Margaret Atwood

“Nothing is more difficult than to understand the dead, I've found; but nothing is more dangerous than to ignore them.”

“But what is a memorial, when you come right down to it, but a commemoration of wounds endured? Endured, and resented. Without memory, there can be no revenge.”

“But unshed tears can turn rancid. So can memory. So can biting your tongue. My bad nights were beginning. I couldn't sleep.”

“I thought my heart was pure. We do like to have such good opinions of our own motives when we're about to do something harmful, to someone else.”

“Most of us will. We'll choose knowledge no matter what, we'll maim ourselves in the process, we'll stick our hands into the flames for it if necessary. Curiosity is not our only motive: love or grief or despair or hatred is what drives us on. We'll spy relentlessly on the dead: we'll open their letters, we'll read their journals, we'll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us--who've left us holding the bag, which is often a good deal emptier than we'd supposed.But what about those who plant such clues, for us to stumble on? Why do they bother? Egotism? Pity? Revenge? A simple claim to existence, like scribbling your initials on a washroom wall? The combination of presence and anonymity--confession without penance, truth without consequences--it has its attractions. Getting the blood off your hands, one way or another.Those who leave such evidence can scarcely complain if strangers come along afterwards and poke their noses into every single thing that would once have been none of their business. And not only strangers: lovers, friends, relations. We're voyeurs, all of us. Why should we assume that anything in the past is ours for the taking, simply because we've found it? We're all grave robbers, once we open the doors locked by others.But only locked. The rooms and their contents have been left intact. If those leaving them had wanted oblivion, there was always fire.”

“I must admit it's a surprise to find myself still here, still talking to you. I prefer to think of it as talking, although of course it isn't: I'm saying nothing, you're hearing nothing. The only thing between us is this black line: a thread thrown onto the empty page, into the empty air.”

“What are we do to? The child sex trade is not for us: our children are unattractive and rude, and - due to the knowledge of our history - have a bad habit of mugging prospective customers and shoving them over cliffs.”

“You're not my real parents, every child has thought. I'm not your real child. But with orphans, it's true. What freedom, to thumb your nose authentically!”

“Where was the threshold, between the inner world and the outer one? We each move unthinkingly through this gateway every day, we use the passwords of grammar--I say, you say, he and she, it, on the other hand, does not say--paying for the privilege of sanity with common coin, with meanings we've agreed on.”

“An unearned income encourages self-pity in those already prone to it.”

“Love is giving, marriage is buying and selling. You can't put love into a contract.”

“But in life, a tragedy is not one long scream. It includes everything that led up to it. Hour after trivial hour, day after day, year after year, and then the sudden moment: the knife stab, the shell burst, the plummet of the car from a bridge.”

“But how else can we live, these days, except in the midst of ruin?”

“I should have known better than to rely on pills. You can't buy unconsciousness quite so cheaply.”

“That's the kind of stories I know. Sad ones. Anyway, taken to it's logical conclusion, every story is sad, because at the end everyone dies.”

“Lose your temper and you lose the fight.”

“To pronounce the name of the dead is to make them live again.”

“More and more I feel like a letter—deposited here, collected there. But a letter addressed to no one.”

“If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength.”

“I find the entrance to the women's washroom...There's a rest area, gently lit in pinkish tones, with several easy chairs and a sofa, in a lime-green bamboo-shoot print, with a wall clock above it in a gold filigree frame. Here they haven't removed the mirror, there's a long one opposite the sofa. You need to know, here, what you look like.”

“On the top of my desk there are initials, carved into the wood, and dates...This carving, done with a pencil dug many times into the warn varnish of the desk, has the pathos of all vanished civilizations. It's like a handprint on stone. Whoever made this was once alive.”

“I was nervous. How was I to know he loved me? It might be just an affair. Why did we ever say just? Though at that time men and women tried each other on, casually, like suits, rejecting whatever did not fit.”

“The tulips along the border are redder than ever, opening, no longer wine cups but chalices; thrusting themselves up, to what end? They are, after all, empty. When they are old they turn themselves inside out, explode slowly, the petals thrown like shards.”

“The small details of life often hide a great significance.”

“Where were we? I've forgotten. He was deciding whether to cut her throat or love her forever.Right. Yes. The usual choices.”

“It is very odd to be standing in a locked room in the Penitentiary, speaking with a strange man about France and Italy and Germany. A travelling man. He must be a wanderer, like Jeremiah the peddler. But Jeremiah travelled to earn his bread, and these other sorts of men are rich enough already. They go on voyages because they are curious. They amble around the world and stare at things, they sail across the oceans as if there's nothing to it at all, and if it goes ill with them in one place they simply pick up and move along to another.”

