Dame Margaret Drabble was born in Sheffield in 1939 and was educated at Newnham College, Cambridge. She is the author of eighteen novels including A Summer Bird-Cage, The Millstone, The Peppered Moth, The Red Queen, The Sea Lady and most recently, the highly acclaimed The Pure Gold Baby. She has also written biographies, screenplays and was the editor of the Oxford Companion to English Literature. She was appointed CBE in 1980, and made DBE in the 2008 Honours list. She was also awarded the 2011 Golden PEN Award for a Lifetime's Distinguished Service to Literature. She is married to the biographer Michael Holroyd.
Drabble famously has a long-running feud with her novelist sister, A.S. Byatt. The pair seldom see each other, and each does not read the books of the other.
“Because if one has an image, however dim and romantic, of a journey's end, one may, in the end, surely reach it, after no matter how many detours and deceptions and abandonings of hope. And hope could never have been entirely abandoned, even in the worst days.”
“Before Octavia was born, I used to think that love bore some relation to merit and to beauty, but now I saw that this was not so.”
“[on John Cowper Powys]...there is an indistinct photograph of the great man himself, gazing into the misty cleft of a mountain range, wearing what could be an old rug, or an old cardigan. He looks like a cross between an aged werewolf and a puzzled child.”
“I don't see how you can go too far, in the right direction”
“His chief failing was a habit of cracking heavy pedantic jokes; he was unable to let a good idea drop, and remarked several times during the course of the film that the heroine looked like she ought to be playing the horse. The comment had some truth in it, in that the heroine did have an equine cast of feature, but he made it too often, and with too little variation; however, she was willing to forgive him, in view of his evident tolerance of her social errors, such as an inability to say whether or not she wanted an ice cream.”
“I'd rather be at the end of a dying tradition, which I admire, than at the beginning of a tradition which I deplore.”
“Auntie Phyl's last months in the care home were extra pieces. Age is unnecessary. Some of us, like my mother, are fortunate enough to die swiftly and suddenly, in full possession of our faculties and our fate, but more and more of us will be condemned to linger, at the mercy of anxious or indifferent relatives, careless strangers, unwanted medical interventions, increasing debility, incontinence, memory loss. We live too long, but, like the sibyl hanging in her basket in the cave at Cumae, we find it hard to die.”
“There would be more genuine rejoicing at the discovery of a complete new novel by Jane Austen than any other literary discovery, short of a new major play by Shakespeare.”
“There are some writers who wrote too much. There are others who wrote enough. There are yet others who wrote nothing like enough to satisfy their admirers, and Jane Austen is certainly one of these.”
“Novels, since the birth of the genre, have been full of rejected, seduced, and abandoned maidens, whose proper fate is to die...”
“Perhaps the rare and simple pleasure of being seen for what one is compensates for the misery of being it.”
“I need words and print... I need print like an addict. I could live without it, perhaps. But I hope I never have to try.”
“Lucky in work, unlucky in love.”
“What really annoys me are the ones who write to say, I am doing your book for my final examinations and could you please tell me what the meaning of it is. I find it just so staggering--that you're supposed to explain the meaning of your book to some total stranger! If I knew what the meanings of my books were, I wouldn't have bothered to write them.”
“Doing a jigsaw was not an intelligence test, or a personality assesment programme; it was a pursuit that lay somewhere between creation and imitation and discovery and reverie.”
“I actually remember feeling delight, at two o'clock in the morning, when the baby woke for his feed, because I so longed to have another look at him.”
“Too much of the world was inhospitable, intractable... Why prove that it had ever once been green?”
“When nothing is sure, everything is possible.”