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Melina Marchetta

Melina Marchetta was born in Sydney Australia. Her first novel, Looking For Alibrandi was awarded the Children's Book Council of Australia award in 1993 and her second novel, Saving Francesca won the same award in 2004. Looking For Alibrandi was made into a major film in 2000 and won the Australian Film Institute Award for best Film and best adapted screen play, also written by the author. On the Jellicoe Road was released in 2006 and won the US Printz Medal in 2009 for excellence in YA literature. This was followed up by Finnikin of the Rock in 2008 which won the Aurealis Award for YA fantasy, The Piper's Son in 2010 which was shortlisted for the Qld Premier's Lit Award, NSW Premier's Lit Award, Prime Minister's Literary Awards, CBC awards and longlisted for the Miles Franklin Award. Her follow up to Finnikin, Froi of the Exiles and Quintana of Charyn were released in 2012 and 2013. Her latest novel Tell the Truth, Shame the Devil is an adult crime novel.


“For a moment I can't help thinking how decent he is - that there's some hope for him beyond the obnoxious image he displays. Maybe deep down he is a sensitive guy, who sees us as real people with real issues. I want to say something nice. Some kind of thanks. I stand there, rehearsing it in my mind."Oh my God," he says, "did you see that girl's tits?"Maybe not today.”
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“My old school, St Stella’s, only goes to Year Ten and most of my friends now go to Pius Senior College, but my mother wouldn’t allow it because she says the girls there leave with limited options and she didn’t bring me up to have limitations placed upon me. If you know my mother, you’ll sense there’s an irony there, based on the fact that she is the Queen of the Limitation Placers in my life.”
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“I need voices of reason and of hysteria and of empathy. I need to have an Alanis moment. I need advice from Elizabeth Bennett. I need Tim Tams and comfort food.”
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“But then Froi looked back to where his work lay unfinished and it made him sad because there had been something about the touch of earth in his hands that made him feel worthwhile.”
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“He hesitated, remembering something Finnikin had said to him on their journey. That somehow, even in the worst of times, the tiniest fragments of good survive. It was the grip in which one held those fragments that counted.”
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“I do not believe that the desires of young boys cause catastrophic events. The actions of humans do.”
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“Quintana of Charyn's body was a map of hatred.”
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“My mother, unlike yours, never exchanged sexual favors for a piece of silver," he said, addressing the first insult by banging the boy's head against the trunk of the tree. "And," he said with another resounding thump, "although I'm very familiar with that part of the female body, I take offense at being labeled one.”
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“It's like you have a plan and someone comes along and makes you want to change it all, but you still like your first plan, no matter how fantastic the second one makes you feel.”
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“You list the dead. You tell the stories of the past. You write about the catastrophes and the massacres. What about the living, Finnikin? Who honors them?”
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“He knows no other way but ugliness,” Sir Topher said quietly. “He was taught no other lessons but those of force. His teachers have been scum who live by their own rules. No one has ever taught him otherwise.”“Am I to forgive?” she said, her voice shaking with anger.“No,” he said sadly. “Pity him. Or give him new rules. Or put him down like a wild animal before he becomes a monster who destroys everything he encounters.”
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“It’s against the rules of humanity to believe there is nothing we can do.”
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“I've been passionate about two things in my life. One was Christina Alibrandi. The other is Josephine Alibrandi.”
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“I would rather die than ever see you suffering this way. I don't want you or any child I ever have or any woman I ever love to go through or feel what you're going through, but it's happened and I don't know what to do.”
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“Living is the challenge. Not dying. Dying is so easy. Sometimes it only takes ten seconds to die. But living? That can take you eighty years and you do something in that time.”
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“Sit back and get some sleep. Oh great. So if we have an accident and I'm asleep my resistance toward fighting death will be down and I'll wake up in a morgue.”
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“Fifteen minutes later I was an expert. That's all you need. I think I was even getting the upper hand, which is very simple with a guy. Anything seems to turn them on.”
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“Your problems are out there. But they're small. They only grow out of proportion when they climb inside your head.”
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“She asked me what type of contraceptive I use.Underwear. Keeping it on prevents pregnancy.”
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“He takes out a cigarette and offers one to me. "I try not to indulge. It's a filthy habit," I tell him. "I love that word filthy. I love the way you force it out of your mouth like it's some kind of vermin you want to get rid of." "You've had vermin in your mouth?" "You're mean in that way, you know. You don't let anyone get away with pathetic analogies.”
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“Who do you hang out with?" Natalia asks, looking over my shoulder. She's always done that. Wherever you are, whoever you are, she'll always look over your shoulder to see if there's someone more exciting to speak to. It used to make me feel paranoid.”
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“I think that we vote, not to get the best party in, but to keep the worst party out.”
