Margaret Atwood was born in 1939 in Ottawa and grew up in northern Ontario, Quebec, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College.
Throughout her writing career, Margaret Atwood has received numerous awards and honourary degrees. She is the author of more than thirty-five volumes of poetry, children’s literature, fiction, and non-fiction and is perhaps best known for her novels, which include The Edible Woman (1970), The Handmaid's Tale (1983), The Robber Bride (1994), Alias Grace (1996), and The Blind Assassin, which won the prestigious Booker Prize in 2000. Atwood's dystopic novel, Oryx and Crake, was published in 2003. The Tent (mini-fictions) and Moral Disorder (short stories) both appeared in 2006. Her most recent volume of poetry, The Door, was published in 2007. Her non-fiction book, Payback: Debt and the Shadow Side of Wealth in the Massey series, appeared in 2008, and her most recent novel, The Year of the Flood, in the autumn of 2009. Ms. Atwood's work has been published in more than forty languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian. In 2004 she co-invented the Long Pen TM.
Margaret Atwood currently lives in Toronto with writer Graeme Gibson.
Associations: Margaret Atwood was President of the Writers' Union of Canada from May 1981 to May 1982, and was President of International P.E.N., Canadian Centre (English Speaking) from 1984-1986. She and Graeme Gibson are the Joint Honourary Presidents of the Rare Bird Society within BirdLife International. Ms. Atwood is also a current Vice-President of PEN International.
“We thought we were running away from the grownups, and now we are the grownups.”
“Time folds you in its arms and gives you one last kiss, and then it flattens you out and folds you up and tucks you away until it's time for you to become someone else's past time, and then time folds again.”
“Perhaps its not the world that is soundless but we who are deaf.”
“We want to get there faster. Get where? Wherever we are not. But a human soul can only go as fast as a man can walk, they used to say. In that case, where are all the souls? Left behind. They wander here and there, slowly, dim lights flickering in the marshes at night, looking for us. But they're not nearly fast enough, not for us, we're way ahead of them, they'll never catch up. That's why we can go so fast: our souls don't weigh us down.”
“If you want what's in the package you should at least know how to get the string off, is what I say.”
“All observations of life are harsh, because life is. I lament that fact, but I cannot change it.”
“A home filled with nothing but yourself. It's heavy, that lightness. It's crushing, that emptiness.”
“The truth is seldom welcome, especially at dinner.”
“All stories are about wolves. All worth repeating, that is. Anything else is sentimental drivel.All of them?Sure, he says. Think about it. There's escaping from the wolves, fighting the wolves, capturing the wolves, taming the wolves. Being thrown to the wolves, or throwing others to the wolves so the wolves will eat them instead of you. Running with the wolf pack. Turning into a wolf. Best of all, turning into the head wolf. No other decent stories exist.”
“We still think of a powerful man as a born leader and a powerful woman as an anomaly.”
“Never pray for justice, because you might get some.”
“Who is to say that prayers have any effect? On the other hand, who is to say they don't? I picture the gods, diddling around on Olympus, wallowing in the nectar and ambrosia and the aroma of burning bones and fat, mischievous as a pack of ten-year-olds with a sick cat to play with and a lot of time on their hands. 'Which prayer shall we answer today?' they ask one another. 'Let's cast the dice! Hope for this one, despair for that one, and while we're at it, let's destroy the life of that woman over there by having sex with her in the form of a crayfish!' I think they pull a lot of their pranks because they're bored.”
“So much for endings. Beginnings are always more fun. True connoisseurs, however, are known to favor the stretch in between, since it's the hardest to do anything with. That's about all that can be said for plots, which anyway are just one thing after another, a what and a what and a what.”
“Falling in love, we said; I fell for him. We were falling women. We believed in it, this downward motion: so lovely, like flying, and yet at the same time so dire, so extreme, so unlikely. God is love, they once said, but we reversed that, and love, like heaven, was always just around the corner. The more difficult it was to love the particular man beside us, the more we believed in Love, abstract and total. We were waiting, always, for the incarnation. That word, made flesh.And sometimes it happened, for a time. That kind of love comes and goes and is hard to remember afterwards, like pain. You would look at the man one day and you would think, I loved you, and the tense would be past, and you would be filled with a sense of wonder, because it was such an amazing and precarious and dumb thing to have done; and you would know too why your friends had been evasive about it, at the time.There is a good deal of comfort, now, in remembering this.”
“She wasn't ready to settle down, she told her friends. That was one way of putting it. Another was would have been that she had not found anyone to settle down with. There had been several men in her life, but they hadn't been convincing. They'd been somewhat like her table - quickly acquired, brightened up a little, but temporary. The time for that kind of thing was running out, however. She was tired of renting.”
“I thought everyone would be familiar with this figure: if I'd studied a thing in school I assumed it was general knowledge. I hadn't yet discovered that I lived in a sort of transparent balloon, drifting over the world without making much contact with it, and that the people I knew appeared to me at a different angle from the one at which they appeared to themselves; and that the reverse was also true. I was smaller to others, up there in my balloon, than I was to myself. I was also blurrier.”
“I am not a saint or a cripple,I am not a wound; now I will seewhether I am a coward.”
“Why is it we want so badly to memorialize ourselves? Even while we're still alive. We wish to assert our existence, like dogs peeing on fire hydrants.”
