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Mark Helprin

Mark Helprin belongs to no literary school, movement, tendency, or trend. As many have observed and as Time Magazine has phrased it, “He lights his own way.” His three collections of short stories (A Dove of the East and Other Stories, Ellis Island and Other Stories, and The Pacific and Other Stories), six novels (Refiner's Fire, Winter's Tale, A Soldier of the Great War, Memoir From Antproof Case, Freddy and Fredericka and, In Sunlight and In Shadow), and three children's books (Swan Lake, A City in Winter, and The Veil of Snows, all illustrated by Chris Van Allsburg), speak eloquently for themselves and are remarkable throughout for the sustained beauty and power of their language.


“their powerlessness, innocence, and imagination fused to enable them to turn time inside out, travel on the wind, and enter the souls of animals.”
Mark Helprin
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“He could say nothing. He had no right to be there, he had already been profoundly changed, he was no good at small talk, she was half naked, it was dawn and he loved her.”
Mark Helprin
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“One thing you will discover is that life is based less than you think on what you've learned and much more than you think on what you have inside you from the beginning.”
Mark Helprin
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“They gave themselves up to the stars the way swimmers can surrender to the waves, and the stars took them without resistance.”
Mark Helprin
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“Perhaps things are most beautiful when they are not quite real; when you look upon a scene as an outsider, and come to possess it in its entirety and forever; when you live in the present with the lucidity and feeling of memory; when, for want of connection, the world deepens and becomes art.”
Mark Helprin
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“The horse could not do without Manhattan. It drew him like a magnet, like a vacuum, like oats, or a mare, or an open, never-ending, tree-lined road.”
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“For a gift that does not find balance and a service that is not returned are worth less than a curse.”
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“Young Bindo Altovini, looking out from time, made a perfect coalition with the mountains, the sky, and the tall redheaded woman who had bent over just slightly to examine a raging battle that was long over. Alessandro imagined that Bindo Altovini was saying, half with longing, half with delight, "These are the things in which I was so helplessly caught up, the waves that took me, what I loved. When light filled my eyes and I was restless and could move, I knew not what all the color was about, but only that I had a passion to see. And now that I am still, I pass on to you my liveliness and my life, for you will be taken, as once I was, and although you must fight beyond your capacity to fight and feel beyond your capacity to feel, remember that it ends in perfect peace, and you will be as still and content as am I, for whom centuries are not even seconds."In the eyes of Bindo Altoviti, Alessandro saw wisdom and amusement, and he knew why the subjects of paintings and photographs seemed to look from the past as if with clairvoyance. Even brutal and impatient men, when frozen in time, assumed expressions of extraordinary compassion, as if they had reflected the essence of their redemption back into the photograph. In a sense they were still living. ”
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“Why do people resist [engines, bridges, and cities] so? They are symbols and products of the imagination, which is the force that ensures justice and historical momentum in an imperfect world, because without imagination we would not have the wherewithal to challenge certainty, and we could never rise above ourselves.”
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“Then the bow orchestra began to play an apocalyptically beautiful canon, one of those pieces in which, surely, the composer simply transcribed what was given, and trembled in awe of the hand that was guiding him.”
Mark Helprin
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“[When] he's here, he's always reading. He says books stop time. I myself think he's crazy...Don't tell anyone, but when he reads something that he likes he gets real happy, turns on the music, and dances by himself, or with a broom sometimes.”
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“Quite possibly there's nothing as fine as a big freight train starting across country in early summer, Hardesty thought. That's when you learn that the tragedy of plants is that they have roots.”
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“The classic business story is much like the classic human story. There is rise and fall; the overcoming of great odds, the upholding of principles despite the cost, questions of rivalry and succession, and even the possibility of descent into madness.”
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“The shelf was filled with books that were hard to read, that could devastate and remake one's soul, and that, when they were finished, had a kick like a mule.”