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“It's too late. Seventeen-year-olds don't need fathers.Oh god. I'm thirty-four years old and I need a father. I can't even begin to think what my daughter needs.”
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“You're the father of the person who is my life.”
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“I won't push you for it anymore, okay. We'll stick to clever conversation.A bit of this and that won't hurt.Yeah, it won't hurt you. It'll drive me bloody crazy.”
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“We don't even love each other.I do a bit, you know.You do what a bit?You know. Like you...whatever...love you a bit.I think I kind of love you too.”
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“I just don't trust people who have bodies that change with their moods.Well then you'll never trust the opposite sex again.”
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“You're good enough, Jacob.”
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“She was the most beautiful woman in the world. If she was alive I'd probably be a better person.”
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“Maybe that’s why humans find it so hard getting over love affairs. It’s not the pain they’re getting over, it’s the love”
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“I´d read fantasy if they had simple names like Jane and Bob from Wagga," I say. "Why does it have to be Tehrana and Bihaad from the World of Sceehina?"Jimmy looks at my mother and rolls his eyes. "No wonder they call her bimbo behind her back."And my mum laughs.And because of that, Mark Viduka, the soccer player, stops being my brothers hero, and Luca and Pinocchio run after Jimmy like he´s their idol.”
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“And if I get a little chemically imbalanced in the head, like we all know I tend to get sometimes, and I don't want my parents or brother knowing, Will's like, 'We'll deal with it.' He's never said, 'I'll fix it up.' He just says, 'You're not up to going back to uni to finish your Honours this year? Big deal. There's next year. We'll deal with it.'" She nods. "That's what he does well.”
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“This is war," he say quietly."Well thank God you're dressed for it, Griggs.”
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“He nods. "My mum has one just the same and you have no idea how disturbing it is that it's turning me on.”
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“The gods do make playthings of us ... but it is we mortals who provide them with the tools.”
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“There are worse things than a lie and there are better things than the truth!”
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“Never underestimate the value of knowing another's language. It can be far more powerful than swords and arrows.”
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“When one is silent, those around speak even more.”
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“She's tired and leans her head on his shoulder, which is the resting place for all their heads, but when Justine and Siobhan and Francesca use his body so shamelessly he doesn't feel the need to turn his head and press his mouth against their hair.”
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“A very underestimated part of the world, The Entrance is.”
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“This hand says you spend the rest of your life with me," he said, holding out his left hand, "and this one says I spend the rest of my life with you. Choose."She bit her lip, tears welling in her eyes. She took both of his hands in hers and he shuddered. "I will die protecting you," he says.There was a look of dismay on her face. "Just like a man of this kingdom, Finnikin. Talking of death, yours or mine, is not a good way to begin a-"Isaboe gave a small gasp when he leaned forward, his lips an inch away from hers. "I will die for you," he whispered.She cupped his face in her hands. "But promise me you'll live first. Because nothing we are about to do is going to be easy and I need you by my side.”
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“I would pick them when they bloomed. And when she called me home for supper, I'd place them in her hair and the contrast would take my breath away.”
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“If I want more, I need to go and get it, demand it, take hold of it with all my might, and do the best I can with it.”
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“But you pashed Jonah Griggs and he's the leader of the enemy.”
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“I’m scared I’m going to spend the rest of my life in a state of yearning, regardless of where I am.”
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“...women are elephants and watch the way you say that in front of them because they'll think you're calling them fat and there's no coming back from that moment. But they hoard. They say they don't, but they do. We think that if something's not spoken about again, it goes away. It doesn't. Nothing goes away just like that...”
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“I recognise Santangelo's dad, who saves police brutality for when he gets to his son.”
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“We spoke about our dreams and how we always felt safe in them, no matter how bad everthing else seemed. He told me it was one of the best days of his life and then he took out his gun. A .22 rifle. And he leaned forward and whispered, "Forgive me, Taylor Markham." Before I could ask how he knew my name and what I was to forgive him for he said, "Take care of my little girl."And then he told me to close my eyes.And I've been frightened to do just that ever since.”
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“When it was over, she gathered him in her arms. And told him the terrible irony of her life.That she had wanted to be dead all those years while her brother had been alive. That had been her sin.And this was her penance.Wanting to live when everyone else seemed dead.”
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“My body becomes a raft and there's this part of me that wants just literally to go with the flow. To close my eyes and let it take me. But I know sooner or later I will have to get out, that I need to feel the earth beneath my feet, between my toes - the splinters, the bindi-eyes, the burning sensation of hot dirt, the sting of cuts, the twigs, the bites, the heat, the discomfort, the everything. I need desperately to feel it all, so when something wonderful happens, the contrast will be so massive that I will bottle the impact and keep it for the rest of my life.”
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