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Maggie Stiefvater


“My brain instantly traveled back to my parents’ dining room table. I’d sat there every morning with my brain-storming notebook—my father’s idea—and I would do my homework or write song lyrics or journal on something I’d seen on the news. That was back when I’d been sure I was going to change the world.”
Maggie Stiefvater
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“I needed paper. I couldn’t think without writing my thoughts down.”
Maggie Stiefvater
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“Is it still a secret if nobody caresif having the knowledge in no way impairs”
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“I crossed my arms and leaned on the table, trying to override the prickle of jealousy that had unexpectedly surfaced when John had said Grace’s name with such a feeling of connection. Strange what love taught you about your faults.”
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“- Nu vreau să fac ceva ce o să regreți. Spatele lui Grace se arcui sub degetele mele de parcă atingerea mea o adusese la viață. - Atunci, nu te opri. Îmi imaginasem că o să îmi spună asta într-atâtea moduri diferite, dar niciuna dintre fanteziile mele nu ajunsese atât de aproape de realitate.”
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“Oh! Your hand is cold." Ashley cupped her fingers against her shirt to warm them."I've been dead for seven years," Noah said. "That's as warm as they get.”
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“Ostendes tuum et ostendam meus?”
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“Is that all?" she whispered.Gansey closed his eyes. "That's all there is.”
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“Being Adam Parrish was a complicated thing, a wonder of muscles and organs, synapses and nerves. He was a miracle of moving parts, a study in survival. The most important thing to Adam Parrish, though, had always been free will, the ability to be his own master.This was the important thing.It had always been the important thing. This was what it was to be Adam.”
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“There are only two reasons a non-seer would see a spirit on St. Mark's Eve," Neeve said. "Either you're his true love . . . or you killed him.”
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“Knowing what Iwas, and wanting me, anyway.”
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“When you traffic in monsters, that's the risk you run, that you'll find one too monstrous to stomach.”
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“She jumped off my bed and shoved my stack of books over; thousands of words crashed onto the floor.”
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“It's a hard thing to hold a civil conversation after recalling that one party has used a Taser on the other, so both of them finished the walk in silence.”
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“It was the way she felt when she looked at the stars.”
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“This is about as comforting as a cold brick when you're lonely.”
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“I don't know if I'd want to be comforted, if I'm being honest. If I'm being forced to eat soot, I want to know that somewhere else in the world, someone else has to eat soot as well. I want to know that soot tastes terrible. I don't want to be told that soot's good for the digestion. And of course, by soot, I mean beans.”
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“Joseph Beringer...dances around behind me singing some poorly rhymed and slightly dirty song about my [racing] odds at my skirts.'I don't even wear skirts,' I snap at him.'Especially,' he says, 'in my daydreams.”
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“Put that out,' she says to Gabe, and he takes the cat from her and puts it on the other side of the door. She scowls at me. 'I don't cook. Cats make it worse.”
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“I sense that his drowning but I don't have any idea of how to start to put my hand into the water and save him.”
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“Verweilung, auch am verstrautesten nicht, istuns gegeben'. - We are not allowed to linger, even with what is most intimate.”
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“You're here. So how can I leave?”
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“If you trust me on anything, don't risk today. You're ready as you'll ever be," I say. "Everyone else is robbed the extra day, too.”
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“And all the while I try very hard to keep my eyes from darting to Sean because I'm quite certain that no one at the table will be able to miss how I look at him and how I find him looking back.”
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“Where will you and Corr be?" I ask. Sean presses two fingers along the edge of the counter sweeping crumbs into a pile. I notice that his fingers are permanently dirt-stained like mine. He says," Right next to you and Dove." I stare at him. "You can't risk not winning. Not because of me." Sean doesn't lift his eye from the counter. "We make our move when you make yours. You on the inside, me on the outside. Corr can come from the middle of the pack; he's done it before. It's one side you don't have to worry about.”
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“I open the door wide to reveal the answer. They all look at Sean standing there with his hands in his pocket and the other hand around loaf of bread and it occurs to me all in a rush as they stare at him that Sean looks a little, just a little, like he's courting. I don't have time to explain the truth of it before Tommy laughs and jumps to his feet. "Sean Kendrick, the devil. How are you?”
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“There is something very shocking about seeing him standing dark and still on our doorstep. I lean the door a ways. The night's getting chilly. "You got away from the yard." "Is it still all right?" "It's all right. It's me and Gabe and Finn and Tommy Falk." "I've brought this." He holds up the bread, which is clearly a Palson's loaf, and it's still so fresh that I can smell the warmth of it. He must've come straight from there.”
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“There's a tap on the door then. We all exchange looks, Tommy Falk's as uncertain as the rest of ours. No one moves, so I finally wipe my hands off on my pants, go to the door, and open it a crack. Sean stands on the other side, one hand in his trouser pocket, the other holding a loaf of bread. I wasn't prepared for it to be Sean, so my stomach does a neat little trick that feels like either hunger or escaping.”
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“Come now, you can move faster than that! Everyone says you were a spitfire on the cliffs this morning." I let him spin me at that. "They do?" "They're saying that you and Sean Kendrick were burning up the cliffs." Tommy spins me again and grins at me. "And when I say you and Sean Kendrick, i mean you and Sean Kendrick. And by burning, I mean burning." I jerk to a stop and spin him instead. I pretend he's talking about racing. 'You worried?”
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“Tommy grabs my waist and swings me around in a circle. I drag my feet because i am opposed to people touching me when I'm not expecting it. Also because it will take more than dancing to cheer me up.”