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“He knew very well that love could be like the most beautiful singing, that it could make death inconsequential, that it existed in forms so pure and strong that it was capable of reordering the universe. He knew this, and that he lacked it, and yet as he stood in the courtyard of the Palazzo Venezia, watching diplomats file quietly out the gate, he was content, for he suspected that to command the profoundest love might in the end be far less beautiful a thing than to suffer its absence.”
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“and even when I was broken the way sometimes one can be broken, and even though I had fallen, I found upon arising that I was stronger than before, that the glories, if I may call them that, which I had loved so much and that had been darkened in my fall, were shinning even brighter and nearly everytime subsequently I have fallen and darkness has come over me, they have obstinately arisen, not as they were, but brighter.”
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“When faced with something I fear, I tend to eat spaghetti.”
Mark Helprin
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“Just the two of us. We're in it together. The pleasure will be ours alone. For the rest of our lives.”
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“We launch our souls from the cannons of art and discipline, and on any one night, hovering over the chimney tops of Europe, halfway to the stars, there are armies of brightly spinning spirits that have risen like fireworks, tethered to the souls of those men and women who, by reflection, mortification, and devotion, effortlessly outdazzle kings.”
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“. . . you can't do anything absolutely by reason. That's because reason depends on postulates. Postulates defy proof and yet they are essential to reason.”
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“To see the beauty of the world is to put your hands on lines that run uninterrupted through life and through death. Touching them is an act of hope, for perhaps someone on the other side, if there is another side, is touching them, too.”
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“You believe in entropy, which postulates that all phenomena tend to sink to lower levels of organization and energy, and in evolution, which postulates that the history of life has been just the opposite. People like you credit both theories. It’s de rigueur. Is that reason rational? I say, f*ck off.”
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“You’ll join me sooner than you know in a place with . . . no illusions, where the truth is the only architecture, the only color, the only sound--where that which we sense merely on occasion, and which takes us up and gives us the rare and beautiful glimpses of the things we truly love, flows in deep rivers and tumbles about like clouds in the sky.”
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“I saw how greatly he suffered the requirement of being clever. It separated him from his soul, and it didn’t get him anything other than a living.”
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“Why do you think great leaders and great orations are coincident with wars, revolutions, and the founding or ending of governments and states? Common interests then are so clear that speeches are effortlessly drawn, but at present neither the facts nor the consequences are sufficiently clear to make oratory legitimate. This is the kind of war that will wind on and make fools of its partisans and opponents both.”
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“A good river is nature's life work in song.”
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“All these things were shaken about within Peter Lake like pots and pans banging against the side of a peddler's swaybacked horse. It was hard to bear the weight of partial revelations which refused to venture past the tip of his tongue.”
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“Your time is a good time, and though I have to leave, you can stay. How lucky you are to be in the city just before it opens its eyes upon a golden age.”
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“For what can be imagined more beautiful than the sight of a perfectly just city rejoicing in justice alone.”
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“But the long tunnels of art through which I walked in Rome that day had no ragged edges, cowardly colors, or shades of pastel that didn't know what to do with themselves. The wisdom, perfection, and beauty of the colors and forms I passed were more than enough, in their collectivity, to hint at the principles which govern the hereafter, whatever that may be. Indeed, even a detail of one painting can offer solid direction in this regard if one knows how to look”
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“Whatever I do I've always done not because I want something but to compensate for a loss, to bring about a balance, to create amends, to make things right.”
Mark Helprin
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“Because no windows were open and the air was so still and cold that the trees dared not move for fear of encountering more of it than they had to, Christiana thought that she had entered a city of the dead.”
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“Breathing, for example, was never taken for granted, since, half the time, thanks to the many chemical works and refineries, it was nearly impossible.”
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“In fact, one might make the case that New York would not have shone without its legions of contrary devils polishing the lights of goodness with their inexplicable opposition and resistance.”
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“As it somehow always manages before the winter solstice, but never after, the early darkness was cheerful and promising, even for those who had nothing.”
