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Melina Marchetta

Melina Marchetta was born in Sydney Australia. Her first novel, Looking For Alibrandi was awarded the Children's Book Council of Australia award in 1993 and her second novel, Saving Francesca won the same award in 2004. Looking For Alibrandi was made into a major film in 2000 and won the Australian Film Institute Award for best Film and best adapted screen play, also written by the author. On the Jellicoe Road was released in 2006 and won the US Printz Medal in 2009 for excellence in YA literature. This was followed up by Finnikin of the Rock in 2008 which won the Aurealis Award for YA fantasy, The Piper's Son in 2010 which was shortlisted for the Qld Premier's Lit Award, NSW Premier's Lit Award, Prime Minister's Literary Awards, CBC awards and longlisted for the Miles Franklin Award. Her follow up to Finnikin, Froi of the Exiles and Quintana of Charyn were released in 2012 and 2013. Her latest novel Tell the Truth, Shame the Devil is an adult crime novel.


“Do I have to be here to belong to you?' Froi asked. 'Can't I belong to you wherever I am?”
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“But then I catch Grigg's eye and he looks at me in a way that tells me exactly what he's feeling and I love that look. Suddenly I want to yell out to everyone, "It's a game, these territory wars. They loved eachother.”
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“Love always,Always,Tom”
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“then she was laughing. They both were, and the savage teeth were the most joyous sight Phaedra had seen for a long time. It was as if they were dancing. There it was. Suddenly the strangeness of Quintana of Charyn's face made sense. Because it was a face meant for laughing, but it had never been given a chance.”
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“It's my birthday today. I'm not 17 anymore. The 17 Janis Ian sang about where one learns the truth. But what she failed to mention is that you keep on learning truths after 17 and I want to keep on learning truths till the day I die.”
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“You said to me once that you weren’t what I dreamed of. You were right. You surpass everything I dreamed of. Even the rot in you that’s caused you to do shameful things. Some men let the rot and guilt fester into something ugly beyond words. Few men can turn it into worth and substance. If you’re gods’ blessed for no other reason, it’s for that.”
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“You were never able to break her. She is the stone of this kingdom.”
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“But she stepped forward and placed a finger to his lips and there it was before him. The greatest prayer to the gods he could muster with a heart so broken. Don't let me outlive this woman. Don't let me exist one moment without her.”
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“Our bodies aren't strangers,' he said, his voice ragged. 'Our spirits aren't strangers'. He held her face in his hands. 'Tell me what part of me is stranger to you and I'll destroy that part of me.'And she wept to hear his words.”
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“People aren’t interested in the truth, Dafar. They’re interested in what keeps them safe. They’re interested in being looked after. They’re interested in a tale being spun... Mighty men have moments of great despair that common people do not want to know about.”
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“She made a sound of regret. ‘We come second, you and I, Luc-ien,’ she said. ‘Our allegiance is always to our kingdoms. Without that allegiance, our people would fall.’She placed her head back against his chest and he felt her tears. ‘This is not our time.’‘But that will never mean I love you less,’ he said.”
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“In the games of queens and kings, we leave our dreams at the door and we make do with what we have. Sometimes if we’re fortunate, we still manage to have a good life.”
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“Do you love me?’ he asked instead. ‘Because if you don’t, I’d wait until you did. I’d wait weeks and months and years.”
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“Phaedra looked across the water and her eyes met Lucian’s. Their needs came second. It came from the privilege of being trusted.But that doesn’t mean I love you less.”
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“I ran away one day. He was running in the same direction.”
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“[Jonah Griggs] is similar to a hawke and a wolf and Will Trombal – he mates for life.”
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“There’s a moment in [Anne of Green Gables] where Anne Shirley (great character) […] is in the same classroom as Gilbert Blythe and she hit’s him over the head with a slate, which is their kind of writing tool, and I always say that moment for me was just, I was just absolutely mesmerised. I thought it was so romantic, though she hated his guts. I would always say that in every one of my novels there is a moment where my characters metaphorically hit their potential love interests over the head with a slate. It could be that winning an argument or getting the upper hand, an example in say The Piper’s Son could be here’s Tom thinking it will be easy, text messaging Tara saying ‘How’s it going, babe’ and her response, that for me is the hitting someone over the head with a slate. It happens in Saving Francesca when she kind of meets Will and Will’s such a bastard to her. So they’re moments I kind of adopted and I loved that particular one, so I would say [L.M. Montgomery] was a major influence.”