“Life Stories: Why hunger for these? One, it fits a hunger. Maybe it is more like bossiness. Maybe we just want to be in charge of the life, no matter who lived it...”
“Without the protection of surliness and levity, all children would be crushed by the past—the past of others, loaded onto their shoulders. Selfishness is their saving grace.”
“One of the gravestones in the cemetery near the earliest church has an anchor on it and an hourglass, and the words In Hope.In Hope. Why did they put that above a dead person? Was it the corpse hoping, or those still alive?”
“No more photos. Surely there are enough. No more shadows of myself thrown by light onto pieces of paper, onto squares of plastic. No more of my eyes, mouths, noses, moods, bad angles. No more yawns, teeth, wrinkles. I suffer from my own multiplicity. Two or three images would have been enough, or four, or five. That would have allowed for a firm idea: This is she. As it is, I'm watery, I ripple, from moment to moment I dissolve into my other selves. Turn the page: you, looking, are newly confused. You know me too well to know me. Or not too well: too much.”
“I planned my death carefully, unlike my life, which meandered along from one thing to another, despite my feeble attempts to control it.”
“I read for pleasure and that is the moment I learn the most.”
“I could end this with a moral,as if this were a fable about animals,though no fables are really about animals.”
“He has been trying to singLove into existence againAnd he has failed”
“I wonder which is preferable, to walk around all your life swollen up with your own secrets until you burst from the pressure of them, or to have them sucked out of you, every paragraph, every sentence, every word of them, so at the end you're depleted of all that was once as precious to you as hoarded gold, as close to you as your skin - everything that was of the deepest importance to you, everything that made you cringe and wish to conceal, everything that belonged to you alone - and must spend the rest of your days like an empty sack flapping in the wind, an empty sack branded with a bright fluorescent label so that everyone will know what sort of secrets used to be inside you?”
“The willow is full plumage and is no help, with its insinuating whispers.Rendevous, it says. Terraces;the sibilants run up my spine, a shiver as if in fever. The summer dress rustles against the flesh of my thighs, the grass grows underfoot, at the edges of my eyes there are movements, in the branches; feathers, flittings, grace notes, tree into bird, metamorphosis run wild. Goddesses are possible now and the air suffuses with desire...Winter is not so dangerous. I need hardness, cold, rigidity; not this heaviness, as if I'm a melon on a stem, this liquid ripeness. ”
“Then we had the irises, rising beautiful and cool on their tall stalks, like blown glass, like pastel water momentarily frozen in a splash, light blue, light mauve, and the darker ones, velvet and purple, black cat's ears in the sun, indigo shadow, and the bleeding hearts, so female in shape it was a surprise they'd not long since been rooted out. There is something subversive about this garden of Serena's, a sense of buried things bursting upwards, wordlessly, into the light, as if to point, to say: Whatever is silenced will clamor to be heard, though silently.”
“Jimmy, look at it realistically. You can't couple a minimum access to food with an expanding population indefinitely. Homo sapiens doesn't seem to be able to cut himself off at the supply end. He's one of the few species that doesn't limit reproduction in the face of dwindling resources. In other words - and up to a point, of course - the less we eat, the more we fuck.""How to do you account for that?" said Jimmy"Imagination," said Crake. "Men can imagine their own deaths...human beings hope they can stick their souls into someone else...and live on forever.”
“I'd like another dimension of space, and also the tombs and the dead women, please.”
“The proper study of Mankind is Everything.”
“To take that risk, to offer life and remain alive, open yourself like this and become whole.”
“Another belief of mine: that everyone else my age is an adult, whereas I am merely in disguise.”
“As all historians know, the past is a great darkness, and filled with echoes. Voices may reach us from it; but what they say to us is imbued with the obscurity of the matrix out of which they come; and try as we may, we cannot always decipher them precisely in the clearer light of our day.”
“Gardening is not a rational act.”
“Every habit he's ever had is still there in his body, lying dormant like flowers in the desert. Given the right conditions, all his old addictions would burst into full and luxuriant bloom.”
“The world is being run by people my age, men my age, with falling-out hair and health worries, and it frightens me. When the leaders were older than me I could believe in their wisdom, I could believe they had transcended rage and malice and the need to be loved. Now I know better. I look at the faces in newspapers, in magazines, and wonder: what greeds, what furies drive them on?”
“Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened.”
“Imagine a famine. Now imagine a piece of bread. Both of these things are real but you happen to be in the same room with only one of them. Put yourself into a different room, that’s what the mind is for.”
“There is something reassuring about the toilets. Bodily functions at least remain democratic. Everybody shits.”
“The Eskimo has fifty-names for snow because it is important to them; there ought to be as many for love.”
“You fit into melike a hook into an eyea fish hookan open eye”
“Ignoring isn’t the same as ignorance, you have to work at it.”
“Romance takes place in the middle distance. Romance is looking in at yourself through a window clouded with dew. Romance means leaving things out: where life grunts and shuffles, romance only sighs.”
“Inside the peach, there is a stone.”
“Roz added sheep to Heaven. They would be outside the window, naturally.”
“Genius is an infinite capacity for causing pain.”
“The heart of Jesus glowed, because it was holy. Holy things glowed in general.”
“What fiendishness went on in kitchens across the country, in the name of providing food!”