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“It's okay," Puck says. She has a quick way of hiding her disappointment. If you're not looking for it, she's put it away somewhere before you know it was there. "You're busy." "No," I tell her. "No, I'll think about it. I'm not sure if I can get away." I don't know wheat I'm thinking. I cannot find the time to get away. I'm not a good dinner companion. But it's hard to think of that. Instead I'm wishing that I'd spoken sooner, before I'd seen her disappointment.”
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“I'm already waiting when Puck gets to the top of the cliffs. I'm not the only one; about two dozen race tourists have made perches out of rocks, watching Corr and me as closely as they dare. Puck glares at them all, searing enough that some of them flinch in surprise. I'm not certain what to expect from her after last night. I don't know how to address her. I don't know what she expects from me or what I expect from me. What I get is a wordless hello and a November cake in my hand.”
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“I sure do wish you the best of luck, Miss Connolly. and I hope you won't wait for Sean Kendrick to realize that he's lonely." I want to ask him, Wait for what? but Finn's come up then and it's not a question I want to ask in front of one of my brothers.”
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“I know not to trust anyone," I say. "Except..." Holly studies my face. "You do fancy him, don't you? What a strange, wonderful, repressed place this is.”
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“Sean reaches out between us and takes my wrist. He press his thumb on my pulse. My heartbeat trips and surges against his skin. I'm pinned by his touch, a sort of fearful magic. We stand and stand, and I wait for my pulse against his finger to slow, but it doesn't Finally, he releases my wrist and says," I'll see you on the cliffs tomorrow.”
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“Sean takes my ponytail in his hand, his fingers touching my neck, and then he tucks my hair into my collar out of the reach of the wind. He avoids my gaze. Then he links his arm back around me and pushes his calf into Corr's side.”
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“Sean settles swiftly behind me, and I'm startled by the sudden closeness of him, my back suddenly warm against his chest, the press of his hips on against me. i turn to ask him a question, and he jerks his face away from the proximity of mine. I say, "Oh. Sorry.”
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“Do you think I just turn my secrets out for everyone?" He is unfazed. "I didn't know they were secrets," he says. "Or I wouldn't have asked.”
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“Oh, I'll buy fourteen dresses and build a road and name it after myself and try one of everything at Palsson's." Though I don't quite look up, I can still feel his gaze on me. It's a heavy thing, this look of his. He says," What's the real answer?”
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“There is a little narrowing to his eyes at the end of it that makes me understand that this is a test. Whether or not I'm brave enough to go into the stall with Corr after yesterday morning, after I've had time to think about what happened. The thought of it makes my pulse trip. The question is not if I trust Corr. The question is if I trust Sean.”
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“Sean does the sweep of his eyes that he does, the one that goes from my head to my toes and back again and makes me feel that he's scanning the depths of my soul and teasing out my motivations and sins. It's worse than confession with Father Mooneyham. At the end of it, he says, "If you help, this will go faster.”
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“That's the one." In Puck Connolly's custody. That might be the last I see of that jacket.”
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“He was dead before. He knew it, didn't you see it in his eyes? My jacket." "Your jacket?" I say, with enough force that my shaky voice makes Corr start. "How about 'my jacket, please.' " Sean Kendrick looks at me, perplexed, and I can see he hasn't a clue of why I'm upset with him. Why I'm upset at all. I can't stop shaking, as if I've taken all of Corr's trembling and made it my own. "That's what I said," he says after a pause. "No, it's not." "What did I say?" "You said my jacket." Sean looks a little bewildered now. "That's what I said I said.”
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“Sean looks at me then, his eyes bright, in a way that makes me feel out of sorts. I glare back.”
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“Sean pushes up to his feet and stands there. I look at his dirty boots. Now I've offended him, I think. He says, "Other people have never been important to me, Kate Connolly. Puck Connolly." I tip my face up to look at him, finally. The blanket falls off my shoulders, and my hat, too, loosened by the wind. I can't read his expression--his narrow eyes make it difficult. I say, "And now?" Kendrick reaches to turn up the collar on his jacket. He doesn't smile, but he's not as close to frowning as usual. "Thanks for the cake.”
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“I can see her clearly, standing on the rock beside Peg Gratton, unflinching before Eaton and the rest of the race committee. I can't remember when I've been that brave, and it shames me. The truth is, I feel myself being fascinated and repelled by her; She's both a mirror of myself and a door to part of the island that i'm not. It's like when the mare goddess looked into my eye; I felt that there was a part of myself that I didn't know.”
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“I can't really believe that it's over. "I'll speak for her." Every face turns to where Sean Kendrick stands a little apart from the crowd, his arms crossed. "This island runs on courage, not blood," he says. His face is turned towards me, but his eyes are on Eaton and his groups. In the hush after he speaks, I can hear my heart thudding in my ears.”
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“And there is the girl. When I first see her and her dun mare from my vantage point on the cliff road, I am struck first not by the fact that she is a girl, but by the fact that she's in the ocean. it's the dreaded second day, the day people start to die, and no one will get close to the surf. But there she is, trotting up to the knee in the water. Fearless.”
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“Fate," Blue replied, glowering at her mother, "is a very weighty word to throw around before breakfast.”
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“Strangely, I thought of the emotion I ought to feel without feeling it, as impartial as a National Geographic field researcher, carefully watching the events and chronicling them in a notebook. Deirdre finds that she is saddened by the news of her grandmother's death, and moreover, suddenly fears for the rest of her family and friends.”
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