Margaret Atwood

“All this talking, this rather liquid confessing, was something I didn't think I could ever bring myself to do. It seemed foolhardy to me, like an uncooked egg deciding to to come out of its shell: there would be a risk of spreading out too far, turning into a formless puddle.”

“These things sneak up on him for no reason, these flashes of irrational happiness. It's probably a vitamin deficiency.”

“My red skirt is hitched up to my waist, though no higher. Below it the Commander is fucking. What he is fucking is the lower part of my body.”

“I follow suit, said the lion, vacating his coat of arms and movie logos; and the eagle said, Get me off this flag.”

“A puff of air—whuff!—hits his ears, blows out the candle. He can't be bothered relighting it, because the bourbon is taking over. He'd rather stay in the dark. He can sense Oryx drifting towards him on her soft feathery wings. Any moment now she'll be with him. He sits crouched in the chair with his head down on the desk and his eyes closed, in a state of misery and peace.”

“But the adjectives change,” said Jimmy. “Nothing’s worse than last year’s adjectives.”

“Why is it he feels some line has been crossed, some boundary transgressed? How much is too much, how far is too far?”

“When any civilization is dust and ashes," he said, "art is all that's left over. Images, words, music. Imaginative structures. Meaning—human meaning, that is—is defined by them. You have to admit that.”

“You can’t buy it, but it has a price,” said Oryx. “Everything has a price.”

“It was a question now, rather than a statement; a question with no answer.”

“All of this was understood, and if not condoned, at least pardoned.”

“friendship was always contingent.”

“So many crucial events take place behind people’s backs, when they aren’t in a position to watch: birth and death, for instance. And the temporary oblivion of sex.”

“Ordinary, said Aunt Lydia, is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary.”

“Truly amazing, what people can get used to, as long as there are a few compensations.”

“If you worked out enough, maybe the man would too. Maybe you would be able to work it out together, as if the two of you were a puzzle that could be solved; otherwise, one of you, most likely the man, taking his addictive body with him and leaving you with bad withdrawal, which you could counteract by exercise. If you didn't work it out it was because one of you had the wrong attitude.”

“you don’t know won’t hurt you. A dubious maxim: sometimes what you don’t know can hurt you very much.”

“The cicadas pierce the air with their searing one-note calls; dust eddies across the roads; from the weedy patches at the verges, grasshoppers whir. The leaves of the maples hang from their branches like limp gloves; on the sidewalk my shadow crackles.”

“Once in a while, Jimmy would make up a word but he never once got caught out. ... He should have been pleased by his success with these verbal fabrications, but instead he was depressed by it. The memos telling him he'd done a good job meant nothing to him; all they proved was that no one was capable of appreciating how clever he had been. He came to understand why serial killers sent helpful clues to the police.”

“At school, he enacted a major piece of treachery against his parents. His right hand was Evil Dad, and his left was Righteous Mom. Evil Dad blustered and theorized and dished out pompous bullshit. Righteous Mom complained and accused. In Righteous Mom's cosmology, Evil Dad was the sole source of hemmoroids, kleptomania, global conflict, bad breath, tectonic-plate fault lines, and clogged drains, as well as every migraine headache and menstrual cramp Righteous Mom had ever suffered.”

“He has to find more and better ways of occupying his time. His time, what a bankrupt idea, as if he's been given a box of time belonging to him alone, stuffed to the brim with hours and minutes that he can spend like money. Trouble is, the box has holes in it and the time is running out, no matter what he does with it.”

“Here is a handfulof shadow I have brought back to you:this decay, this hope, this mouth-ful of dirt, this poetry.”

“...the values ascribed to the Indian will depend on what the white writer feels about Nature, and America has always had mixed feelings about that. At one end of the spectrum is Thoreau, wishing to immerse himself in swamps for the positive vibrations; at the other end is Benjamin Franklin, who didn't like Nature. [p.91]”

“What else can I do? Once you've gone this far you aren't fit for anything else. Something happens to your mind. You're overqualified, overspecialized, and everybody knows it. Nobody in any other game would be crazy enough to hire me. I wouldn't even make a good ditch-digger, I'd start tearing apart the sewer-system, trying to pick-axe and unearth all those chthonic symbols - pipes, valves, cloacal conduits... No, no. I'll have to be a slave in the paper-mines for all time.”

“I won't fatten them in cages, though. I won't ply them with poisoned fruit items. I won't change them into clockwork images or talking shadows. I won't drain out their life's blood. They can do all those things for themselves.”

“She goes off to see a shrink, to see if she can improve herself, make herself over into a new woman, one who no longer gives a shit. She would like that. The shrink is a nice person; Roz likes her. Together the two of them labor over Roz's life as if it's a jigsaw puzzle, a mystery story with a solution at the end. They arrange and rearrange the pieces, trying to get them to come out better. They are hopeful: if Roz can figure out what story she's in, then they will be able to spot the erroneous turns she took, they can retrace her steps, they can change the ending. They work out a tentative plot.”

“I believe that everyone else my age is an adult whereas I am merely in disguise.”

“Nothing changes instantaneously: in a gradually heating bathtub you'd be boiled to death before you knew it.”

