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Marguerite Yourcenar

Marguerite Yourcenar, original name Marguerite de Crayencour, was a french novelist, essayist, poet and short-story writer who became the first woman to be elected to the Académie Française (French Academy), an exclusive literary institution with a membership limited to 40.

She became a naturalized U.S. citizen in 1947. The name “Yourcenar” is an imperfect anagram of her original name, “Crayencour.”

Yourcenar’s literary works are notable for their rigorously classical style, their erudition, and their psychological subtlety. In her most important books she re-creates past eras and personages, meditating thereby on human destiny, morality, and power. Her masterpiece is Mémoires d'Hadrien, a historical novel constituting the fictionalized memoirs of that 2nd-century Roman emperor. Her works were translated by the American Grace Frick, Yourcenar’s secretary and life companion.

Yourcenar was also a literary critic and translator.


“Il segreto più profondo di Olimpia è racchiuso in quest'unica nota cristallina: lottare è un gioco, vivere è un gioco, morire è un gioco; profitti e perdite non sono che distinzioni passeggere, ma il gioco pretende tutte le nostre forze, e la sorte accetta, come posta, unicamente i nostri cuori.”
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“Everything turns out to be valuable that one does for one’s self without thought of profit.”
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“... uma operação que se realiza duas ou três vezes por dia e cujo o fim é alimentar a vida merece certamente todos os nossos cuidados. Comer um fruto é fazer entrar em si próprio um belo objecto vivo, estranho, alimentado e favorecido como nós pela terra; é consumar um sacrifício em que nos preferimos às coisas. Nunca trinquei o pão das casernas sem ficar maravilhado por a digestão daquela massa pesada e grosseira poder transformá-la em sangue, em calor, talvez em coragem.”
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“Когато губя всичко, ми остава Бог.”
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“Of all our games, love's play is the only one which threatens to unsettle the soul...”
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“One night (I was eleven years old at the time) he came and shook me from my sleep and announced, with the same grumbling laconism that he would have employed to predict a good harvest to his tenants, that I should rule the world.”
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“The landscape of my days appears to be composed, like mountainous regions, of varied materials heaped up pell-mell. There I see my nature, itself composite, made up of equal parts of instinct and training. Here and there protrude the granite peaks of the inevitable, but all about is rubble from the landslips of chance. I strive to retrace my life to find in it some plan, following a vein of lead, or of gold, or the course of some subterranean stream, but such devices are only tricks of perspective in the memory.”
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“But even the longest dedication is too short and too commonplace to honor a friendship so uncommon. When I try to define this asset which has been mine now for years, I tell myself that such a privilege, however rare it may be, is surely not unique; that in the whole adventure of bringing a book successfully to its conclusion, or even in the entire life of some fortunate writers, there must have been sometimes, in the background, perhaps, someone who will not let pass the weak or inaccurate sentence which we ourselves would retain, out of fatigue; someone who would re-read with us for the twentieth time, if need be, a questionable page; someone who takes down for us from the library shelves the heavy tomes in which we may find a helpful suggestion, and who persists in continuing to peruse them long after weariness has made us give up; someone who bolsters our courage and approves, or sometimes disputes, our ideas; who shares with us, and with equal fervor, the joys of art and of living, the endless work which both require, never easy but never dull; someone who is neither our shadow nor our reflection, nor even our complement, but simply himself; someone who leaves us ideally free, but who nevertheless obliges us to be fully what we are. Hospes Comesque.”
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“But this practice [vegetarianism], in which youthful love of austerity finds charm, calls for attentions more complicated than those of culinary refinement itself; and it separates us too much from the common run of men in a function which is nearly always public, and in which either friendship or formality presides.”
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“The technique of a great seducer requires a facility and an indifference in passing from one object of affection to another which I could never have; however that may be, my loves have left me more often than I have left them, for I have never been able to understand how one could have enough of any beloved. The desire to count up exactly the riches which each new love brings us, and to see it change, and perhaps watch it grow old, accords ill with multiplicity of conquests.”
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“The true birthplace is that wherein for the first time one looks intelligently upon oneself; my first homelands have been books, and to a lesser degree schools.”
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“Our great mistake is to try to exact from each person virtues which he does not possess, and to neglect the cultivation of those which he has.”
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“It is not that I despise men. If I did I should have no right, and no reason, to try to govern.”
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“The memory of most men is an abandoned cemetery where lie, unsung and unhonored, the dead whom they have ceased to cherish. Any lasting grief is reproof to their neglect.”
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“Nothing is slower than the true birth of a man.”
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“There are books which one should not attempt before having passed the age of forty.”
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“...and I reminded myself that the reproach of intellectualism is often directed at the most sensitive natures, those most ardently alive, those obliged by their frailty or their excess of strength constantly to resort to the arduous disciplines of the mind.”
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“Le véritable lieu de naissance est celui où l'on a porté pour la première fois un coup d'oeil intelligent sur soi-même: mes premières patries ont été des livres.”
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“The future of the world no longer disturbs me; I do not try still to calculate, with anguish, how long or how short a time the Roman peace will endure; I leave that to the Gods. Not that I have acquired more confidence in their justice, which is not our justice, or more faith in human wisdom; the contrary is true. Life is atrocious, we know. But precisely because I expect little of the human condition, man's periods of felicity, his partial progress, his efforts to begin over again and to continue, all seem to me like so many prodigies which nearly compensate for monstrous mass of ills and defeats, of indifference and error. Catastrophe and ruin will come; disorder will triumph, but order will too, from time to time. Peace will again establish itself between two periods and there regain the meaning which we have tried to give them. Not all our books will perish, nor our statues, if broken, lie unrepaired; other domes and pediments will rise from our domes and pediments; some few men will think and work and feel as we have done, and I venture to count upon such continuators, placed irregularly throughout the centuries, and upon this kind of intermittent immortality.”
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“En el caso de la mayoría de los seres, los contactos más ligeros y superficiales bastan para contentar nuestro deseo, y aún para hartarlo. Si insisten, multiplicándose en torno de una criatura única hasta envolverla por entero; si cada parcela de su cuerpo se llena para nosotros de tantas significaciones trastornadoras como los rasgos de un rostro; si un solo ser, en vez de inspirarnos irritación, placer o hastío, nos hostiga como una música y nos atormenta como un problema; si pasa de la periferia de nuestro universo a su centro, llegando a sernos más indispensables que nuestro propio ser, entonces tiene lugar el asombroso prodigio en el que veo, mas que un simple juego de la carne, una invasión de la carne por el espíritu”
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“de más en más me interesaba el mundo oscuro de la sensación, negra noche donde fulguran y ruedan soles enceguecedores...”
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“Mucho me costaría vivir en un mundo sin libros pero la realidad no está en ellos, puesto que no cabe entera.”
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“El amor es un castigo. Somos castigados por no haber podido quedarnos solos. ”
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“Keinginan telah mengajarkan kepadamu betapa sia-sianya keinginan, penyesalan mengajarkan betapa sia-sianya penyesalan. Bersabarlah wahai kekeliruan, karena kami semua menjadi bagianmu. Bersabarlah wahai Ketidaksempurnaan, berkat engkaulah Kesempurnaan menyadari dirinya. Bersabarlah kemarahan, karena engkau tidak kekal abadi.”
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“Passion such as hers is all consent, asking little in return. I had merely to enter a room where she was to see her face take on that peaceful expression of one who is resting in bed. If I touched her, I had the impression that all the blood in her veins was turning to honey.”
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