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Mat Johnson

Mat Johnson is an American writer of literary fiction who works in both prose and the comics format. In 2007, he was named the first USA James Baldwin Fellow by United States Artists.

Johnson was born and raised in the Germantown and Mount Airy communities in Philadelphia.

His mother is African American and his father is Irish Catholic. He attended Greene Street Friends School, West Chester University, University of Wales, Swansea, and ultimately received his B.A. from Earlham College. In 1993 he was awarded a Thomas J. Watson Fellowship. Johnson received his M.F.A. from Columbia University School of the Arts (1999).

Johnson has taught at Rutgers University, Columbia University, Bard College, and The Callaloo Journal Writers Retreat. He is now a permanent faculty member at the University of Houston Creative Writing Program. Johnson lives in Houston.


“Since White America refuses to see its past, they can't really see me either. Add to that a little of Madame C.J.s magic and watch me go invisible. Watch me step outside of history. Assimilation as revolution. That's one thing that most of us know that white folks don't. Race doesn't really exist. Culture? Ethnicity? Sure. Class too. But race is just a bunch of rules meant to keep us on the bottom. Race is a strategy. The rest is just people acting playing roles.”
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“You've got to admit, slick, you got a skill for avoiding the devil.""That just means that now the devils out there, looking for me...and that devil is very mad.”
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“In my head, I was getting 'gangsta,' which I've always felt showed greater intent than getting 'gangster' in that it expresses a willful unlawfulness even upon its own linguistic representation.”
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“I have always loved quitting jobs. Whether because the job itself was repugnant or the people working at it with me, I have always held my right to quit my job as one of my most sacred privileges. An entire ritual surrounds this shedding of employment. First, there is the glorious moment when, after the unpleasantness of my position and my general unhappiness become overwhelmingly apparent to me, I say to myself (and I quote), “Fuck this. I don’t have to take this shit anymore. They think they can make me do what they want, but I’m out of here.” Ah, there it is, the almost orgasmic release I feel when I first make the profane declaration to myself, the feeling of reclaimed power coursing invisibly through me. But not just that: this singular moment, this coveted private knowledge is formed into a golden kernel and popped into existence again in my mind as a reaction to every unfortunate work-related moment I’m forced to endure before I make my destined departure. It’s such a glorious thing, the harboring of this secret knowledge, that in itself it has kept me at many a job even longer than I had originally intended, because just knowing that I would soon be free was the most effective of panaceas. So much so that there were times when even though it was impossible for me to quit I would say the same words to myself and mercifully delude my conscious mind that I could get the hell out of there if I wanted to.”
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“There are two types of lazy bosses. One is so lazy that they make you do not only your own work but theirs too. Worse, they lie to you about it, unloading all responsibility for their actions. The other is so lazy that not only do they not do their own work but they can't even be bothered to provide you work to do. These bosses lie as well, but only to themselves, passively. The first is the hardest boss to work for, the second the easiest.”
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“It is a great moment in every freak's life when he or she finds out that at least they are not the only one.”
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“Here I was, on the cusp of my own great dream, my own impossible truth, and this gluttonous man was crowding it with his improbable vision. There wasn't enough magic in the universe for both of us. Worse, Garth's mad theory put mine in an altogether new light. Was I as crazy as his fat ass?”
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“The people, they need someone to live through. Trust me, I used to be in roller derby back in the day. People need a hero.”
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“I like looking for myself in the whitest of pages. I like finding evidence of myself there, after being told my footprints did not exist on that sand. I think the work of the great white writers is important, but I think it's most important when it's negotiating me and my people, because I am as arrogant and selfish a reader as any other.”
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“What I discovered during my studies in Poe's and other early Americans' texts was the intellectual source of racial Whiteness. Here, in these pages, was the very fossil record of how this odd and illogical sickness formed. Here was the twisted mythic underpinnings of modern racial thought that could never before be dismantled because we were standing on them.”
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“I was participating in something horrible, and my only defense is that I was motivated by my own fear, which of course is no defense at all.”
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“Even drunk, I knew any escape plan that involved going to Detroit, Michigan, was a harbinger of doom.”
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