Lyall Watson
Lyall Watson was a South African botanist, zoologist, biologist, anthropologist, ethologist, and author of many new age books, among the most popular of which is the best seller Supernature. Lyall Watson tried to make sense of natural and supernatural phenomena in biological terms. He is credited with the first published use of the term "hundredth monkey" in his 1979 book, Lifetide. It is a hypothesis that aroused both interest and ire in the scientific community and continues to be a topic of discussion over a quarter century later.
He was born in Johannesburg as Malcolm Lyall-Watson. He had an early fascination for nature in the surrounding bush, learning from Zulu and !Kung bushmen. Watson attended boarding school at Rondebosch Boys' High School in Cape Town, completing his studies in 1955. He enrolled at Witwatersrand University in 1956, where he earned degrees in botany and zoology, before securing an apprenticeship in palaentology under Raymond Dart, leading on to anthropological studies in Germany and the Netherlands. Later he earned degrees in geology, chemistry, marine biology, ecology and anthropology. He completed a doctorate of ethology at the University of London, under Desmond Morris. He also worked at the BBC writing and producing nature documentaries.
Around this time he shortened his name to Lyall Watson. He served as director of the Johannesburg Zoo, an expedition leader to various locales, and Seychelles commissioner for the International Whaling Commission.
In the late 1980s he presented Channel 4's coverage of sumo tournaments.
Lyall Watson began writing his first book, Omnivore during the early 1960s while under the supervision of Desmond Morris, and wrote more than 20 others.
“Dancing is surely the most basic and relevant of all forms of expression. Nothing else can so effectively give outward form to an inner experience. Poetry and music exist in time. Painting and architecture are a part of space. But only the dance lives at once in both space and time. In it the creator and the thing created, the artist and the expression, are one. Each participates completely in the other. There could be no better metaphor for an understanding of the mechanics of the cosmos.”
“He was his usual philosophic self and tried very hard to explain to me that although life was stained with agony, this was necessary. That scars only concealed, and finally helped to reveal, an essential peace. He said that what we, who pass so swiftly, experience as songs of love or cries of pain are only overtones to a single note in a very much larger harmony.”
“Both dance and dream are brought into being by the consciousness of a moment. They can never be repeated or successfully imitated. But you can dance and dream again. You must, if life is to continue.”
“We try to abolish intervals by our manic insistence on keeping busy, on doing something. And as a result, all we succeed in doing is destroying all hope of tranquility.... . You have to learn to immerse yourself in the silences between.”
“We are in tune, and given the chance, we do things tunefully. We dance.”
“To get to know someone new, you need to touch a lot.”
“If you simply walk on the beach as we are doing, you have no special color. But if you travel with a purpose, it is different. When you go somewhere important or you return home from a long journey, you build a shape around you and it reaches out ahead to touch your destination.”
“It is a truism among researchers into smell that all human subjects behave as if they themselves do not smell like humans, because all humans smell bad.”
“If the brain were so simple we could understand it, we would be so simple we couldn't.”