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Marisha Pessl

Marisha Pessl grew up in Asheville, North Carolina, and now lives in New York City. Special Topics in Calamity Physics, her debut novel, was a bestseller in both hardcover and paperback. It won the 2006 John Sargent Sr. First Novel Prize (now the Center for Fiction’s Flaherty-Dunnan First Novel Prize), and was selected as one of the 10 Best Books of the Year by The New York Times Book Review. Her new novel, Night Film, comes out August 20, 2013.

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“Dad always warned that it was misleading when one imagined people, when one sas them in the Mind's Eye, because one never remembered them as they really were, with as many inconsistencies as there were hairs on a human head (100,000 to 200,000). Instead, the mind used a lazy shorthand, smoothed the person over into their most dominating characteristic--their pessimism or insecurity (something really being lazy, turning them into either Nice or Mean)--and one made the mistake of judging them from this basis alone and risked, on a subsequent encounter, being dangerously surprised.”
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“Dad once noted (somewhat morbidly, I thought at the time) that American institutions would be infinitely more successful in facilitating the pursuit of knowledge if they held classes at night, rather than in the daytime, from 8:00 PM to 4:00 or 5:00 in the morning. As I ran through the darkness, I understood what he meant. Frank red brick, sunny classrooms, symmetrical quads and courts--it was a setting that mislead kids to believe that Knowledge, that Life itself, was bright, clear, and freshly mowed. Dad said a student would be infinitely better off going out into the world if he/she studied the periodic table of elements, Madame Bovary (Flaubert, 1857), the sexual reproduction of a sunflower for example, with deformed shadows congregating on the classroom walls, the silhouettes of fingers and pencils leaking onto the floor, gastric howls from unseen radiators, and a teacher's face not flat and faded, not delicately pasteled by a golden late afternoon, but serpentine, gargoyled, Cyclopsed by the inky dark and feeble light from a candle. He/she would understand "everything and nothing," Dad said, if there was nothing discernible in the windows but a lamppost mobbed by blaze-crazy moths and darkness, reticent and nonchalant, as darkness always was.”
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“Dad said certain people's sanity, in order to maintain a healthy equilibrium, required getting messy once in a while, what he called "going Chekhovian:" some people, every now and then, simply had to have One Too Many, go drifty voiced and slouch mouthed, swimming willfully around in their own sadness as if it were hot springs.”
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“I was aware now, as ever, that between all people there were First Times You See Them and Last Times you See Them. ”
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“Dad's Theory of Arrogance--that everyone always assumes they're the Principal Character of Desire and/or Loathing in everybody else's Broadway Play.”
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“When you grow up--and from the look of things, you have awhile--but you learn things never go back to normal simply because everyone's sorry. Sorry is ridiculous.”
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“Juliet and Romeo be damned, you can't be in love until you've flossed your teeth next to the person at least three hundred times...”
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“...watching a midforties Wonder Woman stumble backward into Hannah's net stack of Traveler magazines made me wonder if the very idea of Growing Up was a sham, the bus out of town you're so busy waiting for, you don't notice it never actually comes.”
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“Such things as anguish, woe, affliction, guilt, feelings of awfulness, and utter wretchedness, the bread and butter of Days of Yore and Russians, sadly have very little staying power in these lickety-split Modern Times.”
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“Always live your life with your biography in mind.”
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“Well, life isn't a cakewalk, is it?! Eighty-nine percent of the world's most valuable art was created by men living in rat-infested flats. You think Velásquez wore Adidas? You think he enjoyed the luxuries of central heating and twenty-four-hour pizza delivery?!”
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“It was as if Hannah had sprung a leak and her character, usually so meticulous and contained, was spilling all over the place.”
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“Sometimes it takes more courage not to let yourself see. Sometimes knowledge is damaging - not enlightenment but enleadenment.”
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“Dad was a man who, due to his underprivileged background perhaps, never hesitated when it came to the verbs to get or to take. He was always getting something off the ground, his act together, his hands dirty, the show on the road, someone's goat, the message, out more, on with things, lost, laid, away with murder. He was also always taking charge, the bull by the horns, back the night, something in stride, someone to the cleaners, a rain check, an axe to something, Manhattan.”
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“I was aware too how strange adults were, how theirs lives were vaster than they wanted anyone to realize, that they actually stretched on and on like deserts, dry and desolate, with an unpredictable, shifting sea of dunes.”
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“Not returning phone calls is the severest form of torture in the civilized world.”
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“Mr. Archer being EARTH FRIENDLY was APPARATUS HOSTILE.”
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“But most critically, sweet, never try to change the narrative structure of someone else's story, though you will certainly be tempted to, as you watch those poor souls in school, in life, heading unwittingly down dangerous tangents, fatal digressions from which they will unlikely be able to emerge. Resist the temptation. Spend your energies on your story. Reworking it. Making it better.”
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“Justice wields an erratic sword, grants mercy to fortunate few. Yet if man doesn't fight for her, 'tis chaos he's left to.”
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