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Margaret Atwood

Margaret Atwood was born in 1939 in Ottawa and grew up in northern Ontario, Quebec, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College.

Throughout her writing career, Margaret Atwood has received numerous awards and honourary degrees. She is the author of more than thirty-five volumes of poetry, children’s literature, fiction, and non-fiction and is perhaps best known for her novels, which include The Edible Woman (1970), The Handmaid's Tale (1983), The Robber Bride (1994), Alias Grace (1996), and The Blind Assassin, which won the prestigious Booker Prize in 2000. Atwood's dystopic novel, Oryx and Crake, was published in 2003. The Tent (mini-fictions) and Moral Disorder (short stories) both appeared in 2006. Her most recent volume of poetry, The Door, was published in 2007. Her non-fiction book, Payback: Debt and the Shadow Side of Wealth ­ in the Massey series, appeared in 2008, and her most recent novel, The Year of the Flood, in the autumn of 2009. Ms. Atwood's work has been published in more than forty languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian. In 2004 she co-invented the Long Pen TM.

Margaret Atwood currently lives in Toronto with writer Graeme Gibson.

Associations: Margaret Atwood was President of the Writers' Union of Canada from May 1981 to May 1982, and was President of International P.E.N., Canadian Centre (English Speaking) from 1984-1986. She and Graeme Gibson are the Joint Honourary Presidents of the Rare Bird Society within BirdLife International. Ms. Atwood is also a current Vice-President of PEN International.