“I tell, therefore you are.”

“Every time the women appear, Snowman is astonished all over again. They're every known colour from the deepest black to whitest white, they're various heights, but each one of them is admirably proportioned. Each is sound of tooth, smooth of skin. No ripples of fat around their waists, no bulges, no dimpled orange-skin cellulite on their thighs. No body hair, no bushiness. They look like retouched fashion photos, or ads for a high priced workout program.Maybe this is the reason that these women arouse in Snowman not even the faintest stirrings of lust. It was the thumbprints of human imperfection that used to move him, the flaws in the design: the lopsided smile, the wart next to the navel, the mole, the bruise. These were the places he'd single out, putting his mouth on them. Was it consolation he'd had in mind, kissing the wound to make it better? There was always an element of melancholy involved in sex. After his indiscriminate adolescence he'd preferred sad women, delicate and breakable, women who'd been messed up and who needed him. He'd liked to comfort them, stroke them gently at first, reassure them. Make them happier, if only for a moment. Himself too, of course; that was the payoff. A grateful woman would go the extra mile. But these new women are neither lopsided nor sad: they're placid, like animated statues. They leave him chilled.”

“But maybe boredom is erotic, when women do it, for men.”

“She must have heard the door opening and closing in the middle of the night; she produces a smile, warm, conspiratorial, and I know what circuits are closing in her head: by screwing Joe she's brought us back together. Saving the world, everyone wants to; men think they can do it with guns, women with their bodies, love conquers all, conquerors love all, mirages raised by words.”

“The moment of betrayal is the worst, the moment when you know beyond any doubt that you've been betrayed: that some other human being has wished you that much evil”

“Now we come to forgiveness. Don't worry about forgiving me right now. There are more important things. For instance: keep the others safe, if they are safe. Don't let them suffer too much. If they have to die, let it be fast. You might even provide a Heaven for them. We need You for that. Hell we can make for ourselves.”

“If your not annoying somebody, you're not alive.”

“We thought we had such problems. How were we to know we were happy?”

“Soon it will be daybreak. Soon the day will break. I can't stop it from breaking in the same way it always does, and then from lying there broken; always the same day, which comes around again like clockwork. It begins with the day before the day before, and then the day before, and then it's the day itself. A Saturday. The breaking day. The day the butcher comes.”

“I've learned quite a lot, over the years, by avoiding what I was supposed to be learning.”

“Sanity is a valuable possesion; I hoard it the way people once hoarded money. I save it, so I will have enough, when the time comes.”

“I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.”

“We ate the birds. We ate them. We wanted their songs to flow up through our throats and burst out of our mouths, and so we ate them. We wanted their feathers to bud from our flesh. We wanted their wings, we wanted to fly as they did, soar freely among the treetops and the clouds, and so we ate them. We speared them, we clubbed them, we tangled their feet in glue, we netted them, we spitted them, we threw them onto hot coals, and all for love, because we loved them. We wanted to be one with them. We wanted to hatch out of clean, smooth, beautiful eggs, as they did, back when we were young and agile and innocent of cause and effect, we did not want the mess of being born, and so we crammed the birds into our gullets, feathers and all, but it was no use, we couldn’t sing, not effortlessly as they do, we can’t fly, not without smoke and metal, and as for the eggs we don’t stand a chance. We’re mired in gravity, we’re earthbound. We’re ankle-deep in blood, and all because we ate the birds, we ate them a long time ago, when we still had the power to say no.”

“If it's a story I'm telling, then I have control over the ending...But if it's a story, even in my head, I must be telling it to someone.You don't tell a story only to yourself. There's always someone else. Even when there is no one.”

“They seemed to be able to choose. We seemed to be able to choose, then. We were a society dying of too much choice.”

“Here and there are worms, evidence of the fertility of the soil, caught by the sun, half dead; flexible and pink, like lips.”

“At moments like this I envy those who have found a safe haven in which to bestow their hearts; or perhaps I envy them for having a heart to bestow. I often feel that I myself am without one, and possess in its stead merely a heart shaped stone.”

“In Hope.”

“Or he’d watch the news: more plagues, more famines, more floods, more insect or microbe or small-mammal outbreaks, more droughts, more chickenshit boy-soldier wars in distant countries. Why was everything so much like itself?”

“So that’s what art is, for the artist,” said Crake. “An empty drainpipe. An amplifier. A stab at getting laid.”

“Homo sapiens doesn’t seem able to cut himself off at the supply end. He’s one of the few species that doesn’t limit reproduction in the face of dwindling resources. In other words—and up to a point, of course—the less we eat, the more we fuck.”

“Toast is when you take a piece of bread—What is bread? Bread is when you take some flour—What is flour? We’ll skip that part, it’s too complicated. Bread is something you can eat, made from a ground-up plant and shaped like a stone. You cook it... Please, why do you cook it? Why don’t you just eat the plant? Never mind that part—Pay attention. You cook it, and then you cut it into slices, and you put a slice into a toaster, which is a metal box that heats up with electricity—What is electricity? Don’t worry about that. While the slice is in the toaster, you get out the...”