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Margaret Atwood

Margaret Atwood was born in 1939 in Ottawa and grew up in northern Ontario, Quebec, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College.

Throughout her writing career, Margaret Atwood has received numerous awards and honourary degrees. She is the author of more than thirty-five volumes of poetry, children’s literature, fiction, and non-fiction and is perhaps best known for her novels, which include The Edible Woman (1970), The Handmaid's Tale (1983), The Robber Bride (1994), Alias Grace (1996), and The Blind Assassin, which won the prestigious Booker Prize in 2000. Atwood's dystopic novel, Oryx and Crake, was published in 2003. The Tent (mini-fictions) and Moral Disorder (short stories) both appeared in 2006. Her most recent volume of poetry, The Door, was published in 2007. Her non-fiction book, Payback: Debt and the Shadow Side of Wealth ­ in the Massey series, appeared in 2008, and her most recent novel, The Year of the Flood, in the autumn of 2009. Ms. Atwood's work has been published in more than forty languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian. In 2004 she co-invented the Long Pen TM.

Margaret Atwood currently lives in Toronto with writer Graeme Gibson.

Associations: Margaret Atwood was President of the Writers' Union of Canada from May 1981 to May 1982, and was President of International P.E.N., Canadian Centre (English Speaking) from 1984-1986. She and Graeme Gibson are the Joint Honourary Presidents of the Rare Bird Society within BirdLife International. Ms. Atwood is also a current Vice-President of PEN International.