“I was unfair to him, of course, but where would I have been without unfairness? In thrall, in harness. Young women need unfairness, it's one of their few defenses. They need their callousness, they need their ignorance. They walk in the dark, along the edges of high cliffs, humming to themselves, thinking themselves invulnerable.”
Margaret Atwood
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“We have begun to slam doors, and to throw things. I throw my purse, an ashtray, a package of chocolate chips, which breaks on impact. We are picking up chocolate chips for days. Jon throws a glass of milk, the milk, not the glass: he knows his own strength, as I do not. He throws a box of Cheerios, unopened.The things I throw miss, although they are worse things. The things he throws hit, but are harmless.I begin to see how the line is crossed, between histrionics and murder.”
Margaret Atwood
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“it was about men, the kind who caused women to fall. I did not ascribe any intentions to these men. They were like the weather, they didn't have a mind. They merely drenched you or struck you like lightning and moved on, mindless as blizzards. Or they were like rocks, a line of sharp slippery rocks with jagged edges. You could walk with care along between the rocks, picking your steps, and if you slipped you'd fall and cut yourself, but it was no use blaming the rocks.That must be what was meant by fallen women. Fallen women were women who had fallen onto men and hurt themselves. There was some suggestion of downward motion, against one's will and not with the will of anyone else. Fallen women were not pulled-down women or pushed women, merely fallen. Of course there was Eve and the Fall; but there was nothing about falling in that story, which was only about eating, like most children's stories.”
Margaret Atwood
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“In pictures like these there are always empty shoes. It's the shoes that get to me. Sad, that innocent daily task - putting your shoes on your feet, in the firm belief that you'll be going somewhere.”
Margaret Atwood
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“Writing of the narrative kind, and perhaps all writing, is motivated deep down, by a fear or and fascination with mortality - by a desire to make the risky trip to the underworld and to bring something or someone back from the dead. ”
Margaret Atwood
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“We have been shark to one another, but also lifeboat.”
Margaret Atwood
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“Love was like a steamroller. There was no avoiding it, it went over you and you came out flat.”
Margaret Atwood
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“You can only be jealous of someone who has something you think you ought to have yourself.”
Margaret Atwood
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“Because you are never herebut always there, I forgetnot you but what you look likeYou drift down the streetin the rain, your facedissolving, changing shape, the coloursrunning togetherMy walls absorbyou, breathe you forthagain, you resumeyourself, I do not recognize youYou rest on the bedwatching me watchingyou, we will never knoweach other any betterthan we do now”
Margaret Atwood
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“Rezábamos por la vacuidad, para hacernos dignas de ser llenadas: de gracia, de amor, de abnegación, de semen y de niños.Oh, Dios, Rey del universo, gracias por no haberme hecho hombre.Oh, Dios, destrúyeme. Házme fértil. Mortifica mi carne para que pueda multiplicarme. Permite que me realice…”
Margaret Atwood
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“Nevertheless, blood is thicker than water, as anyone knows who has tasted both.”
Margaret Atwood
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“It's Paradise, but we can't get out of it. And anything you can't get out of is Hell.”
Margaret Atwood
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“I suppose it's everyone's fate to be reduced to quaintness by those younger than themselves.”
Margaret Atwood
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“Human understanding is fallible, and we see through a glass, darkly. Any religion is a shadow of God. But the shadows of God are not God.”
Margaret Atwood
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“Without the light, no chance; without the dark, no dance.”
Margaret Atwood
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“That was when they suspended the Constitution. They said it would be temporary. There wasn't even any rioting in the streets. People stayed home at night, watching television, looking for some direction. There wasn't even an enemy you could put your finger on.”
Margaret Atwood
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“As we know from the study of history, no new system can impose itself upon a previous one without incorporating many of the elements to be found in the latter...”
Margaret Atwood
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“I used to think of my body as an instrument, of pleasure, or a means of transportation, or an implement for the accomplishment of my will.”
Margaret Atwood
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“How were we to know we were happy?”
Margaret Atwood
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“I'm not senile," I snapped. "If I burn the house down it will be on purpose.”
Margaret Atwood
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“I was taking something away from her, although she didn't know it. I was filching. Never mind that it was something she apparently didn't want or had no use for, had rejected even; still, it was hers, and if I took it away, this mysterious "it" I couldn't quite define.”
Margaret Atwood
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“All you have to do, I tell myself, is keep your mouth shut and look stupid. It shouldn't be that hard.”
Margaret Atwood
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“Neither of us says the word love, not once. It would be tempting fate; it would be romance, bad luck.”
Margaret Atwood
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“We were the people who were not in the papers. We lived in the blank white spaces at the edges of print. It gave us more freedom.We lived in the gaps between the stories.”
Margaret Atwood
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“For years I wanted to be older, and now I am.”
Margaret Atwood
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“Just what the doctor ordered, he says. A bottle of lemonade, a hard-boiled egg, and Thou.”
Margaret Atwood
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“But in the end, back she comes. There's no use resisting. She goes to him for amnesia, for oblivion. She renders herself up, is blotted out; enters the darkness of her own body, forgets her name. Immolation is what she wants, however briefly. To exist without boundaries.”
Margaret Atwood
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“People cry at weddings for the same reason they cry at happy endings: because they so desperately want to believe in something they know is not credible.”
Margaret Atwood
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“What do you want me to do?” he whispers into the empty air.It’s hard to know.Oh Jimmy, you were so funny.Don’t let me down.From habit he lifts his watch; it shows him its blank face.Zero hour, Snowman thinks. Time to go.”
Margaret Atwood
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“a handful of crumpled stars”
Margaret Atwood
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“...there was little that was truly original or indigenous to Gilead. Its genius was synthesis.”
Margaret Atwood
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“A rat in a maze is free to go anywhere, as long as it stays inside the maze.”
Margaret Atwood
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“I have a fork and a spoon, but never a knife… as if I’m lacking manual skills or teeth. I have both, however. That’s why I’m not allowed a knife.”
Margaret Atwood
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“The night is mine, my own time, to do with it as I will, as long as I am quiet. As long as I don't move. As long as I lie still. The difference between lie and lay. Lay is always passive.”
Margaret Atwood
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“As it says in the Bible, For now we through a glass, darkly; but then face to face. If it is face to face, there must be two looking.”
Margaret Atwood
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“Myths can't be translated as they did in their ancient soil. We can only find our own meaning in our own time. ”
Margaret Atwood
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“A man is just a woman's strategy for making other women.”
Margaret Atwood
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“The bell that measures time is ringing”
Margaret Atwood
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“like a pathway through a forest, like a carpet for royalty, it shows me the way”
Margaret Atwood
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“her face might be kindly if she would smile”
Margaret Atwood
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“A Sister, dipped in blood”
Margaret Atwood
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“This is what I miss, Cordelia: not something that’s gone, but something that will never happen. Two old women giggling over their tea.”
Margaret Atwood
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“When they came to harvest my corpse(open your mouth, close your eyes)cut my body from the rope,surprise, surprise:I was still alive.Tough luck, folks,I know the law:you can't execute me twicefor the same thing. How nice.I fell to the clover, breathed it in,and bared my teeth at themin a filthy grin.You can imagine how that went over.Now I only need to lookout at them through my sky-blue eyes.They see their own ill willstaring then in the foreheadand turn tailBefore, I was not a witch.But now I am one.”
Margaret Atwood
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“I try to congure, to raise my own spirits, from wherever they are. I need to remember what they look like. I try to hold them still behind my eyes, their faces, like pictures in an album. But they won't stay still for me, they move, there's a smile and it's gone, their features curl and bend as if the paper's burning, blackness eats them. A glimpse, a pale shimmer on the air; a glow, aurora, dance of electrons, then a face again, faces. But they fade, though I stretch out my arms towards them, they slip away from me, ghosts at daybreak. Back to wherever they are. Stay with me, I want to say. But they won't.It's my fault. I am forgetting too much.”
Margaret Atwood
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“His father was self-made, but his mother was constructed by others, and such edifices are notoriously fragile.”
Margaret Atwood
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“When you are in the middle of a story it isn't a story at all, but only a confusion; a dark roaring, a blindness, a wreckage of shattered glass and splintered wood; like a house in a whirlwind, or else a boat crushed by the icebergs or swept over the rapids, and all aboard powerless to stop it. It's only afterwards that it becomes anything like a story at all. When you are telling it, to yourself or to someone else.”
Margaret Atwood
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“The answers you get from literature depend on the questions you pose.”
Margaret Atwood
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“Now I wanted to be acknowledged, but I feared it.”
Margaret Atwood
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“I wanted to forget the past, but it refused to forget me; it waited for sleep, then cornered me.”
Margaret Atwood
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“There's something to be said for hunger: at least it lets you know you're still alive.”
Margaret Atwood
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