Mark Z. Danielewski photo

Mark Z. Danielewski

Mark Z. Danielewski is an American author best known for his books House of Leaves, Only Revolutions, The Fifty Year Sword, The Little Blue Kite, and The Familiar series.

Danielewski studied English Literature at Yale. He then decided to move to Berkeley, California, where he took a summer program in Latin at the University of California, Berkeley. He also spent time in Paris, preoccupied mostly with writing.

In the early 1990s, he pursued graduate studies at the USC School of Cinema-Television. He later served as an assistant editor and worked on sound for Derrida, a documentary based on the life of the Algerian-born French literary critic and philosopher Jacques Derrida.

His second novel, Only Revolutions, was released in 2006. The novel was a finalist for the 2006 National Book Award.

His novel The Fifty Year Sword was released in the Netherlands in 2005. A new version with stitched illustrations was released in the United States 2012 (including a limited-edition release featuring a latched box that held the book). On Halloween 2010-2012, Danielewski "conducted" staged readings of the book at the REDCAT Theater inside the Walt Disney Concert Hall in Los Angeles. Each year was different and included features such as large-scale shadows, music, and performances from actors such as Betsy Brandt (Breaking Bad).

On May 12, 2015, he released the first volume, The Familiar (Volume 1): One Rainy Day in May in his announced 27-volume series The Familiar. The story "concerns a 12-year-old girl who finds a kitten..." The second volume, The Familiar (Volume 2): Into the Forest was released on Oct. 27, 2015, The Familiar (Volume 3): Honeysuckle & Pain came out June 14, 2016, and The Familiar (Volume 4): Hades arrived in bookstores on Feb. 7, 2017, and The Familiar (Volume 5): Redwood was released on Halloween 2017.

His latest release, The Little Blue Kite, is out now.

Quick Facts

He is the son of Polish avant-garde film director Tad Danielewski and the brother of singer and songwriter Annie Decatur Danielewski, a.k.a. Poe.

House of Leaves, Danielewski's first novel, has gained a considerable cult following. In 2000, Danielewski toured with his sister across America at Borders Books and Music locations, promoting Poe’s album Haunted, which reflects elements of House of Leaves.

Danielewski's work is characterized by experimental choices in form, such as intricate and multi-layered narratives and typographical variation.

In 2015, his piece Thrown, a reflection on Matthew Barney's Cremaster 2, appeared on display at the Guggenheim Museum in New York.

Official "Yarn + Ink" apparel inspired by his books House of Leaves and The Familiar is now available through his official website, Amazon and Etsy.

His latest short story, "There's a Place for You" was released on www.markzdanielewski.com in August 2020.

Read more on his Wikipedia page:

https://en.wikipedia.org/wiki/Mark_Z....