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“I think that, to me it’s a story about forgiveness. Some people say to me that they would never forgive Tom for what he did. Other people say ‘well he was grief stricken’. But I still think that the way he acted was awful. There was a trust thing that happened there and especially coming from a character like Tara Finke, he’s not really a player and she’s not really a confidant person on so many different levels. But I think for me there was just, ultimately I know what he did was wrong but there was such a respect between them as people and I like the fact that he had to actually work instead of trying. Like I think in the past he had found it so easy to charm people but at this particular case because he didn’t have her there in front of him, he actually had to work at wooing her back. And I think he succeeds. And there are so many times when people around him don’t think he is going to succeed at that, there’s no way that she will forgive him and I like the fact that she does, and it’s not because she’s a pushover it’s because Tom has really worked at it that he has opened himself to her in the same that that she kind of opened herself to him. I suppose it’s about trust between people in the end.”
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“Froi saw the rage in Arjuro’s eyes, his clenched fists.‘If I could find the men who did those things to you as a child I would tear them limb from limb.’Froi embraced him.‘One day,’ Froi said, clearing his voice of emotion, ‘I’ll introduce you to my queen and my king and my captain; and Lord August and Lady Abian, who have given me a home; and the Priestking and Perri and Tesadora and my friend Lucian; and then you’ll understand that I would never have met them if you hadn’t journeyed to Sarnak all those years ago, Arjuro. And if the gods were to give me a choice between living a better life, having not met them, or a wretched life with the slightest chance of crossing their path, then I'd pick the wretched life over and over again.’He kissed Arjuro’s brow. Finnikin called it a blessing between two male blood kin. It always had made Froi ache seeing it between Finnikin and Trevanion.‘I'd live it again just to have crossed all of your paths. Keep safe, Arjuro. Keep safe so I can bring your brother home to you.”
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“There it was. Suddenly the strangeness of Quintana of Charyn's face made sense. Because it was a face meant for laughing, but it had never been given a chance. It robbed Phaedra of her breath.”
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“A blind man can see what she feels for you and you for her. Your souls are not merely entwined; they are fused.”
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“I met you at the cornerstone on the highway to bedlam./Walked with you to the pinnacle, along that ledge to hell,/Traveled along the passageway of all things aching,/But would crawl with you if you wanted me to/On the steeple point to hope./So we can tip the stars and hold the moon,/Graze the sun, but make it soon.”
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“The grief hits her hard one day. the way it can't be controlled. The way that yesterday can be good and so can the day before, and so can the week and fortnight before that, but then today comes and she's back to zero. How she can't type words into her computer or even press the in-box for her mail. The effort it takes to walk. How words can't form in her mouth and how her blood feels paralyzed.”
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“When I saw "Ulysses" on Georgie's bedside table and Tom Finch's name written on it in a scrawl so like my old man's, I felt that I wanted to read it as a preparation for what's about to happen to us all. I understand where the brawny part of my father and I come from - Bill. I'm not saying bill's not smart, but my old man is a pretty intelligent guy and that kind of intellect came from tome Finch. I want to turn the pages he turned. But honestly I'm actually finding it hard. I think that the whole world has lied and nobody has read the book completely. It's a conspiracy up there with Roswell.”
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“Catch the news/One more day/Big wide world/Swallowed whole/Rhythm breaks me/Out of step/Need to shake this/'Less I break/'Cause nothing counts when you're not here/Too much sadness, too much fear”
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“She rubbed it onto his hands one day in Year Eleven, feeling the texture of his fingertips, callused by the strings of his guitar, and his palms, rough from woodwork. ("Productive, despite your lazy streak," she had said, inspecting them.)”
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“I can hazard a guess, but I'll never know/ Why you put these walls up, I can't get through/It's as though you want to be lonely and blue.”
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“Two best friends traveled from the Burdekin in North Queensland sometime in the 1960s and walked into the Union and fell in love with Grace. Tom finch was the smarter talker of the two and won first round, marrying her before his name came up in the lottery sending him to Vietnam on a tour of duty. He never returned. The heartbroken, patient one, Bill Mackee, grieved a best friend and married the love of his life, adopting the twins when they were four years old.”
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“Not about the Japanese, but about moments of perfection. commit it to memory and make good use of it.”
