mistakes disappeared into it. She lived with an invented force.”

“She slowly became convinced…that at the center of the universe not God but a tremendous deadness reigned. The stillness of a drunk God, passed out cold…She had learned of it in that house…where the drunks crashed…Things had happened to her there. She was neither raped nor robbed, nor did she experience God’s absence to any greater degree than other people did. She wasn’t threatened or made to harm anyone against her will. She wasn’t beaten, either, or deprived of speech or voice. It was, rather, the sad blubbering stories she heard in the house. Delphine witnessed awful things occurring to other humans. Worse than that, she was powerless to alter their fate. It would be that way all her life – disasters, falling like chairs all around her, falling so close they disarranged her hair, but not touching her.”

“We have a lot of books in our house. They are our primary decorative motif-books in piles and on the coffee table, framed book covers, books sorted into stacks on every available surface, and of course books on shelves along most walls. Besides the visible books, there are books waiting in the wings, the basement books, the garage books, the storage locker books...They function as furniture, they prop up sagging fixtures and disguised by quilts function as tables...I can't imagine a home without an overflow of books. The point of books is to have way too many but to always feel you never have enough, or the right one at the right moment, but then sometimes to find you'd longed to fall asleep reading the Aspern Papers, and there it is.”

“Coming down off the trail, I am lost in my own thoughts and unprepared when a bear chugs across the path just before it gives out on the gravel road. I am so distracted that I keep walking towards the bear. I only stop when it rears, stands on hind legs, and stares at me, sensitive nose pressed into the air, weak eyes searching. I have never been this close to a wild bear before, but I am not frightened. There is no menace in its stance; it is not even curious. The bear seems to know who or what I am. The bear is not impressed. ”

“Some have ideas. You know how old chickens scratch and gabble. That's how the tales started, all the gossip, the wondering, all the things people said without knowing and then believed, since they heard it with their own ears, from their own lips, each word.”

“If, as I suspect, my body survives by uttering itself over and over again, then I have some questions. If [I] am one word, so are my daughters, so are all of us in strings and loops. Each life is one short word slowly uttered.”

“When every inch of the world is known, sleep may be the only wilderness that we have left.”

“So what is wild? What is wilderness? What are dreams but an internal wilderness and what is desire but a wildness of the soul?”

“Someone had cleared that hillside once to make an orchard that had fallen into ruin and was now only twisted silver branches and split trunks. I sat there and continued to watch the sky as, out of nowhere, great solid-looking clouds built hot stacks and cotton cones. I was sixteen years old.”

“some people meet the way the sky meets the earth, inevitably, and there is no stopping or holding back their love. It exists in a finished world, beyond the reach of common sense.”

“In praise of mu husband's hairA woman is alone in labor, for it is an unfortunate fact that there is nobody who can have the baby for you. However, this account would be inadequate if I did not speak to the scent of my husband's hair. Besides the cut flowers he sacrifices his lunches to afford, the purchase of bags of licorice, the plumping of pillows, steaming of fish, searching out of chic maternity dresses, taking over of work, listening to complaints and simply worrying, there was my husband's hair. His hair has always amazed stylists in beauty salons. At his every first appointment they gather their colleagues around Michael's head. He owns glossy and springy hair, of an animal vitality and resilience that seems to me so like his personality. The Black Irish on Michael's mother's side of the family have changeable hair--his great-grandmother's hair went from black to gold in old age. Michael's went from golden-brown of childhood to a deepening chestnut that gleams Modoc black from his father under certain lights. When pushing each baby I throw my arm over Michael and lean my full weight. When the desperate part is over, the effort, I turn my face into the hair above his ear. It is as though I am entering a small and temporary refuge. How much I want to be little and unnecessary, to stay there, to leave my struggling body at the entrance.Leaves on a tree all winter that now, in your hand, crushed, give off a dry, true odor. The brass underside of a door knocker in your fingers and its faint metallic polish. Fresh potter's clay hardening on the wrist of a child. The slow blackening of Lent, timeless and lighted with hunger. All of these things enter into my mind when drawing into my entire face the scent of my husband's hair. When I am most alone and drowning and I think I cannot go on, it is breathing into his hair that draws me to the surface and restores my small courage. ”

“To love another human in all of her splendor and imperfect perfection , it is a magnificent task...tremendous and foolish and human.”

“Society is like this card game here, cousin. We got dealt our hand before we were even born, and as we grow we have to play as best as we can.”

“I prefer to have some beliefs that don't make logical sense.”

“Women without children are also the best of mothers,often, with the patience,interest, and saving grace that the constant relationship with children cannot always sustain. I come to crave our talk and our daughters gain precious aunts. Women who are not mothering their own children have the clarity and focus to see deeply into the character of children webbed by family. A child is fortuante who feels witnessed as a peron,outside relationships with parents by another adult.”

“Things which do not grow and change are dead things.”

“...which causes me to wonder, my own purpose on so many days as h umbel as the spider's, what is beautiful that I make? What is elegant? What feeds the world?”

“Can you stop your mother from singing to you? Who would do such a thing?”

“Cold sinks in, there to stay. And people, they'll leave you, sure. There's no return to what was and no way back. There's just emptiness all around, and you in it, like singing up from the bottom of a well, like nothing else, until you harm yourself, until you are a mad dog biting yourself for sympathy. Because there is no relenting.”

“ We have these earthly bodies. We don't know what they want. Half the time, we pretend they are under our mental thumb, but that is the illusion of the healthy and the protected. Of sedate lovers. For the body has emotions it conceives and carries through without concern for anyone or anything else. Love is one of those, I guess. Going back to something very old knit into the brain as we were growing. Hopeless. Scorching. Ordinary. ”

“Love won't be tampered with, love won't go away. Push it to one side and it creeps to the other.”

“...don't read anything except what destroys the insulation between yourself and your experience...”

“Other freshmen were already moving into their dormitory rooms when we arrived, with their parents helping haul. I saw boxes of paperbacks, stereo equipment, Dylan albums and varnished acoustic guitars, home-knitted afghans, none as brilliant as mine, Janis posters, Bowie posters, Day-Glo bedsheets, hacky sacks, stuffed bears. But as we carried my trunk up two flights of stairs terror invaded me. Although I was studying French because I dreamed of going to Paris, I actually dreaded leaving home, and in the end my parents did not want me to leave, either. But this is how children are sacrificed into their futures: I had to go, and here I was. We walked back down the stairs. I was too numb to cry, but I watched my mother and father as they stood beside the car and waved. That moment is a still image; I can call it up as if it were a photograph. My father, so thin and athletic, looked almost frail with shock, while my mother, whose beauty was still remarkable, and who was known on the reservation for her silence and reserve, had left off her characteristic gravity. Her face and my father's were naked with love. It wasn't something thatwe talked about—love. But they allowed me this one clear look at it. It blazed from them. And then they left.”

“We do know that no one gets wise enough to really understand the heart of another, though it is the task of our life to try.”

“The story comes around, pushing at our brains, and soon we are trying to ravel back to the beginning, trying to put families into order and make sense of things. But we start with one person, and soon another and another follows, and still another, until we are lost in the connections.”

“i want to hear what's happened to you," she said evenly after a while. she gestured in the direction, down river, of the butcher shop. "it's just that there is nowhere else to start," she said gently. "niether of us is the same. but i'm different because of small, good, manageable things. you're different because ... things i don't know.”

“The only time I see the truth is when I cross my eyes.”