“I could see her get all nervous but she was also excited. Nightmares have that quality, don't they?”
Mark Z. Danielewski
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“I was twelve miles from no where.”
Mark Z. Danielewski
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“my point being, what if my attacks are enterly unrelated attributable in fact to something entirely else, perhaps for instance just warning shocks brought on by my own crumbling biology, tiny flakes of unknown chemical origin already burning holes through the fabric of my mind, dismantling memories, undoing even the strongest powers of imagination and reason?how then do you fly from that path?”
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“We're the unmended, the untended,cold soldiers of the shoe. We're the neglected,the never resurrected, agonies of the few.We're the once kissed, unmissed and alwaysrefused. Because we're the unfinishedand feared and we're never pursued.And just that easily, on my behalf,I come around. Because I'm burning.The beast of War feeds only on the meats of War.And now I'm for carnage.Here's how my anguish frees.Destroy everyone of course. Because I'm unwantedand unsafe. And I'll take tears away with torments and rape,killings and fears not even the dead will escape.Encircling the Guilty, Ashamed, Blameless andEnslaved. Absolved. Butchering their prejudice.Patience. Their Value. Because I'm without value.I'm the coming of every holocaust. Turning no lost.Rending tissue, sinew and bone. Excepting no suffering.By me all levees will break. All silos heave.I will walk heavy.And I will walk strange.Because I am too soon.Because without Her, I am only revolutionsOf ruin.Because I am too soon.Because without You, I am only revolutionsOf ruin.I'm the prophecy prophecies pass.Why need dies at last.How oceans dry. Islands drown.And skies of salt crash to the ground.I turn the powerful. Defy the weak.Only grass grows down abandoned streets.For a greater economy shall follow Usand it will be undone.And a greater autonomy shall follow Usand it too will be undone.And a greater feeling shall follow Loveand it too we will blow to dust.For I am longings without trust. The cycloidal hastefreedom from Hailey forever wastes.Dust cares for only dust.And time only for Us.Because I am too soon.Because without Her, I am only revolutionsOf ruin.Because I am too soon.Because without You, I am only revolutionsOf ruin.We are always sixteen...”
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“Here then at long last is my darkness. No cry of light, no glimmer, not even the faintest shard of hope to break free across the hold.”
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“What can I say, I'm a sucker for abandoned stuff, misplaced stuff, forgotten stuff, any old stuff which despite the light of progress and all that, still vanishes every day like shadows at noon, goings unheralded, passings unmourned, well, you get the drift.As a counselor once told me -a counselor for Disaffected Yought, I might add: "You like that crap because it reminds you of you." Couldn't of said it better or put it more bluntly. Don't even disagree with it either.”
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“I will walk heavy, and I will walk strange.”
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“Maturity, one discovers, has everything to do with the acceptance of ‘not knowing.”
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“Losing the possibility of something is the exact same thing as losing hope and without hope nothing can survive.”
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“Absolutely nothing visible to the eye provides a reason for or even evidence of those terrifying shifts which can in a matter of moments reconstitute a simple path into an extremely complicated one.”
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“Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all your carefully conceived denials, whether deliberate or unconscious. And for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name.And then the nightmares will begin.”
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“You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how.”
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“I still get nightmares. In fact, I get them so often I should be used to them by now. I'm not. No one ever really gets used to nightmares.”
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“I've wandered as far west as I can go. Sitting now on the sand, I watch the sun blur into an aftermath. Reds finally marrying blues. Soon night will enfold us all. But the light is still not gone, not yet, and by it I can dimly see here my own dark hallway, or maybe it was just a foyer and maybe not dark at all, not in fact brightly lit, an afternoon sun blazing through the lead panes, now detected amidst what amounts to a long column of my yesterdays, towards the end, though not the very end of course, where I had stood at the age of seven, gripping my mother's wrists, trying as hard as I could to keep her from going.”
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“You shall be my roots andI will be your shade,though the sun burns my leaves.You shall quench my thirst andI will feed you fruit,though time takes my seed.And when I'm lost and can tell nothing of this earthyou will give me hope.And my voice you will always hear.And my hand you will always have.For I will shelter you.And I will comfort you.And even when we are nothing left,not even in death,I will remember you.”
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“I'm all soils west when the Earth lets go. I'm a thousand Julys.”
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“Heart may still be the fire in hearth but I'm suddenly too cold to continue, and besides, there's no hearth here anyway and it's the end of June. Thursday. Almost noon. And all the buttons on my corduroy coat are gone. I don't know why. I'm sorry Hailey. I don't know what to do.”
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“Little solace comesto those who grievewhen thoughts keep driftingas walls keep shiftingand this great blue world of oursseems a house of leavesmoments before the wind.”