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“Those full of fear were the most dangerous of people.”
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“Somos juguetes en manos de los dioses —admitió el sacerdote real—. Pero somos los mortales los que les proporcionamos las herramientas para que nos conviertan en eso.”
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“Scatter?' Tate said. 'Why? We stay here. Why go anywhere else?''Because we'll never know how great this place is until we leave it,' Narnie said.”
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“And if I could bottle the look on his face, I'd keep it by my bedside for the rest of my life.”
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“You're going to go living. Because living is the challenge, Josie. Dying is so easy. Sometimes it only takes ten seconds to die. But living? That can take eighty years and you do something in that time, whether it's giving birth to a baby or being a housewife or a barrister or a soldier. You've accomplished something. To throw that away at such a young age, to have no hope, is the biggest tragedy.”
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“People fall out of love. People disappoint other people and they find it hard to forgive.”
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“One day" came.Because finally I understood.”
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“We're so different. You're an intellectual. I'm an idiot.""Don't say that," I yelled. "You're not an idiot, you stupid idiot.”
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“Sometimes I feel like a junkie. One minute something happens in my life and I'm flying. Next minute I take a nose-dive and just as I'm about to hit the ground with full force something else will have me flying again.”
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“There's nothing to took forward to any more if you don't have dreams," he said. "Because dreams are goals and John might have run out of goals. So he died.”
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“I'm scared to die," I whispered as Michael walked in."He was scared to live," he said kissing my forehead.”
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“Josie, life is not a Mills and Boon book. People fall out of love. People disappoint other people and they find it very hard to forgive.”
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“It's all rather political, mourning is.”
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“And we all end up where we started”
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“I think if I'm ever asked to recall what Year 12 was all about, I'll remember it as one big cappuccino experience.”
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“He took a deep breath and closed his eyes. "Okay, would you like pizza?""I don't think you deserve my company but I feel sorry for you so I'll say yes.""God help me," he said, half under his breath.”
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“But it was definitely a car trailing me and quickly I prepared myself for a great dash. I began quickening my step and when it stopped alongside me I could stand it no longer."My father's a cop and he'll kill you," I screeched without looking."No, he's a barrister," I heard Michael Andretti say in a calm voice, "and he'll kill you if you don't get into this car.”
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“We just have to learn to meet each other halfway okay?”
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“What did she say to you?""Nothing.""Oh, great. I have to try to get you out of this mess after you hit a girl for nothing," he whispered angrily. "Josephine, don't waste my time. You don't seem like a violent type. She had to have said something to rile you."I just don't like her. She's vain. She puts her hair all over my books when she sits in front of me in class.""So you hit her?""No ... yes.""A girl puts her hair all over your books, so you break her nose?""Well, I don't think it's broken, personally.""Doctor Kildare, we are not here to give a medical opinion. I want to know what she said to you.""God," I yelled exasperated. "She said something to upset me, okay?""What? That you were ugly? That you smell? What?"I looked horrified."I'm not ugly. I don't smell."He sighed and took off his glasses, sitting down in front of me and pulling my chair towards him. "I was just asking for a reason.""Never mind," I said."That creep out there wants -you to pay for his daughter's nose-job. Because of that nose-job she will be a famous model one day and you'll be working in a fast-food chain because you couldn't finish your Higher School Certificate due to expulsion. Now tell me what she said.""There's nothing wrong with a fast-food chain," I said, thinking of my McDonald's job."I'm really getting pissed off now, Josephine. You called me out of work for this and you won't tell me why.""Just go," I said, as he stood up and paced the room."I'll defend myself in court."He groaned and looked up to the ceiling pulling his hair. "God save me from days like this," he begged."Go," I yelled."Okay. Let him win. He's a creep. Creeps always win," he said walking to the door. "But don't think you're going to make it in a court room, young lady. If you can't be honest, don't expect to stand up in a court room and defend honesty.""She called me a wog, amongst other things," I said, finally. "I haven't been called one for so long. It offended me. It made me feel pathetic.""Did you provoke her?""Yes. I called her a racist pig due to some things she was saying.""Is she one?""God, yes. The biggest.”
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“God knows what possessed me, but having that science book in my hand propelled me to immediate action. So I hit her with it.”
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“I never thought meeting you would be this boring. I thought we'd put our Italian emotion into gear and scream the place down. I never expected indifference.”
Melina Marchetta
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