Marcel Duchamp (also known as Rrose Sélavy) was a French artist (he became an American citizen in 1955) whose work and ideas had considerable influence on the development of post-World War I Western art, and whose advice to modern art collectors helped shape the tastes of the Western art world.
While he is most often associated with Dada and Surrealism, his participation in Surrealism was largely behind the scenes, and after being involved in New York Dada, he barely participated in Paris Dada.
Thousands of books and articles attempt to interpret Duchamp's artwork and philosophy, but in interviews and his writing, Duchamp only added to the mystery. The interpretations interested him as creations of their own, and as reflections of the interpreter.
A playful man, Duchamp prodded thought about artistic processes and art marketing, not so much with words, but with actions such as dubbing a urinal "art" and naming it Fountain. He produced relatively few artworks as he quickly moved through the avant-garde rhythms of his time.
“You get my idea. Nothing of "artistic" literature about it, just straight medicine, a universal panacea, a fetish in a sense: if you have a toothache go to your dentist and ask him if he is Dada.”
“Since the tubes of paint used by the artist are manufactured and ready made products we must conclude that all the paintings in the world are 'readymades aided' and also works of assemblage.”
“I realized very soon the danger of repeating indiscriminately (forms of) expression... for the spectator even more than for the artist, art is a habit forming drug and I wanted to protect my (art) against such contamination.”
“The most interesting thing about artists is how they live”
“As soon as we start putting our thoughts into words and sentences everything gets distorted, language is just no damn good—I use it because I have to, but I don’t put any trust in it. We never understand each other.”
“Among our articles of lazy hardware, I recommend the faucet that stops dripping when no one is listening to it.”
“Since a three-dimensional object casts a two-dimensional shadow, we should be able to imagine the unknown four-dimensional object whose shadow we are. I for my part am fascinated by the search for a one-dimensional object that casts no shadow at all.”
“Art is either plagiarism or revolution.”
“To all appearances, the artist acts like a mediumistic being who, from the labyrinth beyond time and space, seeks his way out to a clearing.”
“Destruction is also creation.”
“My idea was to chose an object that wouldn't attract me, either by its beauty or by its ugliness. To find a point of indifference in my looking at it, you see”
“All in all, the creative act is not performed by the artist alone.. the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.”
“I have forced myself to contradict myself in order to avoid conforming to my own taste.”
“I like living, breathing better than working...my art is that of living. Each second, each breath is a work which is inscribed nowhere, which is neither visual nor cerebral, it's a sort of constant euphoria.”
“Three or four drops of height have nothing to do with savageness.”
“Possible reality [is obtained] by slightly bending physical and chemical laws.”
“Do unto others as they wish, but with imagination.”
“Art is not about itself but the attention we bring to it.”
“If a shadow is a two-dimensional projection of the three-dimensional world, then the three-dimensional world as we know it is the projection of the four-dimensional Universe. ”
“What I have in mind is that art may be bad, good or indifferent, but, whatever adjective is used, we must call it art, and bad art is still art in the same way that a bad emotion is still an emotion.”
“I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position. (On giving up art to play chess)”
“The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.”
“I force myself to contradict myself in order to avoid conforming to my own taste.”
“The individual, man as a man, man as a brain, if you like, interests me more than what he makes, because I've noticed that most artists only repeat themselves. ”
“I don't believe in art. I believe in artists.”
“All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.”