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“Tom gets by, Navidson succeeds. Tom just wants to be, Navidson must become. And yet despite such obvious differences, anyone who looks past Tom's wide grin and considers his eyes will find surprisingly deep pools of sorrow. Which is how we know they are brothers, because like Tom, Navidson's eyes share the same water.”
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“Explanation is not half as strong as experience but experience is not half as strong as experience and understanding”
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“...and there you have it, another body on the floor surrounded by things that don't mean much to anyone except to the one who can't take any of them along. ”
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“Passion has little to do with euphoria and everything to do with patience. It is not about feeling good. It is about endurance. Like patience, passion comes from the same Latin root: pati. It does not mean to flow with exuberance. It means to suffer.”
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“One forgetsthat one is one.I must trytoremember this.”
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“To read" actually comes from the Latin reri "to calculate, to think" which is not only the progenitor of "read" but of "reason" as well, both of which hail from the Greek arariskein "to fit." Aside from giving us "reason," arariskein also gives us an unlikely sibling, Latin arma meaning "weapons." It seems that "to fit" the world or to make sense of it requires either reason or arms.”
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“No one ever really gets used to nightmares.”
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“We all create stories to protect ourselves.”
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“My hands resemble some ancient tree: the roots that bind up the earth, the rock and the ceaselessly nibbling wordms.”
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“People frequently comment on the emptiness in one night stands, but emptiness here has always been just another word for darkness. Blind encounters writing sonnets no one can ever read. Desire and pain communicated in the vague language of sex.None of which made sense to me until much later when I realized everything I thought I'd retained of my encounters added up to so very little, hardly enduring, just shadows of love outlining nothing at all.”
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“I am not a fool. I am wise. I will run from my fear, I will outdistance my fear, then I will hide from my fear, I will wait for my fear, I will let my fear run past me, then I will follow my fear, I will track my fear until I can approach my fear in complete silence, then I will strike at my fear, I will charge my fear, I will grab hold of my fear, I will sink my fingers into my fear, then I will bite my fear, I will tear the throat of my fear, I will break the neck of my fear, I will drink the blood of my fear, I will gulp the flesh of my fear, I will crush the bones of my fear, and I will savor my fear, I will swallow my fear, all of it, and then I will digest my fear until I can do nothing else but shit out my fear. In this way I will be made stronger”
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“I live at the end of some interminable corridor which the lucky damned can call hell but which the much unluckier atheists - and your mother heads up that bunch- must simply get used to calling home.”
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“The ruminations are mine, let the world be yours.”
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“Here then - the after math of meaning. A lifetime finished between the space of two frames.”
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“Prometheus, thief of light, giver of light, bound by the gods, must have been a book.”
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“The thread has snapped. No sound even to mark the breaking let alone the fall. That long anticipated disintegration, when the darkest angel of all, the horror beyond all horrors, sits at last upon my chest, permanently enfolding me in its great covering wings, black as ink, veined in Bees' purple. A creature without a voice. A voice without a name. As immortal as my life. Come here at long last to summon the wind.”
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“We never even kissed or looked into each other's eyes. Our lips just trespassed on those inner labyrinths hidden deep within our ears, filled them with the private music of wicked words, hers in many languages, mine in the off color of my only tongue, until as our tones shifted, and our consonants spun and squealed, rattled faster, hesitated, raced harder, syllables soon melting with groans, or moans finding purchase in new words, or old words, or made-up words, until we gathered up our heat and refused to release it, enjoying too much the dark language we had suddenly stumbled upon, craved to, carved to, not a communication really but a channeling of our rumored desires, hers for all I know gone to Black Forests and wolves, mine banging back to a familiar form, that great revenant mystery I still could only hear the shape of, which in spite of our separate lusts and individual cries still continued to drive us deeper into stranger tones, our mutual desire to keep gripping the burn fueled by sound.”
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“Two kisses in one kiss was all it took, a comfort, a warmth, perhaps temporary, perhaps false, but reassuring nonetheless, and mine, and theirs, ours, all three of us giggling, insane giggles and laughter with still more kisses on the way, and I remember a brief instant then, out of the blue, when I suddenly glimpsed my own father, a rare but oddly peaceful recollection, as if he actually approved of my play in the way he himself had always laughed and played, great updrafts of light, burning off distant plateaus of bistre & sage, throwing him up like an angel, high above the red earth, deep into the sparkling blank, the tender sky that never once let him down, preserving his attachment to youth, propriety and kindness, his plane almost, but never quite, outracing his whoops of joy, trailing him in his sudden turn to the wind, followed then by a near vertical climb up to the angles of the sun, and I was barely eight and still with him and yes, that was the thought that flickered madly through me, a brief instant of communion, possessing me with warmth and ageless ease, causing me to smile again and relax as if memory alone could lift the heart like the wind lifts a wing, and so I renewed my kisses with even greater enthusiasm, caressing and in turn devouring their dark lips, dark with wine and fleeting love, an ancient memory love had promised but finally never gave, until there were too many kisses to count or remember, and the memory of love proved not love at all and needed a replacement, which our bodies found, and then the giggles subsided, and the laughter dimmed, and darkness enfolded all of us and we gave away our childhood for nothing and we died and condoms littered the floor and Christina threw up in the sink and Amber chuckled a little and kissed me a little more, but in a way that told me it was time to leave.”