“When did the body first set out on its own adventures? Snowman thinks; after having ditched its old travelling companions, the mind and the soul, for whom it had once been considered a mere corrupt vessel or else a puppet acting out their dramas for them, or else bad company, leading the other two astray. it must have got tired of the soul’s constant nagging and whining and the anxiety-driven intellectual web-spinning of the mind, distracting it whenever it was getting its teeth into something juicy or its fingers into something good. It had dumped the other two back there somewhere, leaving them stranded in some damp sanctuary or stuffy lecture hall while it made a beeline for the topless bars, and it had dumped culture along with them: music and painting and poetry and plays. Sublimation, all of it; nothing but sublimation, according to the body. Why not cut to the chase?But the body had its own cultural forms. It had its own art. Executions were its tragedies, pornography was its romance.”
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“Jimmy found himself wishing to make a dent in Crake, get a reaction; it was one of his weaknesses, to care what other people thought of him.”
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“Jimmy had been full of himself back then, thinks Snowman with indulgence and a little envy. He’d been unhappy too, of course. It went without saying, his unhappiness. He’d put a lot of energy into it.”
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“There were pockets within pockets, with a CorpSeCorps hand in each one of them.”
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“If you really want to stay the same age you are now forever and ever, she'd be thinking, try jumping off the roof: death's a sure-fire method for stopping time.”
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“I would like to believe this is a story I’m telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it’s a story I’m telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.”
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“A bachelor, a studio, those were the names for that kind of apartment. Separate entrance it would say in the ads, and that meant you could have sex, unobserved.”
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“Not real can tell us about real.”
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“I am tempted to think that to be despised by her sex is a very great compliment to a woman.”
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“Children were vehicles for passing things along. These things could be kingdoms, rich wedding gifts, stories, grudges, blood feuds. Through children, alliances were forged; through children, wrongs were avenged. To have a child was to set loose a force in the world.”
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“Hunger is the best sauce.”
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“You can forget who you are if you're alone too much.”
Margaret Atwood
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“Arboreal, a fine word. Our arboreal ancestors, Crake used to say. Used to shit on their enemies from above while perched in trees. All planes and rockets and bombs are simply elaborations on that primate instinct.”
Margaret Atwood
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“Which does a man prefer? Bacon and eggs, or worship? Sometimes one, sometimes the other, depending how hungry he is.”
Margaret Atwood
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“it's doors I'm afraid of because I can't see through them, its the door opening by itself in the wind I'm afraid of.”
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“Second-hand American was spreading over him in patches, like mange or lichen. He was infested, garbled, and I couldn't help him: it would take such time to heal, unearth him, scrape down to where he was true.”
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“speech to him was a task, a battle, words mustered behind his beard and issued one at a time, heavy and square like tanks.”
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“Being socially retarded is like being mentally retarded, it arouses in others disgust and pity and the desire to torment and reform.”
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“You shouldn't do that," said Laura. "You could set yourself on fire.”
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“On the whole she fares better with the men, if they can work their way past the awkward preliminaries; if they can avoid calling her "little lady," or saying they weren't expecting her to be so feminine, by which they mean short. Though only the most doddering ones do that any more. If she weren't so tiny, though, she'd never get away with it. If she were six feet tall and built like a blockhouse; if she had hips. Then she'd be threatening, then she'd be an Amazon. It's the incongruity that grants her permission. A breath would blow you away, they beam down at her silently. You wish, thinks Tony, smiling up. Many have blown.”
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“I stand in the dark, start to unbutton. Then I hear something inside my body. I've broken, something has cracked, that must be it. Noise is coming up, coming out, of the broken place, in my face. Without warning: I wasn't thinking about here or there or anywhere. If I let the noise get out into the air it will be laughter, too loud, too much of it, someone is bound to hear.”
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“A writer's age at the time of a work's composition is never irrelevant.”
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“Amazing how the heart clutches at anything familiar, whimpering Mine!Mine!”
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“What restless woman can resist a man with a shovel in one hand and a glowing rose bush in the other, and a moderately crazed glitter in his eyes that might be mistaken for love?”
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“It's better to hope than mope!”
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“By now you must have guessed: I come from another planet. But I will never say to you, Take me to your leaders. Even I - unused to your ways though I am - would never make that mistake. We ourselves have such beings among us, made of cogs, pieces of paper, small disks of shiny metal, scraps of coloured cloth. I do not need to encounter more of them.Instead I will say, Take me to your trees. Take me to your breakfasts, your sunsets, your bad dreams, your shoes, your nouns. Take me to your fingers; take me to your deaths.These are worth it. These are what I have come for.”
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“Why are we designed to see the world as supremely beautiful just as we're about to be snuffed? Do rabbits feel the same as the fox teeth bite down on their necks? Is it mercy?”
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“Via the conduit of a wild dog pack, she has now made the ultimate Gift to her fellow Creatures, and has become part of God's great dance of proteins.”
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“Anyway, maybe there weren't any solutions. Human society, corpses and rubble. It never learned, it made the same cretinous mistakes over and over, trading short-term gain for long-term pain.”
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“but nothing I ever gave was good for you;it was like white bread to goldfish.they cram and cram, and it kills them,and they drift in the pool, belly-up,making stunned facesand playing on our guiltas if their own toxic gluttonywas not their own faultthere you are, still outside the window,still with your hands out, stillpallid and fish-eyed, still actingstupidly innocent and starved.”
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“Time: old cold time, old sorrow, settling down in layers like silt in a pond.”
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“We've learned to see the world in gasps.”
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“I want, I don’t want.How can one live with such a heart?”
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“Yesterday I went to the doctor, to see about these dizzy spells. He told me that I have developed what used to be called a heart, as if healthy people didn’t have one. It seems I will not after all keep on living forever, merely getting smaller and greyer and dustier, like Sibyl in her bottle. Having long ago whispered I want to die, I now realise that this wish will indeed be fulfilled, and sooner rather than later. No matter that I’ve changed my mind.”
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“Nobody nowhere knows what time it is.”
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“Water does not resist. Water flows. When you plunge your hand into it, all you feel is a caress. Water is not a solid wall, it will not stop you. But water always goes where it wants to go, and nothing in the end can stand against it. Water is patient. Dripping water wears away a stone. Remember that, my child. Remember you are half water. If you can't go through an obstacle, go around it. Water does.”
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“Even sex was no longer what it had once been, though he was still as addicted to it as ever. He felt jerked around by his own dick, as if the rest of him was merely an inconsequential knob that happened to be attached to one end of it. Maybe the thing would be happier if left to roam around on its own.”
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“So this was the rest of his life. It felt like a party to which he'd been invited, but at an address he couldn't actually locate. Someone must be having fun at it, this life of his; only, right at the moment, it wasn't him.”
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“His mouth is on me, his hands, I can't wait and he's moving, already, love, it's been so long, I'm alive in my skin, again, arms around him, falling and water softly everywhere, never-ending.”
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“If I thought this would never happen again I would die. But this is wrong, nobody dies from lack of sex. It's lack of love we die from.”
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“We are a society dying, said Aunt Lydia, of too much choice.”
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“The French are connoisseurs of sadness, they know all kinds. This is why they have bidets.”
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“How I would like to have them back, those pointless afternoons - the boredom, the aimlessness, the unformed possibilities.”
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“From any rational point of view I am absurd; but there are no longer any rational points of view.”
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“I didn't know I was about to be left with her idea of me; with her idea of my goodness pinned onto me like a badge and no chance to throw it back at her (as would have been the normal course of affairs with a mother and a daughter—if she'd lived, as I'd grown older).”
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“Axiom: you are a sea. Your eye-lids curve over chaosMy handswhere they touch you, createsmall inhabited islandssoon you will beall earth: a known land, a country.”
Margaret Atwood
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“Your friend is intellectually honourable," Jimmy's mother would say. "He doesn't lie to himself.”
Margaret Atwood
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“Blondes are like white mice, you only find them in cages. They wouldn’t last long in nature. They’re too conspicuous.”
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“I could see how you could do extreme things for the person you loved. Adam One said that when you loved a person, that love might not always get returned the way you wanted, but it was a good thing anyway because love went out all around you like an energy wave, and a creature you didn't know would be helped by it.”
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“What she read was a series of short connected lyrics, “Isis in Darkness.” The Egyptian Queen of Heaven and Earth was wandering in the Underworld, gathering up pieces of the murdered and dismembered body of her lover Osiris. At the same time, it was her own body she was putting back together; and it was also the physical universe. She was creating the universe by an act of love.”
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