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“As the clockwork of the millennia moved a notch in front of their eyes, it had taken their thoughts from small things and reminded them of how vulnerable they were to time.”
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“We are all perfect clocks that the Divinity has set to ticking when, even before birth, the heart explodes into its lifelong dance.”
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“The greatest blizzards start with the finest snow.”
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“I'm not afraid," Rafi said."Why not?""If I die tomorrow it will have been useless to have been afraid today.”
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“Perhaps he was a fool, but he thought that if a work were truly great you would only have to read it once and you would be stolen from yourself, desperately moved, changed forever.”
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“All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible; and, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.”
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“...to be paid for one's joy is to steal.”
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“Now that music is faithfully reproducible, musicians are not needed as once they were. And music itself has changed. Though small cadres of classicists keep the sacred and ineffable alive, they are under siege by coarse generations whose music is hardly as musical as a bus engine or a chain saw. Something must have occurred during their mothers' pregnancies. How else is it possible to explain that playing Bach keeps them away from public spaces the way iron spikes drive pigeons from cathedral ledges?”
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“No one ever said that you would live to see the repercussions of everything you do, or that you have guarantees, or that you are not obliged to wander in the dark, or that everything will be proved to you and neatly verified like something in science. Nothing is: at least nothing that is worthwhile. I didn't bring you up only to move across sure ground. I didn't teach you to think that everything must be within our control or understanding. Did I? For, if I did, I was wrong. I fyou won't take a chance, then the powers you refuse because you cannot explain them, will, as they say, make a monkey out of you.”
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“In the same way that certain sections of the city were mortal battlegrounds, some parts of the calendar were always more warlike than others, and during the days between Christmas and the new year all elements seemed to conspire to subdue the soul. Fire, rain, sickness, cold, and death were everywhere spread through the dark as in a painting of hell. People struggled until exhaustion, giving everything they had, and the days were packed with trials and mysteries.”
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“A lot of people hate heroes. I was criticized for portraying people who are brave, honest, loving, intelligent. That was called weak and sentimental. People who dismiss all real emotion as sentimentality are cowards. They’re afraid to commit themselves, and so they remain ‘cool’ for the rest of their lives, until they’re dead—then they’re really cool.”
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“But you won’t abdicate."Of course not. It’s my duty to go on, to maintain the line. I can’t possibly fail in that. It’s as if you and I were throwing a ball back and forth to establish a record, and had been doing so for a millennium. You cannot drop a ball that has remained airborne through good effort for most of a thousand years. You cannot stop an unlikely heart that has been beating for so long. I would rather die than betray continuity, for its own sake if for nothing else. And Britain needs a king, just as it needs motormen and cooks and a prime minister. Just as it needs soldiers who will die for it if they must. It’s my job, or it will be, but you should know that I’ve never wanted it. I was only born to it, as if with a deformity, to which I hope I can respond with grace."Fredericka had been running her finger over the carpet, tracing a pattern in the way children do when they have learnt something overwhelming and are moved, but cannot say so. Freddy expected her to look up, with tears, and that in this moment she might have begun the long and arduous process of becoming a queen. She was so beautiful. To embrace her now, with high emotion flowing from her physical majesty, was all he wanted in the world. Her finger stopped moving, and she turned her eyes to him.Freddy?"Yes?" he answered.What’s raw egg? I read a recipe in She that called for a cup of raw egg. What is that?"After a long silence, Freddy asked, "Which part of the formulation escapes you? Egg? Raw? The link between the two?"The two what?"Fredericka?"Yes, Freddy?"Would you like to go dancing?"Oh, yes Freddy!"Come then. We will.”
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“The best thing to do was to stop it while he still could, since it was something that would lead nowhere, painfully.”
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“She knew words no one had ever heard of, and she used words every day that had been mainly dead or sleeping for hundreds of years.”
Mark Helprin
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“I like the race, rather than the winning.Do you really?Yes, I've imagined great victories, and I've imagined great races. The races are better.”
Mark Helprin
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