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“By now you've probably noticed that except when safely contained by quotes, Zampanò always steers clear of such questionable four-letter language. This instance in particular proves that beneath all that cool psuedo-academic hogwash lurked a very passionate man who knew how important it was to say "fuck" now and then, and say it loud too, relish its syllabic sweetness, its immigrant pride, a great American epic word really, starting at the lower lip, often the very front of the lower lip, before racing all the way to the back of the throat, where it finishes with a great blast, the concussive force of the K catching up then with the hush of the F already on its way, thus loading it with plenty of offense and edge and certainly ambiguity. FUCK. A great by-the-bootstrap prayer or curse if you prefer, depending on how you look at it, or use it, suited perfectly for hurling at the skies or at the world, or sometimes, if said just right, for uttering with enough love and fire, the woman beside you melts inside herself, immersed in all that word-heat.”
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“Perhaps in the margins of darkness, I could create a son who is not missing; who lives beyond even my own imagination and invention; whose lusts, stupidities, and strengths carry him farther than even he or I can anticipate; who sees the world for what it is; and consequently bears the burden of everyone's tomorrow with unprecedented wisdom and honor because he is one of the very few who has successfully interrogated his own nature. His shields are instantly available though seldom used. And those who value him shall prosper while those who would destroy him shall perish. He will fulfill a promise I made years ago but failed to keep.”
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“You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep.Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name.And then the nightmares will begin.”
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“What miracle is this? This giant tree.It stands ten thousand feet highBut doesn't reach the ground. Still it stands.Its roots must hold the sky.”
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“Since when did you bring a gun?" Navidson asks, crouching near the door."Are you kidding me? This place is scary.”
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“Sublime is something you choke on after a shot of tequila.”
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“It is hungry, it it immortal. Worse, it knows nothing of whim.”
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“Who has never killed an hour? Not casually or without thought, but carefully: a premeditated murder of minutes. The violence comes from a combination of giving up, not caring, and a resignation that getting past it is all you can hope to accomplish. So you kill the hour. You do not work, you do not read, you do not daydream. If you sleep it is not because you need to sleep. And when at last it is over, there is no evidence: no weapon, no blood, and no body. The only clue might be the shadows beneath your eyes or a terribly thin line near the corner of your mouth indicating something has been suffered, that in the privacy of your life you have lost something and the loss is too empty to share.”
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“For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how.”
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“Both pieces are similar in one way:what one could believe, one doubts. Nicoise because one depends upon the moral sense of the filmmaker, The Navidson Record because one depends upon the moral sense of the world.”
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“To get a better idea try this: focus on these words, and whatever you do don’t let your eyes wander past the perimeter of this page. Now imagine just beyond your peripheral vision, maybe behind you, maybe to the side of you, maybe even in front of you, but right where you can’t see it, something is quietly closing in on you, so quiet in fact that you can only hear it as silence. Find those pockets without sound. That’s where it is. Right at this moment. But don’t look. Keep your eyes here. Now take a deep breath. Go ahead take and even deeper one. Only this time as you start to exhale try to imagine how fast it will happen, how hard it’s gonna hit you, how many times it will stab your jugular with it’s teeth or are they nails?, don’t worry, that particular detail doesn’t matter, because before you have time to even process that you should be moving, you should be running, you should at the very least be flinging up your arms – you sure as hell should be getting rid of this book – you won’t have time to even scream.Don’t look.I didn’t.”
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“This is not for you.”
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“This much I'm certain of: it doesn't happen immediately. You'll finish [the book] and that will be that, until a moment will come, maybe in a month, maybe a year, maybe even several years. You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how. You'll have forgotten what granted you this awareness in the first place...You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep.Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name.And then the nightmares will begin.”
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“Why did god create a dual universe?So he might say‘Be not like me. I am alone.'And it might be heard.”
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