“Back at home they drew the curtains and read, with disapproval, with relish, with avidity and glee - even the ones who'd never thought of opening a novel before. There's nothing like a shovelful of dirt to encourage literacy.”

“Bless you. Be careful. Anyone intending to meddle with words needs such blessing, such warning.”

“They were both in their own ways earnest; they both wanted to achieve some worthy end or other, change the world for the better. Such alluring, such perilous ideals!”

“The sun was up, the room already too warm. Light filtered in through the net curtains, hanging suspended in the air, sediment in a pond. My head felt like a sack of pulp. Still in my nightgown, damp from some fright I'd pushed aside like foliage, I pulled myself up and out of my tangled bed, then forced myself through the usual dawn rituals - the ceremonies we perform to make ourselves look sane and acceptable to other people. The hair must be smoothed down after whatever apparitions have made it stand on end during the night, the expression of staring disbelief washed from the eyes. The teeth brushed, such as they are. God knows what bones I'd been gnawing in my sleep.”

“Also she went in for culture, which gave her a certain moral authority. It wouldn't now; but people believed, then, that culture could make you better - a better person. They believed it could uplift you, or the women believed it. They hadn't yet seen Hitler at the opera house.”

“I forgave her, of course. I always did; I had to, because there were only the two of us. The two of us on our thorn-encircled island, waiting for rescue; and, on the mainland, everyone else.”

“I sit at the little table, eating creamed corn with a fork. I have a fork and a spoon, but never a knife. When there's meat they cut it up for me ahead of time, as if I'm lacking manual skills or teeth. I have both, however. That's why I'm not allowed a knife.”

“In their dreams they touch, they intertwine, it's more like a collision, and that is the end of flying. They fall to earth, fouled parachutists, botched and cindery angels, love streaming out behind them like torn silk. Enemy groundfire comes up to meet them.”

“Wars happen because the ones who start them think they can win.”

“Death makes me hungry. Maybe it's because I've been emptied; or maybe it's the body's way of seeing to it that I remain alive.”

“Nature demands variety, for men. It stands to reason, it's a part of the procreational strategy. It's Nature's Plan. Women know that instinctively. Why did they buy so many different clothes, in the old days? To trick the men into thinking they were several different women. A new one each day.”

“History is a construct...Any point of entry is possible and all choices are arbitrary. Still there are definitive moments...We can look at these events and say that after them things were never the same again.”

“The leader had a beard and was wearing a caftan that looked as if it had been sewn by elves on hash.”

“But if Crake wanted her to stay longer on any given night, do it again maybe, she'd make some excuse—jet lag, a headache, something plausible. Her inventions were seamless, she was the best poker-faced liar in the world, so there would be a kiss goodbye for stupid Crake, a smile, a wave, a closed door, and the next minute there she would be, with Jimmy.”

“I almost gasp: he's said a forbidden word. Sterile. There is no such thing as a sterile man anymore, not officially. There are only women who are fruitful and women who are barren, that's the law.”

“My life had a tendency to spread, get flabby, to scroll and festoon like the frame of a baroque mirror, which came from following the line of least resistance. I wanted my death, by contrast, to be neat and simple, understated, even a little severe, like a Quaker church or the basic black dress with a single strand of pearls...”

“There's time to spare. This is one of the things I wasn't prepared for - the amount of unfilled time, the long parentheses of nothing. Time as white sound.”

“Can a single ant be said to be alive, in any meaningful sense of the word, or does it only have relevance in terms of its anthill?”

“We'll choose knowledge no matter what, we'll maim ourselves in the process, we'll stick our hands into the flames for it if necessary. Curiosity is not our only motive; love or grief or despair or hatred is what drives us on. We'll spy relentlessly on the dead; we'll open their letters, we'll read their journals, we'll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us--who've left us holding the bag, which is often a good deal emptier than we'd supposed.”

“The ancestral voices were prophesying war because ancestral voices never shut up, and they hate to be wrong, and war is a sure thing, sooner or later.”

“Sympathy from strangers can be ruinous.”

“The Three of them were beautiful, in the way all girls of that age are beautiful. It can't be helped, that sort of beauty, nor can it be conserved; it's a freshness, a plumpness of the cells, that's unearned and temporary, and that nothing can replicate. None of them was satisfied with it, however; already they were making attempts to alter themselves into some impossible, imaginary mould, plucking and pencilling away at their faces. I didn't blame them, having done the same once myself.”

“Stick a shovel in the ground almost anywhere and some horrible thing or other will come to light.”

“You can't help what you feel, Moira said once, but you can help how you behave.”